Friday, May 1, 2020

Get What You Want: May 2020

1. JEROME HILL ARTIST FELLOWSHIP
Deadline: May 6th
Website: https://www.jeromefdn.org/

Jerome Hill Artist Fellowships support Minnesota or New York City-based artists, early in their careers, who generate and create bold, innovative and risk-taking new work that explores and/or challenges conventional artistic forms.

Fellows receive $50,000* over two consecutive years ($25,000 each year) to support self-determined activities for creation of new work, artistic development and/or professional artistic career development. Fellowship funds support grantees for taking creative risks, exploring new ideas, and pursuing professional and artistic activities.

Fellowships are offered in six fields: Dance, Media (including Film/Video and New Media), Literature, Music, Theater/Performance Art/Spoken Word, and Visual Arts. The Foundation expects to award a total of 60 Fellowships (ten per field).

Jerome Foundation recognizes that many artists today are working across disciplines. Though each applicant must apply in one of the six specified disciplines, there will be the opportunity to identify any additional disciplines in which the artist is working. Artists are invited in the application to share in their own words how they categorize their work.

Artists may apply either as an individual or as part of an ensemble/collective/collaborative—but not both. Artists may submit or be part of only one application: any individual named in more than one application will be ruled ineligible, and all applications in which that individual is named will be removed from consideration.

Fellows will be announced in 2021. Fellows must pursue their self-determined Fellowship activities between mid 2021–mid 2023. After this current cycle, the program will open again for application in 2022 with awards announced in 2023. This program is offered in alternating years.

Artists may receive only one Jerome Hill Artist Fellowship during their career. Fellowships are awarded and funds are issued only to individuals, members of an ensemble/collective/collaborative, or to single-member LLCs. Applications are not accepted from, nor are payments made to, fiscal sponsors, management companies or producers, multi-owned LLCs, consultants or 501(c)3 organizations other than those applying as an ensemble/collective/collaborative.

2. NBC WRITERS ON THE VERGE
Deadline: May 10th
Website: http://www.nbcunitips.com/writers-on-the-verge/?fbclid=IwAR18vTILosMOKagV4-xGcJ654bZNTbUQSYtMOuQEjaBM1XQkyuEQKUx6Clk

Writers on the Verge is a program focused on polishing writers and readying them for a staff writer position on a television series. We are looking for writers who are “almost there” but need that final bit of preparation with their writing and personal presentation skills. We particularly encourage writers of diverse backgrounds to apply.

The program will consist of weekly evening classes at NBCUniversal in Universal City, CA. Once accepted, students must attend all classes and turn in all written assignments.

Classes concentrate on creating exceptional material to enhance their po rtfolio, and understanding the dynamics of pitching oneself in the television industry. Writers are given the chance to interact with industry players ranging from network executives to show runners to agents and receive valuable feedback on their work and pitch style. Writing assignments on a NBCUniversal television show may be available after successful completion of the program but are not a guarantee. Past participants have gone on to series including “The Blacklist,” “Indebted,” “Community”, “Council of Dads”, “Brooklyn Nine-Nine”, “Lincoln Rhyme: Hunt for the Bone Collector”, “Chicago Fire” and “Parenthood.”


3. NATIONAL: BLACK THEATER “I AM SOUL” Residency
Deadline: May 11th
Website: www.nationalblacktheatre.org.

The I AM SOUL Playwright Residency, founded in 2013, is the only play development program in the country with a commitment to production that is dedicated to supporting Black playwrights whose work demonstrates exceptional artistic merit, innovation and excellence in the theatrical field. Envisioned as a dream MFA program, the residency also seeks to unleash the soul of a playwright so they can develop, hone and explore new ways of artistic expression in a safe, supportive and transformative environment. Working with NBT's artistic director, program coordinator and staff, the selected playwright(s) will develop a new play during the eighteen-month residency. The process culminates with a workshop production during NBT's season.

With I AM SOUL, NBT seeks to deepen the artistic relationship between Black theatrical institutions and Black playwrights in order to re-establish Black theatrical institutions as the foremost supporters and producers of new works created by groundbreaking Black playwrights. This residency is a part of NBT's Soul Series LAB (Liberating Artistic Bravery) which works to diversify the narratives being developed and produced about Black lifestyle in American theatre by playwrights, directors and producers.


4. STUDIOS OF KEY WEST RESIDENCY
Deadline: May 18th
Website: https://tskw.org/residency-about/

The Studios offers a residency program for emerging and established artists and writers designed to encourage creative, intellectual and personal growth. The program grants nearly 35 artists each year the time and space to imagine new artistic work, engage in valuable dialogue and explore island connections.

The Studios’ residency program is community-based and built upon the hope that visiting artists will take inspiration from Key West’s rich artistic past and present, and will engage with — and be inspired by — the remarkable people and culture that surrounds them.

Key West’s official motto, “One Human Family” reflects our commitment to living together as caring, sharing neighbors dedicated to making our home as close to paradise as we can. To that end, we encourage artists of all races, nationalities, gender identities, sexual orientations, and abilities to apply.

Residencies are almost a full month, and run from the 16th of the month through the 14th of the next. There is a $40 application fee.


5. AUSTIN FILM FESTIVAL: PLAYWRITING
Deadline: May 15th
Website: https://austinfilmfestival.com/submit/play/rules/
DISCLAIMER: $30 entry fee. Let the buyer beware.

 At Austin Film Festival, our mission is to champion all writers across mediums. Our Playwriting Competition (open to full-length plays) gives playwrights a chance to explore our film and television conference. It will also allow film professionals to discover storytellers who have mastered the art and craft of stage drama.

AFF has always promoted story as the most important element of film and TV. So giving playwrights their own story exposure and a chance of crossover into film and TV only advances our mission. There are many other playwriting competitions out there, but AFF offers playwrights broader access to successful writers and professionals in all the other related fields.

Plays that make the Final Round will have readings during the Conference. Advancing playwrights will have access to exclusive panels, workshops, roundtables, and unique networking opportunities with professionals in theatre, film, and television.

AFF understands the relationship between passion and writing. That’s why we have enormous respect for the many successful playwrights who made the seamless transition to film and TV – playwrights such as Tennessee Williams, Horton Foote, John Patrick Shanley, Tony Kushner and Beau Willimon. And that list grows exponentially with today’s widening viewer market.


6. JAMES STEVENSON PRIZE
Deadline: May 15th
Website: http://playingonair.org

In his cartoons for The New Yorker, James Stevenson told stories about the human comedy with energy and economy. Returning for its third consecutive year, Playing on Air’s Stevenson Prize will honor three original comedies that perpetuate Mr. Stevenson's spirit and wit, bringing the finest new American short plays to a national audience.

The Prize is made possible through the generosity and vision of Josie Merck, James Stevenson's wife. For submission details, read on below.

FIRST PRIZE
$6,000 award, plus a Playing on Air recording of the winning play for radio and podcast distribution

SECOND PRIZE
 $3,000 award

THIRD PRIZE
 $1,000 award

Guidelines
Playing on Air invites writers to submit a short comedic play of 10-25 pages (not counting title page).


7. 9THIRTY THEATRE COMPANY
Deadline: May 31st
Website: http://9ttc.org/submissions.php

9Thirty Theatre Company (9TTC) accepts submissions from March to May each season. Please note that due to our small staff we are unable to respond to submissions that are not accepted. Please adhere to the guidelines below. Send submissions in either a .doc or .pdf format to Submissions@9ttc.org. In respect of our commitment to the environment please do not mail submissions to our office.

Guidelines

9TTC produces works that incorporate environmental issues as part of the part, characters, or theme. We are uniquely dedicated to Eco Theatre, connecting humanity and nature, in various forms.

We accept original one acts, and full length plays and musicals.

We do not accept one-person shows, children's shows, screenplays, or works without environmental themes. 9Thirty Theatre Company also does not produce works that have already been produced in New York City.

To have your work considered, please submit the following as one file:
• cover letter, including your contact information
• brief synopsis of piece (500 words or less)
• character descriptions
• 20 page dialogue sample
• brief production history of the work (if applicable)
• bio for yourself and any other collaborators
• if submitting a musical, please include at least 3 recorded demo tracks

To be considered for 9TTC's all submissions must be received by midnight on May 31st.


8.  BMI WORKSHOP
Deadline: June 1st for librettists
                 August 1st for composers and lyricists
Website: https://www.bmi.com/theatre_workshop/application_requirements

The Workshop runs September through May in New York City. Prospective members must make their own living arrangements in the city or be able to commute weekly.

During the first year, composers and lyricists are paired off and are asked to create appropriate songs based on scenes from various sources. The writers perform their assignments, which are then discussed by the other writers and the moderators. There are analyses and discussions of current and past musicals, with an eye to understanding form and structure. Every effort is made to insure that each writer retains his or her individual style.

In the Workshop’s final phase (Second Year), teams work on a musical. The Workshop functions as a forum and a sounding board for works in progress, as music and lyrics are critically evaluated and open dialogue is encouraged.

At the end of each Second Year, the Workshop Committee determines which writers from the group are invited to join the Advanced Workshop. Not everyone is asked. This Workshop is intended for writers of professional caliber who are expected to contribute to the vitality of the musical theatre scene.

Schedule
The First Year Workshop meets Monday at 6:15 p.m. The Second Year Workshop meets Tuesday at 5:30 p.m. The Advanced Workshop meets Monday at 4:00 p.m.


9. GENEVA RESIDENCY
Deadline: June 1st
website: http://www.eofa.ch/en/applications/

Embassy of Foreign Artists (EoFA) is a place of residence for artists in Geneva. Our spaces welcome the different stages of the creative process, from the first gropings and reflections to its presentation in a finished form. EoFA's first vocation is to host artists in residence and to set up a program that promotes interaction with the local public, whether professionals, amateurs or curious. EoFA also organizes wider events where local artists and residents meet around different artistic practices (music, dance, performance, installations, conferences, etc.). Thanks to its many activities and appointments, EoFA has established itself as a place of choice for the discovery of original proposals.

The open call is addressed to all professional artists coming from following artistic fields: performing arts, visual arts and applied arts (fine arts, dance, theatre, music, literature, comics, cinema, etc.). Cultural practitioners, active in the research of contemporary cultural practices, such as curators, play writers, set designer or from other fields and applied disciplines (architecture, design) are also invited to apply.

10. LUXEMBOURG ARTS PRIZE
Deadline: June 2nd
website: https://www.luxembourgartprize.com/en/call-for-submissions-en/

The Luxembourg Art Prize aims to reveal and promote talented artists who have yet to establish a profile on the contemporary international scene. Its function is to discover artists, and it is open to any artist, amateur or professional, with no limits on age, nationality or place of residence. The Prize is aimed at artists working in one or more of the following media: drawing, printing, installation, painting, performance, photography, digital art, sculpture, sound art, video, mixed media, decorative art (textiles and material, glass, wood, metal, ceramics, mosaic, paper or other techniques).

The winner of the Prize receives an award of €50'000 (about US$56,500 GBP42,500 CHF56,000 CA$75,000 JPY6,300,000) paid into their bank account within a few days of the ceremony. The finalist artists will be included in a group exhibition in the gallery. The Luxembourg Art Prize is a unique opportunity to enter the international professional art circuit and to have your work seen by major private and institutional art collectors. You will have the chance to be supported and personally advised by Hervé Lancelin.

Unlike other prizes or art salons, the Luxembourg Art Prize is designed by a leading not-for-profit organisation to boost your career by exhibiting your work in a private exhibition space of museum quality and giving you a high level of visibility.

All the costs associated with travel to and accommodation in the Grand Duchy of Luxembourg for the finalist artists and one other person of their choice will be paid in full by the organisation in 2019. This includes transport for the works of art, air and train tickets and full-board accommodation in a four-star hotel.

The organisation will arrange return travel for the finalist artists and their companions by train or air. It will send travel documents to the finalist artists and their companions within the ten days before the opening of the finalist artists’ group exhibition.

The organisation will also book hotel rooms on the basis of dual occupancy (each artist with their companion).


11. STUDIOS OF KEY WEST RESIDENCY
Deadline: June 8th
Website: https://tskw.org/residency-about/

The Studios offers a residency program for emerging and established artists and writers designed to encourage creative, intellectual and personal growth. The program grants nearly 35 artists each year the time and space to imagine new artistic work, engage in valuable dialogue and explore island connections.

The Studios’ residency program is community-based and built upon the hope that visiting artists will take inspiration from Key West’s rich artistic past and present, and will engage with — and be inspired by — the remarkable people and culture that surrounds them.

Key West’s official motto, “One Human Family” reflects our commitment to living together as caring, sharing neighbors dedicated to making our home as close to paradise as we can. To that end, we encourage artists of all races, nationalities, gender identities, sexual orientations, and abilities to apply.

Residencies are almost a full month, and run from the 16th of the month through the 14th of the next. There is a $40 application fee.

No comments:

Thank you, Morgan Jenness. Rest in Peace.

 "You need to meet Morgan!" At different times throughout my early NYC yrs ppl would say that to me: meet Morgan Jenness. She was ...