Tuesday, May 1, 2018

Get What You Want: May 2018

deadline: 5/1/18
website: https://www.cbscorporation.com/diversity/diversity-institute/writers-mentoring-program/

There are many different paths writers can follow to get their first foothold in being hired in television. As part of its ongoing commitment to create additional access for writers of diverse backgrounds CBS’ Diversity Institute has launched a different kind of writers program which highlights one of those paths. The focus of this eight-month program is on opening doors: providing opportunities to build relationships with network executives and showrunners; to support new and emerging writers in their efforts to improve their craft; and to develop the interpersonal skills necessary to break in and succeed. The Writers Mentoring Program is not employment and there is no monetary compensation. It is, instead, a structured program of career development, support, and personal access to executives and the decision-making processes, with the goal of preparing aspiring writers for later employment opportunities in television. Each participant will be teamed with an executive mentor.

A CBS network or studio executive with whom they will meet on a regular basis, to discuss their work, get creative feedback on their material and get advice and support in furthering their career.
Once a week, participants will be invited to attend a small workshop-style meeting with various CBS showrunners and other industry professionals. Speakers include executive producers, agents, managers, development and current executives and showrunners. The purpose of these gatherings is for participants to gain a better understanding of how the business works from many different perspectives as well as creating the opportunity to make critical networking connections. Another important part of the Program is the opportunity for each participant to spend time observing in a writing room, as well as in the CBS current and development departments. Each participant will have help in creating a rigorous career action plan and there will be on-going support in evaluating and achieving those goals. Another important benefit of the Program is the development of a close-knit peer support group that will sustain participants through the program and beyond. The CBS Writers Mentoring Program helps aspiring writers to understand the unwritten rules of breaking in and moving up. It is a combination of mentoring and networking opportunities. Program opportunities such as mentoring, workshops, and observing can be scheduled around participants’ existing work commitments. In order for a participant to get the most out of the Program a meaningful commitment of time and effort are required. It’s been found that in order to derive the greatest benefit from the Program, participants should be available to 1) attend a once a week (evening) workshop and 2) attend meetings or observe in various situations for a minimum of five full days (not necessarily in sequence) over the course of the eight-month Program.

The primary focus of The CBS Diversity Institute’s Writers Mentoring Program is to provide access and opportunities for talented and motivated diverse writers. Aspiring diverse writers with a strong desire to write for CBS television series are encouraged to apply. You must be 21 or older to be eligible.   All completed application materials must be received between March 1, 2018 and May 1, 2018. Any submissions received before March 1st or after May 1st, 2018 will not be considered. No hand delivered submissions will be accepted. Finalists will be notified in mid-September 2018 (or such later date as may be determined by CBS). The Program is scheduled to begin in October, 2018 and continues through April 1, 2019. CBS reserves the right to make adjustments to Program schedule.

Application Materials  ~
Each submission must be complete in order to be considered. A complete application packet includes:

Letter of Interest
Work Resume or Bio
Two (2) Writing Samples: one (1) half-hour or one-hour episodic spec script based on a current prime time television series which aired, or was released, during the 2017/2018 season on any network or cable channel, including Netflix, Hulu or Amazon and (1) original work of writing – (original pilot, stage play or short fiction story). Original material should match in tone the spec script.
A signed Submission Release form for the writing samples.
Please submit all documentation in PDF form.

Contact information must include an e-mail address for further communication from CBS. Applications cannot be processed until they are complete. Writing samples will not be returned.

Apply for the 2018 -2019 Writers Mentoring Program: https://wmp.cbscorporation.com/form/application/

Deadline: 5/1/18
Website: http://www.ox-bow.org/apply-for-a-residency/

Ox-Bow’s Artist-in-Residence program, located in Saugatuck, MI, offers artists and writers the time, space, and community to encourage growth and experimentation in their practice. During the fall residents are given the time, solitude, and focus often unavailable to so many working artists.

At Ox-Bow, artists can enjoy 24-hour access to their studios, and an inspirational setting, free from the expectations of commercial and academic demands. During the fall season, Artists-in-Residence have the opportunity to work in studios not available during the summer session. The fall is an ideal time for writers to apply as there are studios dedicated specifically to them. It’s also a great time to propose group or collaborative work. The residency is open to all visual art disciplines and writers.

The residency provides:
• Studio (access to ceramic, printmaking, and painting studios—if you would like access to these facilities make sure this is clearly stated in your application)
• Private room
• Meals
• A community of engaged artists
• Opportunities to share work: slide presentations and/or readings

We are happy to announce that in 2016 Ox-Bow furthered its commitment to the needs of artists by no longer charging fees for the residency program (including application, room & board, and residency fees). All accepted residents are fully funded. Artists may apply for additional stipends to help pay for the cost of travel, supplies, and time away from work.

To find out more about Ox-Bow’s AIR program and to apply, visit our website: http://www.ox-bow.org

Deadline: 5/1/18 (late deadline with larger fee)
Website: http://www.oscars.org/nicholl/about

Each year, the Academy Nicholl screenwriting competition awards up to five $35,000 fellowships to amateur screenwriters. To enter, submit a feature-length screenplay and entry fee via the online application when the competition is open for submissions. Fellowship winners are invited to participate in awards week ceremonies and seminars and expected to complete at least one original feature film screenplay during the Fellowship year.

Screenwriters who have not earned more than $25,000 writing fictional work for film or television.

Entry scripts must be the original work of one writer, or of two writers who collaborated equally, and must be written originally in English. Adaptations and translated scripts are not eligible.

NEW FOR 2017: Full-time students at an accredited college/university are eligible for a discount on their entry fee in 2017. Indicate your status in the demographic section of your online application. The discount will be offered in the payment section.

Up to five $35,000 fellowships are awarded each year to promising new screenwriters. From the program’s inception in 1986 through 2016, $4.090 million has been awarded to 160 writers.

Up to five fellows in the Academy Nicholl Fellowships in Screenwriting competition will be invited to participate in awards week ceremonies and seminars in November.

Fellowship recipients will be expected to complete at least one original feature film screenplay during the fellowship year.

Fellowship payments will be made quarterly subject to satisfactory progress of the recipient’s work, as judged by the Academy Nicholl Fellowships Committee.

The Academy reserves the right to grant no awards if, in the opinion of the Academy Nicholl Fellowships Committee, no entry is of sufficient merit.

I AM SOUL RESIDENCY (National Black Theatre)
Deadline: 5/1/18
Website: http://www.nationalblacktheatre.org/playwrights-residency

 I AM SOUL recognizes one black playwright annually whose work demonstrates exceptional artistic merit and excellence in the field. Alongside NBT’s Theatre Arts Director, the selected playwright will develop a new play during the 18 month residency. The program will provide the playwright with a stipend [pending funding], administrative and dramaturgical support, in-house readings, one 29-hour workshop and a workshop production in NBT’s following season

 With I AM SOUL, NBT seeks to deepen the artistic relationship between black theatrical institutions and black playwrights, and to begin to re-establish black theatrical institutions as the foremost supporters and producers of new works created by black playwrights.

Deadline: year-around, but it takes 60-90 days for a response.
website: http://aabbfoundation.org/grant-guidelines

The Arch and Bruce Brown Foundation offers grants to production companies to offset expenses in producing theatrical works (plays, musicals, performance art, operas, choral works, orchestral works with text) and film or video. All works must be LGBTQ-themed and must be based on, or inspired by, history. See What Is Historical? for more information.

Grants may be used toward any aspect of a production. Grants do not exceed $1,500; the amount of each is decided on an individual basis.  When choosing which projects to fund, the foundation gives priority to new works and to productions aimed at creating new audiences for LGBTQ-themed performing-arts works. Please note: The foundation no longer supports revivals of plays by well-known LGBTQ playwrights.

Please be advised that the foundation is NOT a production company. Grantees are responsible for producing the works for which they receive grants.

Also, please note that the foundation makes production grants only to incorporated not-for-profit entities such as theatrical companies, film and video production organizations, and the like. If you are an individual not associated with a not-for-profit organization that will produce your work, you are not eligible for consideration for a production grant. If you or your group is not an incorporated not-for-profit but is affiliated with a not-for-profit that can act as your fiscal sponsor, please tell us the name of that organization and provide documentation of its 501(c)3 status.

Proposals may be submitted throughout the year; please allow 60 to 90 days for a response.

Deadline: May 1st
Website: http://www.netconline.org/aurand-harris-award.php

This award was created in 1997 to honor the late Aurand Harris (1915-1996) for his lifetime dedication to all aspects of professional theatre for young audiences.

The winning script will receive a $1000 cash prize, and the runner-up will receive a $500 cash prize. A staged reading of the award-winning scripts, or of selected scenes from those scripts, may be given at the annual NETC convention in the fall or on another occasion.

The contest is for new full-length plays for young audiences. No musicals nor plays targeted at adult audiences.

Plays submitted to the contest must not have been:

-previously published

-submitted to NETC’s Gassner Playwriting Contest

-previously produced by a professional or Equity company.

-Plays submitted which have had workshop productions or staged readings are eligible and encouraged.

Plays submitted to this contest may have been submitted to another playwriting contest, and may have previously won a prize or an award in another contest. However, such plays must not have been published or professionally produced andmust not be under option for publication or professional production.

Playwrights may submit only one play to the contest in one year.

Submission Guidelines
Playwrights should email a copy of their script to mail@netconline.org. Only manuscripts submitted electronically will be considered.

Along with your script, please include:

a statement that the play will not have been published or professionally produced as of April 15, 2018, and that it is not under option for publication or professional production and will not be under such option as of April 15, 2018.

a list of the play’s workshop and non-professional productions, if any, and awards received, if any.

Dramatists Guild Fund Fellowship
Deadline: 5/2/18
Website: https://dgf.org/fellows-application/

DGF Fellows is open to playwrights and musical theater writers who have participated in an organized theatrical workshop within the last ten years, have participated in a graduate program in theatrical writing within the last five years, or have comparable experience, such as one or more professional productions. Musical theater writers may apply as individuals or in teams of up to three collaborators. Playwrights may only apply as individuals.

Admitted playwrights and musical theater writers will receive a stipend, and meet twice a month in NYC to share progress on their pieces and receive feedback from Program Chairs, guest artists, and the Fellows class.

Early fall 2018: Selected Fellows announced

Application materials can only be submitted online.

The full application will consist of:

• Excerpts from a play or musical in development. Please note that you must apply with excerpts from the show you would like to develop in the program.

• A cover letter responding to the following prompt: “Describe a time when you felt part of a community.”

• A letter of recommendation from a theater educator, mentor, collaborator or colleague. This is optional, however, DGF will require this of some applicants based on experience.

DGF encourages writers of all backgrounds to apply.

For questions, please email applications@dgf.org or call 212-391-8384.
You can also Tweet your questions to @dgfound.

Geffen Playhouse Writers' Room
Deadline: 5/7/18
Website: http://www.geffenplayhouse.org/thewritersroom

The Geffen Playhouse is thrilled to launch the inaugural cycle of The Writers’ Room, a group for Los Angeles-based playwrights. During this one-year residency, playwright members will gather monthly at the Geffen to share their work and receive feedback from their peers in a forum facilitated by Rachel Wiegardt-Egel, the Geffen’s Manager of New Play Development. Applications are open to all Los Angeles-based playwrights regardless of career level.

We invite local playwrights to apply with ambitious new projects. In order to apply, please send a one page project proposal and a 20 page writing sample (from a previous full-length play) to thewritersroom@geffenplayhouse.org. The project proposal should include: your name, your email address, your phone number, your permanent address (including zip code), and the title of your writing sample, as well as a description of the plot and style of the play you’d like to work on during this one-year residency and why you would benefit from taking part in The Writers’ Room program. Please send both the proposal and writing sample as PDFs.

The Writers’ Room group will meet once a month on Monday nights from September 2018 through July 2019 (with the exception of two meetings each in September and October of 2018). Readings of each play will take place in summer 2019. While we understand that conflicts can be unpredictable, please do not apply if you know you will be unavailable on Mondays or will be out of town for an extended period of time that will cause you to miss more than two of the monthly meetings. If you are unsure whether your conflicts will prohibit you from participating, please note this in your proposal.

Sundance Institute - Screenwriters Lab
Deadline May 15
Website: http://www.sundance.org/programs/feature-film#labs

The development track has one open application that allows your fiction feature work-in-progress screenplay to be considered for the following programs, fellowships, and grants:

Screenwriters Lab (held annually in January)
Screenwriters Intensive (held annually in March)
FilmTwo Initiative (Intensive held annually in March; for filmmakers developing their second fiction feature)
Sundance Institute Asian American Fellowship
Sundance Institute Feature Film Program Latinx Fellowship
Sundance Institute Alfred P. Sloan Fellowship and Commissioning Grant (for projects with scientific and/or technological content)
Sundance Institute Open Borders Fellowship (for international directors based outside the U.S.)
Our application includes questions to determine your eligibility for each program and fellowship, and you will automatically be considered for all programs and fellowships for which you are eligible. (There is no open application for the Directors Lab, which is typically populated by projects that have been supported through a previous development program.)

The Relentless Award
Deadline: May 15th
Website: http://www.americanplaywritingfoundation.org/the-relentless-award.html


Plays that are challenging.
Plays that exhibit fearlessness.
Plays that are not mainstream.
Plays that exude passion.
Plays that are relentlessly truthful.
The American Playwriting Foundation encourages submissions by first time playwrights, women and playwrights of color.


The author of the Relentless Award-winning play will receive $45,000.
The winning playwright will have the option to have the winning play published by the Dramatists Play Service.
The winning playwright will have a week-long residency at SPACE on Ryder Farm, an artist residency program housed on a working organic farm in Brewster, New York. The author can elect to have a director, a dramaturg and actors join him or her while in residence on the farm.
The selected play will have a national roll-out through the Ed Vassallo Relentless Reading Series, established to help bring to life and develop the winning play by presenting a series of staged readings at some of the top theaters across the United States.
When the winning play is selected, three runners-up will also be named.

Submissions will be accepted from March 1, 2016 through May 2, 2016. Submissions must be sent via this website by 11:59pm EST, May 2, 2016.

Any unproduced play written by a United States citizen or permanent resident (green card holder) is eligible for The Relentless Award.
Each play must be submitted with a letter from a theater professional recommending the play. “Theater Professional” is defined as anyone who has worked in theater in any artistic capacity for a minimum of four years.
Plays with a producer, producing organization or theater attached are not eligible.
As much as we love them, one-act plays, musicals and plays for children are not eligible.
The author must be at least 21 years old.

Use the form on our website to submit your play and accompanying letter of recommendation to The American Playwriting Foundation.
NOTE: please DO NOT have your name or other identifying info (email/phone number) on any of your manuscript pages. Please also exclude agent info, development info, and dedications.This will preserve the author's anonymity for the judges.
Please provide your script file in pdf (rather than Word documents), with the title format: TITLE OF PLAY.pdf. Do not include your name in the file script title.
You'll receive confirmation that your script and accompanying materials have been received. As submissions are processed manually, please allow up to two weeks to receive this confirmation.

Mitten Lab
deadline: May 15th
website: https://www.themittenlab.org/apply

The MITTEN Lab is an artist residency located in Northern Michigan aimed at providing early career theatre artists with the time, space, and support to develop new theatrical works and engage with the local landscape.

The MITTEN Lab (A Michigan Incubator for Theatre Talent Emerging Now) was conceived to give early career theatre artists the opportunity to generate and showcase work in an encouraging environment as well as play a part in expanding and strengthening the development of new theatre in Michigan. Our ultimate aim is to provide Michigan theatre organizations with the chance to encounter diverse, dynamic talent and work, leading to meaningful collaboration with emerging artists and meaningful partnerships with neighboring organizations.

The MITTEN Lab focuses on the advancement of works in the performing arts and thus is aimed at cultivating early career playwrights, theatre composers, lyricists, librettists, choreographers, and performance artists. Projects can vary in degree of development—from the seed of an idea to a final draft. Housing, travel, studio space, and food are provided at no cost to participating artists.

The Lab initially began by working with 3 artists, with the hope of expanding to include more artists and longer residencies in the near future (though we are committed to including at least one Michigan-based artist each year). Participation is currently by invitation only, but will ultimately lead to an open application process.

The MITTEN Lab is open to playwrights, musical theatre composers, lyricists, and librettists ages 18 and up. The 2018 residency will take place from September 9-16, 2018 in Bear Lake, MI and culminate with a presentation featuring Interlochen Arts Academy students.

Please note, The MITTEN Lab is only able to accommodate individual artists or writing teams of two (2) at this time - large groups or collaborative teams are not encouraged to apply. If applying as a team, only complete one application with additional collaborator supplemental materials as indicated.

Donation-based presentations of works-in-process created at the MITTEN Lab will be showcased in Northern Michigan for the local community as well as various venues across the state.

Nick Darke Award
Deadline: 5/21/18
Website: https://www.falmouth.ac.uk/nickdarkeaward

The Nick Darke Award was set up in 2006 to celebrate the best writing for stage, screen and radio. The Award is open to all writers with a prize of £6,000. This year's theme is stage play.

All materials should be emailed to: nickdarkeaward@falmouth.ac.uk. Deadline for submissions is May 21, 2018 at 5pm GMT.

Please submit a full stage play script (minimum of 45 minutes in length, no maximum) and a one page synopsis about the play in PDF format.

All submissions should be entered anonymously, do not include a name, address or email on the script. Please put contact details in the email with your submission.

Confirmation of receipt of entry will be sent by email.

Late or incomplete entries will not be considered.

A shortlist of eight plays will be announced on September 7th, 2018. Unsuccessful applicants will not be notified. The winner will be announced at an award ceremony in autumn 2018.

For further details, including specific information about the judging process and a history of the award, please see this information packet.

Alice Judson Hayes Writing Fellowship
Deadline: 5/15/18
website:  https://ragdale.submittable.com/submit/110781/2019-alice-judson-hayes-fellowship

The Alice Judson Hayes Writing Fellowship is an annual award in memory of Alice Hayes, who created the Ragdale Foundation in what had been her family home. All her life she was committed to working for a just and peaceful world. An 18- or 25-day residency, free of charge, and a $500 stipend will be given to a writer who is working on a project designed to bring awareness to a contemporary issue having to do with peace, social justice, education, or the environment. Projects can be nonfiction or fiction (including journalism, essays, memoir, script-writing, creative nonfiction). No academic writing.

Applications are submitted through the Submittable online portal for the Alice Judson Hayes Fellowship, a category separate from the regular application deadline.

For more info or to submit online:  https://ragdale.submittable.com/submit/110781/2019-alice-judson-hayes-fellowship

Luxembourg Arts Prize
Deadline: May 31st
Website: https://www.luxembourgartprize.com/en/call-for-submissions-en/

The Luxembourg Art Prize aims to reveal and promote talented artists who have yet to establish a profile on the contemporary international scene. Its function is to discover artists, and it is open to any artist, amateur or professional, with no limits on age, nationality or place of residence. The Prize is aimed at artists working in one or more of the following media: drawing, printing, installation, painting, performance, photography, digital art, sculpture, sound art, video, mixed media, decorative art (textiles and material, glass, wood, metal, ceramics, mosaic, paper or other techniques).

How do I enter?

Artists have to create a Candidate Space on the Luxembourg Art Prize website and complete the entry form on-line. Everything takes place via the Luxembourg Art Prize website. Only entries submitted on-line via the artist’s personal Candidate Space will be accepted. Candidates may update and complete their submissions on-line as many times as necessary until the deadline for submissions.

Entry fee
Entry for the Luxembourg Art Prize 2017 is subject to the payment of an entry fee to be paid on-line. The entry fee is €45 (about 49 USD or 39 GBP or 48 CHF or 63 CAD or 5,463 JPY).
The entry fee pays for the time spent examining the entries by all the members of the selection committee. Talent is independent of age; we hope to receive submissions from artists young and not so young who have real personality and whose works will delight us.

The winner of the Prize in 2017 will receive an award of €25,000 (about 27,020 USD or 21,517 GBP or 26’725 CHF or 35,125 CAD or 3,035,000 JPY) to fund the production of further work and an individual exhibition in a prestigious gallery. The finalist artists will be included in a group exhibition in the gallery. The Luxembourg Art Prize is a unique opportunity to enter the international professional art circuit and to have your work seen by major private and institutional art collectors. You will have the chance to be supported and personally advised by Hervé Lancelin.

Unlike other prizes or art salons, the Luxembourg Art Prize is designed to boost your career by exhibiting your work in an international gallery and giving you a high level of visibility. Hervé Lancelin has been an art enthusiast for nearly 50 years. He is a member of ADIAF, a prestigious association of major European collectors. He has been a member of the selection committee for the Marcel Duchamp Prize in collaboration with the Centre Pompidou in Paris and has been a trustee of the Amis du Musée d’Art Moderne, d’Art Contemporain et d’Art Brut (Friends of the Museum of Modern, Contemporary and Outsider Art) in Lille for several years.

The gallery will organise return travel for the nominated artists and their companions by train or air. The gallery will send travel documents to the nominated artists and their companions within the ten days before the opening of the nominated artists’ group exhibition.
The gallery will also book hotel rooms for the purpose on the basis of dual occupancy (each artist with his or her companion).

The candidates are invited to research as early as possible whether their journey to the Grand Duchy of Luxembourg will require a visa (http://www.gouvernement.lu/4843909).

How does the Artistic Committee make its choice?

The Artistic Committee is already looking forwarding to getting to know your work and examining your entry carefully. They expect you to fulfil certain criteria, which may appear subjective but are nevertheless important.

For example, the Committee may be sensitive to the following points: the originality of the work, technical mastery, coherence of the work, freshness, novelty, historical continuity, the artistic, literary, historical, scientific or philosophical references in your work, the message conveyed, the poetry that emerges from the work.

The Committee hopes to find works that have been produced in a unique moment of grace experienced by the artist at the time of their creation. These magical creative moments are what make a work unique and unlike any other.

Ingenious Grant for Playwriting
Deadline: 6/1/18
Website: http://www.townhalltheater.org/ingenious-grant-playwriting/

Town Hall Theater is offering a $1,000 prize for a new play with several interesting roles for young women. We want to give young actresses the opportunity to be the heroines or villainesses of a variety of stories. The winning play will receive a staged reading at Town Hall Theater in Middlebury, Vermont with the possibility of a full production in the Fall of 2018. Playwrights are invited to be a part of the reading or production process. The extent of the playwright’s involvement will be determined by future funding and availability/ interest on the part of the individual playwright.

To be considered, plays must have young female characters (ages 18 and under) with speaking roles that go beyond the stereotypical girlfriend, daughter or nerdy best friend roles. Older roles and roles for men are welcome, but the story should have a young female protagonist and female supporting characters. Plays can be any genre, but it must be family-friendly or at least rated PG. We’d like to see lady pirates, evildoers, explorers, nerds, adventurers, poets, robots, preachers, goofballs, creatures, etc- a wide array of roles for young women. We will also not turn away a well-made play set in a school. Musicals will be considered. We are not accepting adaptations or translations at this time.

McColl Artist in Residency
deadline: June 6th
website: http://mccollcenter.org/artists-in-residence/residency-programs

McColl Center for Art + Innovation is a nationally acclaimed artist residency and contemporary art space in Charlotte, North Carolina. Its mission is to empower artists, advance communities, and contribute positive impacts to its broad public audience by introducing a range of current artistic practices. Located in the former Associate Reformed Presbyterian Church in Uptown Charlotte, McColl Center houses nine individual artist studios, more than 5,000 square feet of exhibition space, and multiple common-use spaces, including a studio for large-scale sculpture fabrication. We invite artists to take risks in their processes and explore their ideas within the context of Charlotte. We welcome the visiting public to connect with contemporary art and artists through exhibitions and public programs.
McColl Center annually awards residencies to approximately eighteen artists. Regional, national, and international artists are selected through a combination of open applications, invitations, and solicited nominations. The Artist-in-Residence Program is open to artists working in architecture, drawing, painting, sculpture, photography, film, video, new media, design, music, theatre, social practice, community organizing, urban agriculture, culinary arts, or interdisciplinary practices. The residency program provides a space for creative inquiry and exploration among a dynamic group of artists, thinkers, and practitioners.


● $6,000 living allowance
● $2,000 materials stipend (prorated for residencies shorter than three months)
● Furnished one-bedroom condominium with Wi-Fi
● Private workspace (230–819 square feet) with Wi-Fi
● Participation in a group exhibition on the second or third floor of McColl Center
● Photo and video documentation
● Technical and administrative services
● Reimbursement for one round-trip economy-class flight
● Opportunities to engage with McColl Center audiences via public programs


● Minimum 21 years of age
● Matriculating students are not eligible.
● Past artists-in-residence of McColl Center should wait five years before applying for another residency. Artists are limited to two residencies at McColl Center.


Applicants will be notified of their application status in July 2018, or as soon as possible, depending on the availability of the reviewing panelists.

Fred Ebb Award
Deadline: 6/30/18
Website: http://fredebbfoundation.org/fred-ebb-award/eligibility/

Each applicant must be a composer/lyricist or composer/lyricist team wishing to create work for the musical theatre, and must not yet have achieved significant commercial success.

Application Materials:

A CD, flash drive, or electronic file of up to four songs from one or more musical theatre pieces, with typewritten lyrics and a description of the dramatic context for each song; and
A completed application form.
We will code the applications as they arrive. Because all submissions will be reviewed blind, please do not place name(s) of writer(s) on the CD, flash drive, electronic file names, lyric sheets, or description of dramatic context. Only musical theatre work will be considered. Please do not submit live recordings. The applicant(s) must have written all the songs included in the submission. For example, a composer cannot submit one song with her own lyrics, and a second song with lyrics by another writer. No individual may appear on more than one application. You cannot apply as an individual and again as part of a team, or as part of more than one songwriting team.

Submission Deadline and Award: Applications will be accepted from June 1st – June 29th.

Please mail or deliver applications to:

Fred Ebb Award, Roundabout Theatre
231 West 39th Street, Suite 1200
New York, New York 10018

Mailed submissions must be postmarked not later than June 30.

The winner will be selected in November and will receive $60,000. The Foundation will also produce a one-night showcase of the winner’s work.

PEN Writing for Justice Fellowship
Deadline: 7/1/18
website: https://pen.org/writing-justice/

PEN America’s $10,000 Writing for Justice Fellowship will commission six writers—emerging or established—to create written works of lasting merit that illuminate critical issues related to mass incarceration and catalyze public debate.

The PEN America Writing for Justice Fellowship aims to harness the power of writers and writing in bearing witness to the societal consequences of mass incarceration by capturing and sharing the stories of incarcerated individuals, their families, communities, and the wider impact of the criminal justice system. Our goal is to ignite a broad, sustained conversation about the dangers of over-incarceration and the imperative to mobilize behind rational and humane policies. As an organization of writers dedicated to promoting free expression and informed discourse, PEN America is honored to have been entrusted by the Art for Justice Fund to engage the literary community in addressing this pressing societal issue.

The Writing for Justice Fellowship is open-genre, and proposed projects may include—but are not limited to—fictional stories; works of literary or long-form journalism; theatrical, television or film scripts; memoirs; poetry collections; or multimedia projects. The most competitive applications will demonstrate how the proposed project will engage issues of reform, fuel public debate, crystallize concepts of reform, and facilitate the possibility of societal change. As part of our mission to stimulate discussion, emphasis will be placed on proposed projects that show strong promise for publication. Fellows must commit to contribute actively to bringing attention to their work and that of other Fellows. The Fellowship is open to writers at any stage of their career. Currently and formerly incarcerated writers are highly encouraged to apply, and special provisions will be made for incarcerated writers to participate through alternative methods.

Fellows will receive an honorarium of $10,000 and may request up to $5,000 in additional funding for travel and research. In addition to financial support, Fellows may choose to be paired with a mentor to serve as a source of guidance for the project, and the cohort will convene in person twice during the course of the Fellowship. PEN America will draw on the Writing for Justice Advisory Committee as well as its network of agents, editors, publishers, partner organizations and outlets in order to assist efforts for publication and dissemination of the work of the Fellows. Opportunities for sharing the created work through public forums will be organized in New York City at the PEN World Voices Festival, in the Fellow’s home community, and possibly additional locations.

The first eight months of the Fellowship are designed for Fellows to research, create, and connect with mentors and the cohort, working toward submission of a polished final product that is ready for publication. The final four months of the Fellowship will focus on placing the works for public dissemination and opportunities for Fellows to present their work publicly.

July 1, 2018: Deadline to apply
September 2018: Successful applicants notified
September–May 2018: Fellows work on their projects, meet with mentors
October TBD, 2018: Cohort meeting #1 (NYC)
February 8–10, 2019: Cohort meeting #2 (Location TBD)
April 2019: PEN World Voices Festival event featuring works in progress
May 2019: Work completed and submitted for publication
May–August 2019: Placing work and public presentations

To be eligible for this Fellowship, the applicant must be

21 years of age or older.
An individual writer. Collaborative projects are acceptable, but only one project lead may apply and participate in the Fellowship’s activities.
A United States resident.
Available to participate actively in all dimensions of Fellowship programming, including mandatory gatherings and public programs. (The Fellowship will cover costs associated with these events, separately from the Fellowship honorarium and travel/research budget.) Currently incarcerated writers and formerly incarcerated writers on parole will participate through alternative means.
Able to demonstrate a track record of successful projects brought to completion on time.
Membership in PEN America is not required. Please see FAQs below for more information.

Fellows will be selected on artistic merit, the project’s approach and potential for impact, and the feasibility of project to be fully completed and in polished, publishable form within the given time frame. Applications will be reviewed by PEN America and expert advisors through an anonymous process.

Applications close July 1, 2018. Fellows will be announced in September 2018.

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