1.
BMI Musical Workshop
Deadline: June 1st for librettist
August 1st for composers and lyricists
Website: https://www.bmi.com/theatre_workshop/application_requirements
A new prologue to the established Librettists Workshop, Bookwriting Basics explores the fundamentals of writing book for the musical theatre through a series of lectures and assignments. This is a one-year course.
Fall Semester
Award winning bookwriter Adam Mathias unlocks the toolkit for musical theatre librettists. Through lecture, discussion and assignments students learn how to apply the fundamentals of playwriting to the craft of creating musicals.
Spring Semester
David Spencer, award winning bookwriter/lyricist and author of The Musical Theatre Writers’ Survival Guide, leads exploration through a series of masterworks to uncover what makes them work...and through analysis of promising source material for unsuccessful shows that had the potential to work…in which the class endeavors to solve inherent challenges that the original creative teams didn’t.
Librettists Workshop
After completing the Bookwriting Basics program, writers may apply to join the established Librettists Workshop group. Not all writers who apply will be invited to join.
Nancy Golladay, veteran Broadway literary manager and dramaturg, moderates a writers’ roundtable focused on developing the skills unique to musical theatre bookwriters. Members read and critique each other’s work as their material evolves from one-page synopses to fully scripted scenes — including occasional cold readings of an entire show. In a yearly collaborative project, the Librettists Workshop engages with the First Year Songwriting Class. Librettist Workshop members are also eligible to participate in Collaborator Connections events with members of the Songwriters Workshops.
2.
The Sherwood Award
Deadline: June 1st (initial deadline)
Website: https://www.centertheatregroup.org/programs/artists/sherwood-award/
Center Theatre Group's $10,000 Richard E. Sherwood Award for emerging theatre artists is given annually to nurture innovative and adventurous theatre artists working in Los Angeles.
The Sherwood Award nurtures emerging artists and invites them to engage in a professional relationship with Center Theatre Group. Sherwood Award recipients demonstrate leadership qualities, push existing boundaries, and are dedicated to improving the future of their respective artistic fields. Artists are not limited by title, role, or genre, but they must have a relationship to contemporary performance rooted in theatre.
The application for the 2019 Sherwood Award is now live. The deadline for the initial application is June 1, 2018 at 11:59 pm PT. Select candidates will be invited to submit full applications. Full applications, along with letters of recommendation and work sample material, will be due no later than July 27, 2018 at 11:59 pm PT. The winner will be announced at the LA STAGE Alliance Ovation Awards.
Sherwood Award Requirements
Applicants must be:
An individual artist (no groups or teams)
A resident of Los Angeles for at least two years
An artist who has developed/collaborated on at least two fully produced projects in Los Angeles
Emerging in their field and/or at a catalytic moment in their career (which does not reflect the age of the artists, but where they are in the trajectory of their careers)
Sherwood Award priorities:
Competitive candidates will demonstrate the following qualities:
Innovative—introducing new ideas; original and creative in thinking
Pushing boundaries—extending frontiers, experimenting, challenging the theatrical norm, finding new forms of artistic expression
Exceptional talent—the ability to capture the attention of the audience through pure skill and craft, a natural ability or aptitude in the selected field, translating passion and dedication into works of art, etc.
Effective communication—theatre artists who can passionately and effectively communicate their point of view and distinct artistic voice.
About the Sherwood Award Application Process
There are four phases in the Sherwood Award application process.
Phase One (June)
Initial applications are reviewed by the Sherwood Artistic Program Coordinator, the Sherwood Fellow, and Center Theatre Group's Artistic Development Program Manager (Sherwood Team). Applicant's submitted application, professional resume, and artist statement will be reviewed.
Phase Two (Late June – August)
Applicants who meet the requirements of the Sherwood Award and demonstrate qualities aligning with the priorities outlined above, or applicants who are nominated by an external nomination committee, are invited to submit a full application. Full applications are reviewed by the Sherwood Team and one external reviewer. In addition to the initial application, work sample material, one letter of recommendation, and written responses will be reviewed.
Phase Three (August – September)
Approximately eight semi-finalists will be selected. Semi-finalists will be reviewed by an external panel of professionals who will make recommendations to the Sherwood Team. These applicants will then interview with the Sherwood Team. Three finalists will then be selected.
Phase Four (October)
The three finalists will interview with the Sherwood Award Panel comprised of Dee Sherwood, the Sherwood Team, and additional Center Theatre Group artistic staff. By this point, all members of the Panel will have reviewed the candidates' work. Finalists will be announced in early October, and the Sherwood Award recipient will be announced at the Ovation Awards.
3.
McColl Artist in Residency
Deadline: June 6th
website: http://mccollcenter.org/artists-in-residence/residency-programs
McColl Center for Art + Innovation is a nationally acclaimed artist residency and contemporary art space in Charlotte, North Carolina. Its mission is to empower artists, advance communities, and contribute positive impacts to its broad public audience by introducing a range of current artistic practices. Located in the former Associate Reformed Presbyterian Church in Uptown Charlotte, McColl Center houses nine individual artist studios, more than 5,000 square feet of exhibition space, and multiple common-use spaces, including a studio for large-scale sculpture fabrication. We invite artists to take risks in their processes and explore their ideas within the context of Charlotte. We welcome the visiting public to connect with contemporary art and artists through exhibitions and public programs.
McColl Center annually awards residencies to approximately eighteen artists. Regional, national, and international artists are selected through a combination of open applications, invitations, and solicited nominations. The Artist-in-Residence Program is open to artists working in architecture, drawing, painting, sculpture, photography, film, video, new media, design, music, theatre, social practice, community organizing, urban agriculture, culinary arts, or interdisciplinary practices. The residency program provides a space for creative inquiry and exploration among a dynamic group of artists, thinkers, and practitioners.
Support
● $6,000 living allowance
● $2,000 materials stipend (prorated for residencies shorter than three months)
● Furnished one-bedroom condominium with Wi-Fi
● Private workspace (230–819 square feet) with Wi-Fi
● Participation in a group exhibition on the second or third floor of McColl Center
● Photo and video documentation
● Technical and administrative services
● Reimbursement for one round-trip economy-class flight
● Opportunities to engage with McColl Center audiences via public programs
Eligibility
● Minimum 21 years of age
● Matriculating students are not eligible.
● Past artists-in-residence of McColl Center should wait five years before applying for another residency. Artists are limited to two residencies at McColl Center.
Notification
Applicants will be notified of their application status in July 2018, or as soon as possible, depending on the availability of the reviewing panelists.
4.
DVRF Playwrights Program
Deadline: June 11th
Website: http://www.dvrf.org/about-the-program/
The Playwrights Program is an annual opportunity intended to help new and compelling full-length plays come to the attention of the greater public.
Each year the Dennis and Victoria Ross Foundation (DVRF) selects one previously unproduced play to receive an intensive development in New York City. This period is structured in dialogue with the playwright to best accommodate their needs and artistic goals for the piece. The program culminates in presentations to invited audiences featuring producers, directors, and other industry professionals.
Rules and Guidelines for Submission:
-We are seeking full-length plays only. While there is no strict minimum for length we suggest all submissions be at least 30 pages long.
-Submissions must be in English.
-No play that is currently under option, or has previously had a full, public production is eligible for selection. Submissions that have been developed previously or were under option must be accompanied by a brief summary of their developmental history.
-Please only one submission per playwright/playwriting team.
-The play must be original or based on material which the author previously was afforded the rights to.
-Playwrights must be residents of the United States and at least 18 years of age.
-This program is intended only for playwrights who will be able to attend at least a 1-2 week-long workshop and presentation in New York
5.
Fred Ebb Award
Deadline: 6/30/18
Website: http://fredebbfoundation.org/fred-ebb-award/eligibility/
Each applicant must be a composer/lyricist or composer/lyricist team wishing to create work for the musical theatre, and must not yet have achieved significant commercial success.
Application Materials:
A CD, flash drive, or electronic file of up to four songs from one or more musical theatre pieces, with typewritten lyrics and a description of the dramatic context for each song; and
A completed application form.
We will code the applications as they arrive. Because all submissions will be reviewed blind, please do not place name(s) of writer(s) on the CD, flash drive, electronic file names, lyric sheets, or description of dramatic context. Only musical theatre work will be considered. Please do not submit live recordings. The applicant(s) must have written all the songs included in the submission. For example, a composer cannot submit one song with her own lyrics, and a second song with lyrics by another writer. No individual may appear on more than one application. You cannot apply as an individual and again as part of a team, or as part of more than one songwriting team.
Submission Deadline and Award: Applications will be accepted from June 1st – June 29th.
Please mail or deliver applications to:
Fred Ebb Award, Roundabout Theatre
231 West 39th Street, Suite 1200
New York, New York 10018
OR
fredebbfound@gmail.com
Mailed submissions must be postmarked not later than June 30.
The winner will be selected in November and will receive $60,000. The Foundation will also produce a one-night showcase of the winner’s work.
6.
PEN Writing for Justice Fellowship
Deadline: July 1st
website: https://pen.org/writing-justice/
PEN America’s $10,000 Writing for Justice Fellowship will commission six writers—emerging or established—to create written works of lasting merit that illuminate critical issues related to mass incarceration and catalyze public debate.
The PEN America Writing for Justice Fellowship aims to harness the power of writers and writing in bearing witness to the societal consequences of mass incarceration by capturing and sharing the stories of incarcerated individuals, their families, communities, and the wider impact of the criminal justice system. Our goal is to ignite a broad, sustained conversation about the dangers of over-incarceration and the imperative to mobilize behind rational and humane policies. As an organization of writers dedicated to promoting free expression and informed discourse, PEN America is honored to have been entrusted by the Art for Justice Fund to engage the literary community in addressing this pressing societal issue.
The Writing for Justice Fellowship is open-genre, and proposed projects may include—but are not limited to—fictional stories; works of literary or long-form journalism; theatrical, television or film scripts; memoirs; poetry collections; or multimedia projects. The most competitive applications will demonstrate how the proposed project will engage issues of reform, fuel public debate, crystallize concepts of reform, and facilitate the possibility of societal change. As part of our mission to stimulate discussion, emphasis will be placed on proposed projects that show strong promise for publication. Fellows must commit to contribute actively to bringing attention to their work and that of other Fellows. The Fellowship is open to writers at any stage of their career. Currently and formerly incarcerated writers are highly encouraged to apply, and special provisions will be made for incarcerated writers to participate through alternative methods.
Fellows will receive an honorarium of $10,000 and may request up to $5,000 in additional funding for travel and research. In addition to financial support, Fellows may choose to be paired with a mentor to serve as a source of guidance for the project, and the cohort will convene in person twice during the course of the Fellowship. PEN America will draw on the Writing for Justice Advisory Committee as well as its network of agents, editors, publishers, partner organizations and outlets in order to assist efforts for publication and dissemination of the work of the Fellows. Opportunities for sharing the created work through public forums will be organized in New York City at the PEN World Voices Festival, in the Fellow’s home community, and possibly additional locations.
FELLOWSHIP TIMELINE
The first eight months of the Fellowship are designed for Fellows to research, create, and connect with mentors and the cohort, working toward submission of a polished final product that is ready for publication. The final four months of the Fellowship will focus on placing the works for public dissemination and opportunities for Fellows to present their work publicly.
July 1, 2018: Deadline to apply
September 2018: Successful applicants notified
September–May 2018: Fellows work on their projects, meet with mentors
October TBD, 2018: Cohort meeting #1 (NYC)
February 8–10, 2019: Cohort meeting #2 (Location TBD)
April 2019: PEN World Voices Festival event featuring works in progress
May 2019: Work completed and submitted for publication
May–August 2019: Placing work and public presentations
ELIGIBILITY
To be eligible for this Fellowship, the applicant must be
21 years of age or older.
An individual writer. Collaborative projects are acceptable, but only one project lead may apply and participate in the Fellowship’s activities.
A United States resident.
Available to participate actively in all dimensions of Fellowship programming, including mandatory gatherings and public programs. (The Fellowship will cover costs associated with these events, separately from the Fellowship honorarium and travel/research budget.) Currently incarcerated writers and formerly incarcerated writers on parole will participate through alternative means.
Able to demonstrate a track record of successful projects brought to completion on time.
Membership in PEN America is not required. Please see FAQs below for more information.
SELECTION CRITERIA AND PROCESS
Fellows will be selected on artistic merit, the project’s approach and potential for impact, and the feasibility of project to be fully completed and in polished, publishable form within the given time frame. Applications will be reviewed by PEN America and expert advisors through an anonymous process.
Applications close July 1, 2018. Fellows will be announced in September 2018.
7.
The Civilians R&D Lab
deadline: June 15th
website: https://form.jotform.com/81164454784160
The Civilians R&D Group is comprised of theater artists from various disciplines (writers, directors, composers, performance, etc.) interested in exploring different strategies for making theater from their own creative investigations and being a part of The Civilians' community of artists.
The R&D Group is organized around the idea of investigative theater, which we broadly define as any creative process of inquiry that feeds the creation of a performative work. Methods may include research, a community-based focus, interviews, or other experimental strategies of the artist's design. The artists meet on a regular basis for nine months to share their methodologies and the resulting work with the group, facilitated by the R&D Program Director. The generative artists in the group (writers, composers, etc.) are expected to attend all 12 sessions; regular attendance is critical and should be considered when applying.
Additionally, a group of directors are chosen to complete the group. Directors are invited to meetings, but not expected to attend all; the directors become more active at the end of the season, with the direction of the public readings.
The intention of the group is that each generative artist or team will finish a draft for public presentation by May 2019. Given the nature of the process, it is understood that these drafts will be in various stages of development when they are presented.
8.
Mabou Mines SUITE/Space
deadline: July 2nd
website: http://www.maboumines.org/suite-space-rfp/?utm_source=Mabou+Mines+Updates&utm_campaign=211aeb80b1-EMAIL_CAMPAIGN_2018_05_08&utm_medium=email&utm_term=0_06da9cf5be-211aeb80b1-116858919&mc_cid=211aeb80b1&mc_eid=e1099a1e39
Mabou Mines' new performance initiative SUITE/Space provides artistic mentorship, rehearsal space, and public performances in our 99-seat theater to artists that reflect NYC’s rich cultural landscape and share Mabou Mines’ commitment to breaking new ground in form and content.
WHO IS ELIGIBLE:
SUITE/Space is open to artists of color from historically underrepresented communities, especially those from the outer-boroughs of NYC, who exhibit a commitment to experimentation and a collaborative creative process. Multimedia, music, dance, theater, and cross-disciplinary projects are accepted.
Proposed projects should be either near production-ready or previously produced.
What SUITE/Space Artists Receive:
A $ 3,000 stipend and a 50-50 box office split.
30 hours of rehearsal space in Mabou Mines’ sunlit studio in the East Village.
Technical and administrative support.
Studio visits with the program’s artistic advisors.
10 hours of technical rehearsal in the theater.
Three SUITE/Space performances in a festival-like setting at Mabou Mines.
DATES:
The 2019 SUITE/Space Program will run from September 2018 – January/February 2019. Submissions open on June 1, 2018 and proposals are due by July 2, 2018. Four artists will be selected and notified in July/August 2018.
9.
BONDIT
Deadline: June 30th
website: https://bondit.us/grant/
Every 6 months, up to two filmmakers will be awarded this production grant of up to $30,000 in production funds. We announce the winner(s) 6 weeks after each final deadline. See Application Guidelines below for all deadlines and more info.
We are accepting applications from around the world (in English). Whether you have a simple screenplay or a film that’s already in production, we want to consider it for our grant program. We consider a range of projects, from standalone screenplays, to fully packaged projects seeking finishing funds.
If your aspirations are solely to become a produced screenwriter, you can rely on ScreenCraft and BondIt to package the winning script with a talented director and in-house production resources with up to $30,000 in cash financing, judged on a case-by-case basis, depending on each project’s budget and needs as determined by our internal jury of industry professionals.
In partnership with BondIt Media Capital, a film & media fund based in Beverly Hills, ScreenCraft is offering two production grants per year to talented filmmakers for narrative features, short films and TV pilot series scripts and documentaries that display originality, vision & exceptional potential. Grant amounts will vary from $10,000 to $30,000 depending on the scale and merit of each project. This program includes creative development from the ScreenCraft team and production guidance and resources from BondIt Media Capital and Buffalo 8 Productions.
10.
MISSION TO DITMARS: Propulsion Lab
Deadline: June 30th
Web: https://www.missiontoditmars.com/2018/05/19/submit-to-the-2018-2020-propulsion-lab/
The Propulsion Lab, our bi-weekly playwriting lab for Queens based playwrights, is opening submissions again this year! This is a 2 year residency with Mission to (dit)Mars, with the option for renewal at the end of your term. The lab meets every other Monday night in Astoria, and includes opportunities for Launch Pad readings, industry meet and greets, Queens based events, individual attention, and the opportunity to create amazing new plays.
Our guidelines are simple: you must be a playwright who lives in Queens at the time of application, with no immediate plans to relocate. The reason for this is simple: we want artists who live in Queens to be able to work on theater in Queens. If you have any questions at all, please feel free to email us. Members of the Propulsion Lab have included Mac Rogers, Tori Keenan-Zelt, Mariah MacCarthy, Gus Schulenburg, and more!
Guidelines and submission details can be found here. The application closes on 11:59 pm Saturday, June 30th.
11.
Kampala International Theatre Festival
Deadline: June 30th
Website: https://kampalainternationaltheatrefestival.com/call-for-submissions-2018/
We are excited to announce the 5th edition of the Kampala International Theatre Festival that will take place from 23rd – 25th November 2018 in Kampala, Uganda. Artists from the disciplines of theatre are now invited to submit their applications. Next to full productions we also welcome staged readings or workshop productions. Applications are accepted until 30th June 2018.
You are requested to submit the following information:
A completed entry form (downloadable here)
A short biography (max. 800 words) with a recent headshot.
A one page statement clearly stating why you want to participate in the festival with the production you are proposing.
A presentation of your work: a copy of the script and a short video of its production if available or any other visuals that speak to your work. Please ensure 2-3 high resolution images and a 1-2 minute video for promotional purposes are included in your submission.
A technical rider/data sheet that includes everyone expected to participate in the production.
Please email your submission materials to info@kampalainternationaltheatrefestival.com by 30th June 2018
We will confirm receipt of your submission and assess your application. By the end of August 2018 you will be informed about the status of your application. Please note that we will be offering very limited rehearsal time. Therefore, your production needs to be ready for staging should you be selected to participate in the festival.
What we offer:
A modest performance fee to participating artists.
For artists from outside Uganda, ground transportation, modest accommodation and modest per diem. You are encouraged to source for support to cover travel, visa incl. insurance. Artists selected will receive a formal invitation to facilitate the solicitation for such support.
We thank you for your interest in participating in the Kampala International Theatre Festival and look forward to welcoming you to Uganda in November 2018!
12.
James Stevenson Prize for Short Plays
Deadline: July 1st
website: https://playingonair.org/stevensonprize
Submissions are now open for Playing on Air’s inaugural James Stevenson Prize for Short Plays. In his editorial cartoons for The New Yorker, James Stevenson told stories about the human comedy with energy and economy. Playing on Air, a theater podcast and public radio show, will award three major prizes for short comedies that perpetuate Mr. Stevenson's spirit and wit, bringing the finest new American plays to a national audience - for free.
First prize is $7500 plus a podcast. Second prize is $2,000. Third prize is $1,000.
Playing on Air invites writers to submit a short comedic play of 10-25 pages (not counting title page).
- All entries must be original, unproduced plays. Scripts may not be adapted from the playwright’s published or previously-produced work.
- Submissions will be judged for literary merit, originality, and regard for the spirit of James Stevenson.
- Special consideration will be given to the script’s suitability for audio recording, as well as public radio broadcast. Single-character monologues and plays that rely on the extensive use of a chorus, cast doubling, stage directions, or visual elements are discouraged.
- Please do not include sound design cues or instructions beyond standard stage directions.
Formatting requirements: title page (with no author information), 12pt font, 1 inch margins on every side, and numbered pages
13.
Pen American Writing for Justice
Deadline: July 1st
website: https://pen.org/writing-justice/
PEN America’s $10,000 Writing for Justice Fellowship will commission six writers—emerging or established—to create written works of lasting merit that illuminate critical issues related to mass incarceration and catalyze public debate.
The PEN America Writing for Justice Fellowship aims to harness the power of writers and writing in bearing witness to the societal consequences of mass incarceration by capturing and sharing the stories of incarcerated individuals, their families, communities, and the wider impact of the criminal justice system. Our goal is to ignite a broad, sustained conversation about the dangers of over-incarceration and the imperative to mobilize behind rational and humane policies. As an organization of writers dedicated to promoting free expression and informed discourse, PEN America is honored to have been entrusted by the Art for Justice Fund to engage the literary community in addressing this pressing societal issue.
The Writing for Justice Fellowship is open-genre, and proposed projects may include—but are not limited to—fictional stories; works of literary or long-form journalism; theatrical, television or film scripts; memoirs; poetry collections; or multimedia projects. The most competitive applications will demonstrate how the proposed project will engage issues of reform, fuel public debate, crystallize concepts of reform, and facilitate the possibility of societal change. As part of our mission to stimulate discussion, emphasis will be placed on proposed projects that show strong promise for publication. Fellows must commit to contribute actively to bringing attention to their work and that of other Fellows. The Fellowship is open to writers at any stage of their career. Currently and formerly incarcerated writers are highly encouraged to apply, and special provisions will be made for incarcerated writers to participate through alternative methods.
Fellows will receive an honorarium of $10,000 and may request up to $5,000 in additional funding for travel and research. In addition to financial support, Fellows may choose to be paired with a mentor to serve as a source of guidance for the project, and the cohort will convene in person twice during the course of the Fellowship. PEN America will draw on the Writing for Justice Advisory Committee as well as its network of agents, editors, publishers, partner organizations and outlets in order to assist efforts for publication and dissemination of the work of the Fellows. Opportunities for sharing the created work through public forums will be organized in New York City at the PEN World Voices Festival, in the Fellow’s home community, and possibly additional locations.
14.
YALE DRAMA SERIES
Deadline: August 15th
Website: http://dchornfoundation.org/competition-rules
The Yale Drama Series is seeking submissions for its 2019 playwriting competition. The winning play will be selected by the series' current judge, Ayad Akhtar. The winner of this annual competition will be awarded the David Charles Horn Prize of $10,000, publication of his/her manuscript by Yale University Press, and a staged reading at Lincoln Center's Claire Tow Theater. The prize and publication are contingent on the playwright's agreeing to the terms of the publishing agreement.
There is no entry fee. Please follow these guidelines in preparing your manuscript:
1. This contest is restricted to plays written in the English language. Worldwide submissions are accepted.
2. Submissions must be original, unpublished full-length plays written in English. Translations, musicals, adaptations, and children's plays are not accepted. The Yale Drama Series is intended to support emerging playwrights. Playwrights may win the competition only once.
3. Playwrights may submit only one manuscript per year.
4. Plays that have been professionally produced or published are not eligible. Plays that have had a workshop, reading, or non-professional production or that have been published as an actor’s edition will be considered.
5. Plays may not be under option, commissioned, or scheduled for professional production or publication at the time of submission.
6. Plays must be typed/word-processed, page-numbered, and in professional play format.
7. The Yale Drama Series reserves the right to reject any manuscript for any reason.
8. The Yale Drama Series reserves the right of the judge to not choose a winner for any given year of the competition and reserves the right to determine the ineligibility of a winner, in keeping with the spirit of the competition, and based upon the accomplishments of the author.
ELECTRONIC SUBMISSIONS:
The Yale Drama Series Competition strongly urges electronic submission. By electronically submitting your script, you will receive immediate confirmation of your successful submission and the ability to check the status of your entry.
Electronic submissions for the 2019 competition must be submitted no earlier than June 1, 2018 and no later than August 15, 2018. The submission window closes at midnight EST.
If you are submitting your play electronically, please omit your name and contact information from your manuscript. The manuscript must begin with a title page that shows the play's title, a 2-3 sentence keynote description of the play, a list of characters, and a list of acts and scenes. Please enter the title of your play, your name and contact information (including address, phone number, and email address), and a brief biography where indicated in the electronic submission form.
If you would like to submit an electronic copy of your manuscript please go to: https://yup.submittable.com/submit.
15.
Edgemar Center for the Arts
Deadline: rolling
Website: www.edgemarcenter.org
Edgemar Center for the Arts in Santa Monica is a cultural art center designed by Frank Gehry, where theater, dance, music, visual arts, and our annual film festival, Cinema at the Edge, come together in one place.
Our Mission is to provide a physical environment that nurtures the creative process and encourages collaboration between writers, directors, actors, musicians, dancers, and visual artist; to create a learning environment for children and adults; and to invite the community to observe, engage, and interact to add its voices to our creative discovery.
They are currently in the process of reading and selecting new works for their 2019 season, so they’re seeking one-acts and full-length plays of all genres.
16.
Pint-Sized Showcase (UK)
Deadline: July 1st
website: https://www.pintsizedplays.com/callout
Each Pint-Sized showcases 5 pieces of new writing from the best in emerging talent, wrapped up with a live band playing tailor-made tracks written about the pieces involved, all with a sold-out audience and discounts at the bar.
We’re committed to supporting emerging writers at every level, and we publish a longlist of our favourite submissions. We’ll offer these writers feedback and advice throughout the year, and free entry to private sessions with our mentors, so if your script isn’t chosen for the show, it doesn’t mean we can’t offer you help in any other way.
This will be the first of our annual week-long festivals, with high-profile events and speakers during the day, and five brilliant pieces of writing performed every night!
HOW TO SUBMIT
Email your piece to pintsizedplays@gmail.com by 11pm on July 1st.
Pieces should be 10-15 minutes, either stand-alone shorts or excerpts from longer work.
Only one piece submitted per writer.
No need for pieces to fit a particular theme or genre; if it’s good writing, we’re interested in it. We’re unable to accommodate huge sets or technically complex shows, but we’ll always do our best.
No need to sell yourself in a cover letter - we read the plays separately from your emails.
Everything we offer is free; if you’re trying to submit and come across a page asking you to pay, you’re looking at Pint-Sized Plays, based in Wales, who are lovely and good people, but aren’t us.
WE OFFER
£150.00 fee paid to writers whose work is selected.
A mentor to give feedback on your work
17.
Lanesboro Artist Residency
deadline: June 29th
website: https://lanesboroarts.org/artist-residency-program/residency-program-application/
The Lanesboro Artist Residency Program, located in Lanesboro, MN (pop. 754), is supported by the Jerome Foundation and aims to provide an immersive, meaningful experience for emerging artists from Minnesota and the five boroughs of New York City. The program is unique in that it provides an entire rural community and its myriad assets as a catalytic vehicle for engagement and artistic experimentation, with staff working with each resident to create a fully-customized residency experience.
Lanesboro Arts’ goal is to be flexible and accommodating to artists, allowing them access to local resources needed for conceptualizing and realizing their place-based work. Lanesboro Arts recognizes “place-based work” as work that is specifically inspired by and designed for the place in which the work takes place; it can be a new project, or an interpretation of the artist’s current work tailored to engage the community of Lanesboro. The residency program was designed to align with and amplify Lanesboro Arts’ vision for communities–especially rural communities–to embrace artists as economic drivers, culture bearers, community builders, and problem solvers.
The residency is generally focused on studio time and community engagement. Ideally, scheduled events are balanced so that a mix of intentional and small-scale events, informal and formal events, and events larger in scope and open to the general public take place. Depending on the artist, outreach could engage community members in the topics and issues raised by or inspired by their project, the process of art making, or both.
Eligibility
Artists of all disciplines are eligible and encouraged to apply.
Artists must be legal residents of Minnesota or one of the five boroughs of New York City and have been residents for at least one year prior to the submission of an application.
Artists are paid $1,000/week and are provided studio and lodging space.
Lanesboro Arts does not cover material or transportation costs; these expenses should be factored into the $1,000/week stipend.
Artist groups are eligible to apply, but the weekly stipend is the same and must then be split amongst the collective.
Lanesboro Arts will work with each individual artist to customize their residency, aligning resources and connections to make their time in Lanesboro as fruitful as possible.
Artists must submit their application through the online webform on Lanesboro Arts website.
Artists are eligible to apply for 2 or 4 week residencies, and residency dates can be flexible (and split between two visits if that best suits your practice).
Lanesboro Arts Residencies can be scheduled any time in 2019 except for May, June, or July. Residencies scheduled in April or August are preferred and would be most optimal, however Lanesboro Arts staff is interested in considering proposals with flexible and dynamic artists for the months of January, February, March, September, October, November, and December. Residencies generally begin on the 1st or 16th of each month and end on the 15th or last day of each month for periods of 2 or 4 weeks. If selected for a residency, Lanesboro Arts staff will work with you to determine the exact dates best for all parties.
Artists are required to list their top three choices of dates for their residency. If selected for a residency, Lanesboro Arts staff will work with you to determine the exact dates best for all parties.
The primary goal of eligible artists must be to generate new works, as opposed to remounting or re-interpreting existing works.
18.
CORE Summer Reading Series
Deadline: June 21st
website: http://www.coreartistensemble.org/collaborate/
Core Artist Ensemble is currently accepting script submissions for our upcoming 2018 Summer Readings Series. This season, we are fully embracing the resurgence of audio storytelling by focusing on that form as our primary medium.
We are excited to begin development of an anthology-style podcast, which will feature a new audio play every episode. Each story will explore the influence that technology has on our relationships and individual identities — the rapidly shifting and evolving shape of human connection as a consequence of modern advancements.
Let’s face it, modern communication technology now touches every part of our lives, from the nuances of our everyday interactions to its extreme influence on the culture at large, including national politics and storytelling. At Core Artist Ensemble, we’re looking for stories that investigate these changes and make vivid the ramifications of entering this brave new world.
If you’re looking for topical inspiration, there are several excellent non-fiction technology- and culture-related podcasts that might stoke your imagination. Reply All and Note to Self are a couple of our favorites. Salon.com has put together a comprehensive list of others you might might find idea provoking.
This year, writers will not be constrained by page limits. Take as much or as little time as you need to tell your story effectively. Anything from a short play to a series pilot to a full-length audio play is welcome.
As always, the Summer Reading Series will serve as a chance to workshop material for potential future production. This year, we will select a handful of scripts from the reading series to record as fully produced audio plays. Our hope is to curate a diverse collection of stories that exist within the same alternative present or not-so-distant future.
These stories should be told purely with dialogue and sound effects, with setting and ambiance indicated by sound cues. Keep in mind that during the reading series sound cues will be read like stage directions, but plays chosen for audio production will be fully produced with sound mixing and effects.
Other technical specifications:
• On your cover page, please include your name and contact information.
• Email your script to lit@coreartistensemble.com by Thursday, June 21st.
• Label your script document with your name as follows: last_first_script title
Selected plays will be given public readings during our upcoming summer development festival, taking place in the 99-seat TBG Theatre at The Barrow Group over three weekends in July and August. It's possible we may organize a writers room / development workshop prior to the readings, as an opportunity for selected writers to further polish their plays in a collective environment.
If you have any questions regarding the prompt or the reading series itself, please don’t hesitate to reach out. We look forward to reading your submissions!
*FILM/MULTIMEDIA ADDITIONS*
1.
BRIC Intimate Eye: Black Box Filmmaking
Deadline: June 10th
website: www.bricartsmedia.org/events-performances/300-stipend-writers-intimate-eye-black-box-filmmaking
BRIC is seeking short 5-8 minute scripts to be produced as part of an innovative new program. The scripts will be staged by a professional acting and directing team, then turned into a film by a group of media artists at BRIC.
Whether you are an experienced and produced playwright or screenwriter, or a first-timer, BRIC wants your short scripts.
2.
Writers House Residences
Deadline: June 17th
website: https://hubcity.org/programs/residencies/
The Writers House offers two residencies per year in an historic cottage in downtown Spartanburg, S.C. The program is open to emerging writers in the United States who have completed a college degree (BA, BFA, MA, MFA, PhD) in creative writing within the past five years or are pursuing a graduate degree (MFA, MA, or PhD) in writing. Residents receive lodging, utilities, and a stipend; they are responsible for their own transportation and meals. The residencies include a community service component of 15 weeks with the Hub City Writers Project, and offer a stipend of $650 a month.
The next residency opportunities are:
• A 15-week Fall residency from September 3, 2018 to December 17, 2018
• A 15-week Spring residency from January 7, 2019 to May 2, 2018
The program is targeted at early-career writers, preferably without a published book. In addition to uninterrupted writing time, the residencies offer opportunities for service at Hub City Press and Bookshop, for presentation of workshops or readings, and for literary projects of your own in Spartanburg, where there is a vibrant literary community. The ideal candidate is self-motivated, outgoing, interested in multiple aspects of the literary field, and has a desire to engage with the Spartanburg community. They accept applications from writers in the following categories: fiction, creative nonfiction, poetry, screen- and playwriting.
INTERESTED?
The submission deadline is June 17, 2018
3.
Videocamp
Deadline: June 21st
website: http://www.filmdaily.tv/grants/videocamp-film-fund
The Videocamp Film Fund is among the largest of its kind in the world. The winning project will receive US$400,000 to produce a movie on Inclusive Education.
What are we looking for? Well, definitely not movies that simply trace the history of the topic, or analyse what makes an inclusive classroom. We are seeking a curious and sensitive director with the creative vision to make an important film that breaks down barriers related to attitudes, pedagogy, architecture, or communication.
This film is also sensitive to interpersonal relationships that emphasise diversity, as well as collaborative strategies and inclusive support networks. Finally, this is a film that will broaden social perceptions about how all students, with and without disabilities, benefit from an education that is founded upon inclusive citizenship, and which fosters community through a commitment to diversity.
Films should be in development.
Entries:
Must be either unfunded, or: if previously awarded other funds, they must comply with the terms of the Videocamp Film Fund, if these other funds are granted/received prior to the date of submission of your project to this Fund.
May be in production, or not
Can be documentary, fiction or animation
Entrants must have: a) all the exclusive rights to the related work; b) I have the total artistic, budgetary and editorial control of the work; c) complete authority to sign up for Videocamp Film Fund
All crew candidates should be 18 or more
Applicants must provide:
Crew bios
Film title, type (documentary, fiction or animation), length
You always need a Film Business Plan to get funding from investors.
Project history (2100 characters words on stage of development), list of locations
Summarising sentence
Synopsis (3000 characters)
Treatment (10000 characters)
Why the project matters to them/how it originated (3500 characters)
Whether it refers to or is based on another work (300 characters)
Strategic plan (based on the model of The Impact Field Guide & Toolkit of Doc Society, max 20MB),
Marketing and distribution strategy (3000 characters),
How they plan to engage their audience (3000 characters),
Work plan/schedule
Budget spreadsheet,
Misc: Any extra files (e.g. script)
Grant Deadline: 21 June
