GET WHAT YOU WANT: November 2019

1. SUNDANCE THEATRE LAB
Deadline: Nov 1st
Website: https://www.sundance.org/programs/theatre-program#labRetreats

The Sundance Institute Theatre Program provides a catalytic process of artistic development for independent theatre-makers in the U.S. and globally, using a range of artist-driven engagement opportunities that connect, support, and sustain artists and their projects across their careers.

Led on an interim basis by Director Christopher Hibma, the Sundance Institute Theatre Program emphasizes intensive short-term interactions with creative mentors, held within the context of retreat settings removed from commercial pressures and other demands of contemporary life.

The Sundance Institute Theatre Program has a long history of supporting the development of U.S. and international new work for the stage, including projects such as Appropriate, Fun Home, A Gentleman’s Guide to Love and Murder, Taha, Circle Mirror Transformation, An Iliad, The Lily’s Revenge, Happy New Fear, The Good Negro, A 24-Decade History of Popular Music, The Light in the Piazza, Passing Strange, Spring Awakening, Boredom, The Laramie Project, 36 Abbas Street, I Am My Own Wife, and Night. To explore more projects that the Sundance Institute Theatre Program has supported, click here. The Theatre Program’s international activity supports mentorship and cross-cultural exchange, focusing now on artists from Arabic-speaking countries based in the Middle East, North Africa, and Europe.


2. EST SLOAN PROJECT
Deadline: Nov. 1st
website: http://www.ensemblestudiotheatre.org/est-sloan/submissions/

The EST/Sloan Project commissions, develops and presents new works delving
into how we view and are affected by the scientific world. These plays
examine the struggles and challenges scientists and engineers face from
moral issues to the consequences of their discoveries.

The Project is designed to stimulate artists to create credible and
compelling work exploring the worlds of science and technology and to
challenge existing stereotypes of scientists and engineers in the popular
imagination.

COMMISSION AWARDS
Commissions will be awarded to individuals, groups and creative teams for full-length and one-act plays and musicals. Commissions range from $1000 to $10,000. Commission amounts are determined on a case-by-case basis, as are deadlines for drafts, finished work, and research support (if appropriate). Extant, full-length works may be submitted and are judged on a script-by-script basis by the EST/Sloan Project staff. Rewrite commissions for existing scripts range from $1,000 to $5,000.

Commissions are also available for regional theaters who wish to sponsor a local project focused on science and technology, either by commissioning a new script or developing an extant piece. Regional commission amounts are determined on a case-by-case basis, ranging from $2,000 - $5,000.

SUBMISSION GUIDELINES
The EST/Sloan Project is open to a broad range of topics related to the issues, people, ideas, processes, leading-edge discoveries, inventions, and/or history of the "hard" sciences and technology.

HARD SCIENCES INCLUDE THE FOLLOWING AREAS:
Mathematics
Physics (geological, nuclear, theoretical, etc.)
Biology (evolution, zoology, animal behavior, ecology, molecular, genetics, etc.)
Chemistry (industrial, biochemistry, etc.)
Neuroscience
Anthropology and Archaeology

TECHNOLOGY INCLUDES:
Computer Science
Software Development, Computer Development
Engineering (civil, chemical, mechanical, electrical, aerospace, vehicle design)
Space Research

AREAS NOT CONSIDERED FOR COMMISSIONS INCLUDE:
Science Fiction
Medical Conditions and/or Victims of Disease
Psychology and Human Behavior
HOW TO APPLY
NEW COMMISSIONS
Individuals, creative teams and theatre companies interested in receiving an EST/Sloan Project commission should submit the following as their application for a grant:

A one- or two-page description or a simple outline/synopsis of the project. This document should describe the actual story being explored and include in the description of the story how the science being portrayed would be inherently dramatic in the piece. Focus on plot and character development, and, as it ideally will in the finished play, how the science comes out through plot and character.
A resume or biography of each collaborator involved.


3. RICHARD ROGERS AWARD
Deadline: Nov 1st
Website: https://artsandletters.org/awards/richard-rodgers-award/

The Richard Rodgers Awards were created and endowed by Richard Rodgers in 1978 for the development of the musical theater. These awards subsidize full productions, studio productions, and staged readings by nonprofit theaters in New York City of works by composers and writers who are not already established in this field. Applications from individuals as well as collaborators are accepted. The term "musical theater" is understood to include musicals, plays with songs, thematic revues, or any comparable work. The submission of innovative and experimental work is encouraged. The work submitted must be of significant length to fill an evening; it may consist of a group of smaller, related pieces but only completed works will be considered.


4. ACP
Deadline: Nov 14th
website: https://www.queenscouncilarts.org/acp-artists

The Artist Commissioning Program (ACP) awards Queens-based choreographers, playwrights, and composers $10,000 each towards the creation of a new, original work. This program democratizes the traditional commissioning process, which has historically been reserved for a privileged few. The ACP supports projects that add to the canon of American art by telling an untold story of underrepresented person(s) relevant to the neighborhoods in Queens. Two things make ACP unique: 1) its aim to fill gaps in American culture, and 2) its format of pairing artists with a cohort of "Art Commissioners."

- FILLING GAPS IN AMERICAN CULTURE
ACP's priority is to support artists who present a fresh perspective by creating work that defies the cultural mainstream, privileges underrepresented identities, and/or speaks to the cultural diversity of Queens by telling an untold story of underrepresented person(s). Artists’ projects should highlight the stories of individual protagonists (e.g. heroine(s), hero(s), characters) in their proposed works to give underrepresented people a vision of themselves as leading characters. The new work should be replicable, capable of being interpreted and produced for dance, music, or theatre by other artist(s) or third parties throughout the borough, city, and country (e.g. if a high school or off-broadway theatre wanted to produce your work, they could do so - think Summer Stock or Swan Lake). By commissioning artists to materialize such works, the ACP aims to fill gaps in American culture by actively adding to the art historical canon. In doing so, the ACP aims to create a more democratic cultural sector that is more inclusive of the diverse narratives, cultural backgrounds, and values associated with our borough and nation.


5. JUILLIARD LILA ACHESON WALLACE AMERICAN PLAYWRITING FELLOWSHIP
Deadline: Nov 15th
Website: https://www.juilliard.edu/arm/drama/college/playwriting/artist-diploma

The Lila Acheson Wallace American Playwrights Program offers a one-year graduate-level fellowship. You may be invited to continue your studies through a second academic year, thereby completing a total of 52 credits for the two-year fellowship period and earning an Artist Diploma (AD) in Playwriting. The Playwriting Program is tuition-free and typically accepts 4-5 fellows per year.

It is preferred that you hold an undergraduate degree; however, you will also be considered if you have advanced training equivalent to a bachelor’s degree or exceptional artistic accomplishments.

International students are welcome to apply, however, play submissions must be in English.

While there is no limit to the number of times you may apply to this program, you are encouraged to critically consider your personal and professional development between applications. If you reapply, you should submit a new play with each application, unless it is a previously submitted play that has been significantly re-written.

The $60 application fee is nonrefundable and must be paid through your application status page upon submission of your application. Your application is not considered complete until the fee has been received.


6. BELLAGIO ARTS RESIDENCY
Deadline: Nov 15th
Website: https://www.rockefellerfoundation.org/our-work/bellagio-center/residency-program/arts-literary-arts-residency/

The Bellagio Arts & Literary Arts residency is for composers, fiction and non-fiction writers, playwrights, poets, video/filmmakers, dancers, musicians, and visual artists who share in the Foundation’s mission of promoting the well-being of humankind and whose work is inspired by or relates to global or social issues. The residency is for artists seeking time for disciplined work, reflection, and collegial engagement with a diverse community of academics, practitioners, and artists.

The Center has a strong interest in proposals that align with The Rockefeller Foundation’s efforts to promote the well-being of humanity, particularly through issues that have a direct impact on the lives of poor and vulnerable populations around the world. These issues include but are not limited to health, economic opportunity, urban resilience, as well as food and agriculture.

To most effectively integrate the important voice of the arts throughout residency cohorts at the Bellagio Center, we are now holding one annual open call for residencies. The program will continue to welcome the same volume of high caliber artists to Bellagio, reinforcing the Foundation’s commitment to the arts and demonstrating its perspective that the arts are integral to the discourse around complex global challenges and critical to the well-being of humanity.

To further strengthen the reach of the program and ensure high geographic and disciplinary diversity among residents, we are also working with a range of new arts organizations to surface promising candidates. We have established outreach collaborations with four organizations: Khoj International Artists’ Association in Delhi, Fundacion Jumex in Mexico City, Africa Centre in Cape Town, and United States Artists in Chicago. These collaborations will extend our networks to attract a greater number of geographically diverse, highly distinguished artists working in Asia, Latin America, Africa and the United States.

The next application period for Arts & Literary Arts residencies will begin August 16, 2019, with a deadline of November 15, 2019.


7. BERKELEY REP GROUND FLOOR
Deadline: November 18th
Website: https://www.berkeleyrep.org/groundfloor/index.asp

We invite artists to apply with projects that would benefit from a residency in Berkeley for 1–4 weeks. Berkeley Rep will provide transportation, housing, rehearsal space, basic technical support, and a modest stipend. Applicants must be available for residency between June 16–July 12, 2020. Previous applicants may reapply. There is no limit on the number of projects an artist may apply with. We do accept applications from international artists.

Projects may be anywhere along their development path: from an idea without anything on paper yet, to a complete draft of a text. Whether you are a writer simply needing a room in which to write or an ensemble wanting intensive rehearsal time, we encourage you to apply. Artists from other disciplines interested in creating theatre pieces are also very welcome. If your project is ready for a small audience, we are happy to provide that, but there is no requirement for any kind of culminating event. Past participants have held events that were open to the public, no final presentation at all, small closed readings, and everything in between.

This is a developmental residency. Projects looking for a full production are not eligible. If you are applying for an adaptation, please have the underlying rights already secured. We do not accept scripts along with application forms. If a proposed project makes it to the second round, we will then request a work sample, which may include whatever is already written, if applicable.

To apply: https://berkeleyrep.wufoo.com/forms/p14cky3u1c5d2b4/

All applications and corresponding résumés are due by 11:59pm on November 18, 2019.


8. PUBLIC THEATRE'S EMERGING WRITERS GROUP
Deadline: Nov 29th
website: https://publictheater.org/programs/emerging-writers-group/

The Emerging Writers Group is a component of The Public Writers Initiative, a long-term program that provides key support and resources for writers at every stage of their careers. It creates a fertile community and fosters a web of supportive artistic relationships across generations.

Writers are selected bi-annually and receive a two-year fellowship at The Public which includes a stipend. Staged readings of works by Emerging Writers Group members are presented in the Spotlight Series at The Public. The playwrights also participate in a bi-weekly writers group led by The Public’s New Work department and master classes led by established playwrights. Additionally, they have a chance to observe rehearsals for productions at The Public, receive career development advice from mid-career and established writers, and receive artistic and professional support from the literary department and Public artistic staff. Members of the group also receive complimentary tickets to Public Theater shows, invited dress rehearsals, and other special events, as well as a supplemental stipend for tickets to productions at other theaters.

Receive stipend of $7,500

Participate in a biweekly writers group led by The Public’s New Work Department

Receive at least one reading at The Public in the Emerging Writers Group Spotlight Series Reading Series

Participate in master classes led by established playwrights

Observe rehearsals for productions at The Public

Receive an additional stipend for theater tickets to productions at other theaters

Receive complimentary tickets to Public Theater shows, invited dress rehearsals and other special events

Receive artistic support and professional development guidance from the literary department and artistic staff

Requirements for Eligibility

Cannot have professional representation for playwriting including, but not limited to, agent, manager or lawyer.

Cannot be a full-time student at any point during the duration of the program.
Cannot be enrolled in any academic playwriting course during the duration of the program.
Must not have had productions in New York other than those using the showcase code or in an off-off Broadway theater with 99 or fewer seats. (If your New York show used a higher contract tier than the showcase code, you are not eligible to apply. If your New York show received a festival production in a theater with more than 99 seats and did not use an Equity contract, you are eligible to apply.)
Must live within 90 minutes to The Public Theater via car or rail.
Must be able to attend evening meetings at The Public Theater every other week in 2020 and 2021 as well as other events throughout the year, such as master classes, retreats, observerships and other special events at The Public.
Regular attendance is mandatory and therefore applicants should view the program as a two-year-long commitment.
Must be available for an in-person interview in early March 2020.


9. TOFTE LAKE RESIDENCY
Deadline: Nov 30th
Website: https://toftelake.org/individual-group-residencies

Artist residencies are interdisciplinary in nature, and balance group activity, personal work time, facilitated conversation, with the exchange of work and performance. We strive to include artists from diverse backgrounds and communities. Residencies are structured around the artists’ specific  project needs. Days are self-directed, and could include individual/team work, afternoon excursions or on-site activity, dinners and evening gatherings with resident artists.

Access to dramaturgical conversations and feedback with TLC Director and Dramaturg Liz Engelman in available to any artist who is interested.

Tofte Lake Center is family-friendly. If you are interested in a family-focused residency, please check out our inaugural Family Artists Residency. This residency is grant dependent. For our Individual Residencies, artists are welcome to bring their families when space allows and when agreed upon in advance.  For these residencies we cannot guarantee child-care, though we are happy to help resident artist parents find part-time childcare for their stay, should this make their residency possible.

2020 Individual Artist Residency Weeks Available: June 15-21 (depending on grant funding, this week could be dedicated to our Family Artists Residency Program),  June 22-28, June 29-July 5, August 3-9, August 10-16, and September 21-27.


10. PREMIERE PLAY FESTIVAL
Deadline: Dec 1st
Website: http://www.premierestagesatkean.com/play-festival

Through the Premiere Play Festival, Premiere Stages has developed many plays that have gone on to have successful productions in New York and at regional theatres throughout the country. We strive to facilitate relationships between writers and theatre professionals who we think will respond to their work, in hopes that plays developed at Premiere will go on to subsequent productions. We offer Play Festival winners the option to retain the coveted “World Premiere” brand on their plays. Additionally, Premiere’s productions are consistently reviewed, scouted by major publishing houses, and honored by the American Theatre Critics Association.

Submissions due DEC 1 2019

Premiere Stages will accept submissions of unproduced plays written by playwrights affiliated with the greater metropolitan area from September 1, 2019 through December 1, 2019. All plays submitted to the festival are evaluated by a panel of professional theatre producers, directors, dramaturgs, playwrights, and publishers. Four finalists are subsequently selected for public Equity readings in March 2020.

Awards

Following the Spring readings, one play is selected for an Equity production in the Premiere Stages 2020 Mainstage Season and receives an award of $2500. The runner-up receives a 29-hour staged reading and $1000. The two other finalists will each be awarded $750.

Premiere Stages is committed to supporting a diverse group of writers; playwrights of all backgrounds, ages, and experience levels are encouraged to apply.

Submission Guidelines

All plays must be submitted as a PDF.
Plays must be full-length and have a cast size of no more than eight.
Plays must be unpublished and unproduced (readings and workshops are okay), with no productions and/or publication currently scheduled through September 2020.
Playwrights must have strong affiliations with the greater metropolitan area (New York, New Jersey, Connecticut, Pennsylvania, and Delaware).
Musicals, adaptations (of existing plays or other sources), and solo shows are not eligible.
Submissions are limited to one script per playwright.
Please contact Premiere Stages to inquire about submitting a script that has been previously submitted.
Playwrights must be available for the development of their script (see the 2020 schedule table).
Submissions are accepted September 1, 2019 through 11:59 p.m. on December 1, 2019. Submissions sent early in the submission window are strongly encouraged.
All plays must be submitted as a PDF to:  premierestages.submittable.com/submit. Hard copies will not be accepted.


11. MCKNIGHT NATIONAL RESIDENCY
Deadline: Dec. 12th
Website: https://pwcenter.org/programs/mcknight-national-residency-and-commission

The intent of the McKnight National Residency and Commission is to support an established playwright from outside of Minnesota who demonstrates a sustained level of accomplishment, commitment, and artistic excellence. Recipients of the Residency and Commission will spend the year creating a new play script over the course of several residencies in Minnesota, including opportunities to engage with the Twin Cities and Playwrights' Center community. Benefits include:

A $15,000 commission
At least two U.S. round-trip airline tickets
Housing during the residency period
Up to $5,750 in workshop funds to support the development of the play
A public reading of the commissioned play
Past recipients include: Kia Corthron, Erik Ehn, Idris Goodwin, Karen Hartman, Daniel Alexander Jones, Sibyl Kempson, Craig Lucas, Taylor Mac, Dan O’Brien, Betty Shamieh, Mfoniso Udofia, and Mac Wellman.

Applicants must be citizens or permanent residents of the United States. Applicants must be nationally recognized playwrights who have had at least two different plays fully produced by professional theaters at the time of application. Minnesota-based playwrights are not eligible for this fellowship. Recipients of 2014-15, 2015-16, 2016-17, 2017-18, and 2018-19 McKnight Artist Fellowships in any discipline are not eligible. Full-time students are not eligible. Staff and board members of the McKnight Foundation and the Playwrights' Center or their immediate families are not eligible. Recipients may not receive any other Playwrights' Center fellowships, grants, or Core Writer benefits during the grant year. If a recipient is a Core Writer, their Core term will be extended by one year. Applicants may only apply for one McKnight Artist Fellowship each year in any discipline. Recipients commit to spending up to four weeks in residency in the Twin Cities (not necessarily consecutively). Recipients must create a new play according to the terms set forth in the contract.


12. LA MAISON BALDWIN RESIDENCY
Deadline: December 31st
website: https://www.lamaisonbaldwin.fr/

Shortly before James Baldwin passed away, he told close friends in Saint-Paul de Vence that he dreamed of seeing his beloved house made into a writers' colony. This medieval village, with its uncommon light, its majestic mountaintop placement and surrounding countryside, has for centuries attracted artists, architects, alchemists and thinkers, great minds intent on changing the world. Here is where Baldwin wrote some of his most enduring books, including If Beale Street Could Talk, Just Above my Head, and his sole book of poetry, Jimmy's Blues.

Writers in residence are offered a room in the village center to pursue their current creative project. While in residence, they will contribute to the literary culture of Saint Paul de Vence by offering a community event or creative public program.

They are hosted at La Maison Baldwin Residence for Writers, a house in the historic center of St. Paul de Vence located directly across the street from the village church. The home features a 3rd-floor bedroom suite with a sunny terrace overlooking the tiled roofs of the village and the valley beyond.

Residents also stay in a charming artist cottage made available to the program through a partnership with the city of St. Paul de Vence.

Lunch every day is offered to the resident writers through partnerships with local restaurants and host families. The fellowship includes a $700 travel stipend.

Eligibility and How to Apply

This fellowship is open to emerging writers working in the spirit of James Baldwin. Eligible to apply are poets, playwrights, essayists and fiction writers with no more than one published book or staged production.

The review committee will select ten fellows for residencies of 2 to 4 weeks in fall 2020 (Sept 15 to Oct. 31) or spring 2021 (April 1 to May 15).

To apply, send a cover letter, a brief bio and writing sample of ten pages to residency@lamaisonbaldwin.fr with the subject line "residency application." The deadline is December 31, 2019. Please indicate your preferred residency duration and period.