Monday, June 4, 2012

GET WHAT YOU WANT: June 2012


1.
Terra Nova Groundbreakers

Deadline: June 12th

Online application: http://www.terranovacollective.org/about2.html

Groundbreakers Playwrights Group is an annual developmental playwriting lab, in which 6 playwrights receive the unique opportunity to work on a play-in-progress with the goal of creating a completed draft. Each playwright will hear their play read around the table by professional actors 3 times over 18 weeks, receiving feedback from the Groundbreakers Playwrights Group, special guests and the artistic staff of terraNOVA Collective.

terraNOVA assembles a diverse group devoted to creating theatrical, original, innovative, socially relevant new work for the stage and welcomes submissions of new plays-in-progress that will benefit from collective feedback and further terraNOVA Collective's artistic mission. We are especially interested in playwrights who, in addition to working on their own play, have an interest in attending weekly workshops to engage in the development of other playwrights' work.

PARTICIPATING PLAYWRIGHTS WILL:

   * Attend a weekly writers group led by terraNOVA’s Artistic Staff.
   * Create a 10-minute play to be showcased in terraNOVA’s Annual Benefit.
   * Receive complimentary tickets to all terraNOVA events in the current season.
   * Receive hands-on artistic support and professional development guidance from terraNOVA's artistic staff.
   * Receive a workshop and reading performance in terraNOVA's annual Groundworks New Play Series.

REQUIREMENTS FOR ELIGIBILITY:

   * Must be able to attend weekly sessions. Attendance is mandatory.
   * Must live within the tri-state area.

REQUIRED APPLICATION INFORMATION:-Contact Information for Applicant-Contact Information for 2 References (Theatre professionals who are familiar with your work and are willing to discuss it frankly).-Known Scheduling Conflicts from July 23, 2012 - April 29, 2013REQUIRED ATTACHMENTS:1) Proposed Play (Must be attached as a PDF or WORD doc ONLY)2) Resume (Must be attached as a PDF or WORD doc ONLY)
3) One-Page Artistic Statement (12 pt. font; Must be attached as a PDF or WORD doc ONLY) that addresses the following:-How long have you written plays? Why do you write plays?-Describe your play. What is the development history of this play? What elements are you working on in this play? What questions do you currently have about it?-What is your experience with writers' groups? How do you feel participating in a writers' group will help you develop this particular play?
2.
MARIN THEATRE COMPANY

Deadline: Between July 1st and August 31st

Marin Theatre Company is entering its 6th year of offering to original play prizes: Sky Cooper New American Play Prize and the David Callichio Emerging Playwright Prize

The Sky Cooper New American Play Prize is awarded to an emerging or established playwright for an outstanding new work, and is given a $10,000 cash prize and option for production on MTC's main stage. The David Calicchio Emerging American Playwright Prize is awarded to a professionally unproduced playwright for a new work that shows outstanding promise and a distinctive new voice, and is given a $2500 cash prize and a workshop as part of MTC's New Works Series. These prizes serve to further MTC’s commitment to the development of new plays as a central component of its artistic programs.

 Submissions are closed for the 2012 Sky Cooper New American Play Prize and the 2012 David Calicchio Emerging American Playwright Prize. We will announce the winners of the 2012 play prizes in May 2012. Please check back for details.

Submissions for the 2013 Sky Cooper New American Play Prize and the 2013 David Calicchio Emerging American Playwright Prize will be accepted between July 1 and August 31, 2012.

More information about the prizes, guidelines and FAQ's are below. The online submission form is available for your reference and will be active once submissions are open. Download hard copies of the guidelines and submission forms on the right.

• Submissions must be unpublished, original full-length plays in any genre.
• Musicals, translations, individual one-acts, and any play previously submitted for the Sky Cooper or David Calicchio Prizes are not eligible.
• Plays may not have received a full-scale, professional production prior to submission (plays that have had a workshop, reading, or non-professional production are eligible).
• Playwrights must be citizens of the United States.
• Only one submission per playwright is allowed each year; you may submit the same play for both prizes.


3.
Amsterdam Residency

Deadline: Rolling



The "Residency for Writers" project is a joint initiative by the Dutch Foundation for Literature and theFoundation for the Production and Translation of Dutch Literature. Together, the foundations have made living space available for a foreign writer in the heart of the old city. The writers in residence will find lodgings not only in the historic and literary heart of Amsterdam, but also at its academic centre, with access to the University of Amsterdam library and the Dutch capital's literary activities.

The guest writers use their time in Amsterdam for their own work and research, but they will also be involved in the city's literary and cultural life. All candidates may be asked to give guest lectures or readings for students and to write articles for newspapers or magazines. The residency period is expected to last around two to three months

If you are a foreign author interested in the Amsterdam Residency Programme please read the conditions carefully. If you think you meet the programme's requirements, write us an e-mail with a short biography and explain us what project you would like to work on while in Amsterdam. We would also like to know if there is a specific reason why you want to come to the Netherlands. And don't forget to mention the Dutch publishing house that has published your work. If we think you are a suitable candidate we will respond to your e-mail and encourage you to apply formally. This means that participation in the programme is only at the invitation of the boards of the foundations.

If you represent a (foreign) organization (e.g. publishing house or cultural institute) it is also possible to recommend an author to our programme. Please write us an e-mail explaining why you think the author is a suitable candidate and we will respond in due time.
E-mail us: f.van.koppen@letterenfonds.nl 

4.
Firehouse Theatre Project 10th Annual New Play Festival

Deadline: June 30th postmarked

Firehouse Theatre Project is look for new full-length scripts.

• Plays must not have been previously produced. Readings are acceptable if no admission was charged and actors read from the script.
• Submissions should be made in standard manuscript form and with no fancy binding. This means no discs, no e-mails. Please just use a binder clip to secure the script pages, no folders, no plastic covers, etc. All author information must be on a title page separate from the body of the manuscript and no reference to the author is permitted in the body of the script.

• Scripts must be accompanied by a letter of recommendation from a theater company or individual familiar with your work. Letters of recommendation do not need to be specific to the play submitted; they may be general recommendations of the playwrights work. All letters must be received with the script, not under separate cover. Scripts received without a letter will not be considered.

• Entries must be postmarked no later than June 30, 2011.
• Due to volume of mail, manuscripts cannot be returned.
• Send submissions to:

Firehouse Theatre Project Festival of New American Plays

1609 W. Broad St. Richmond, VA 23220
• Two winners receive staged readings and prizes of $1,000 and $500. In the case of a tie, each winner will receive $750.
• Winners will be announced March 1, 2013.

5.
Mario Fratti-Fred Newman Political Play Contest 2013

Deadline: October 1st

The Castillo Theatre sponsors the Mario Fratti-Fred Newman Political Play Contest annually. In its sixth year, the political play contest is intended to encourage the writing of scripts for the stage that engage the political/social/cultural questions affecting the world today and/or historical events and issues that impact on our political/cultural heritage.

While Castillo recognizes that in the broadest sense all theatre is political, the contest is seeking politically progressive plays that: look at social and/or economic problems and challenges; explore possibilities of social transformation; and reflect the concerns and interests of communities and/or which explore the importance of community. The contest also welcomes scripts that experiment with form and seek new ways of seeing and new ways of experiencing theatrical performance.

The plays submitted to the Fratti-Newman Contest may be written in any style, set in any historical time, geographic or imaginary location, contain any number of characters and be of any length. The plays must be in English and cannot be musicals or adaptations. No scripts will be considered that have previously been submitted to this contest, have received a production or won other contests. Only one script per playwright will be accepted.

The contest is judged by a team of distinguished theatre artists. The winning script(s) will receive a reading and/or a production at the Castillo Theatre in New York City during the theatre’s 2013 summer season.

All scripts should be submitted in hard copy and must be accompanied by:

   * A statement of the political/social/cultural questions the script engages (Scripts without a statement will not be considered.)
   * A brief synopsis
   * A character breakdown, including gender, age and ethnic requirements, if any
   * A 100-word biography of the playwright
   * A current email address

Please note:

   * Receipt of script will be acknowledged by email.
   * Scripts will not be returned.
   * Castillo will not give critical feedback to playwrights/contestants.
   * Contest winners are required to sign a letter of agreement, which will include but not be limited to granting the right for Castillo to produce one or more readings and/or a full production of the winning play.
   * Contest winners are responsible for travel expenses or any other expenses incurred as a result of participating in the development of the play with Castillo, or as a result of attending the reading and/or full production.

All scripts must be postmarked by October 1, 2012.

The winner(s) will be publicly announced at the Otto René Castillo Awards for Political Theatre in New York City in May of 2013.

Send all submissions to:

Castillo Theatre
543 West 42nd Street
New York, NY 10036
Attn: Fratti-Newman Political Play Contest

6.
NHMC Latino TV Writers Program
Deadline: August 13th.

The National Latino Media Council (NLMC)/National Hispanic Media Coalition (NHMC) Television Writers Program is for those writers who can write at least one half-hour comedy or one-hour dramatic television script in English within a five-week period of time. The program will take place in Burbank, CA from October 12, 2012 to November 16, 2012. Each selected participant is expected to complete at least one script by the end of the five-week session, which will then be read by network executives. Those writers whose scripts show promise will be interviewed and mentored by the network executives with the objective of placing them on a show. A stipend of $250 per week will be given to each participant. Flight, housing, and meals will be provided.

The NLMC/NHMC Television Writers Program is an intensive scriptwriters workshop to prepare and place Latinos in writing jobs for the major television networks. This project is modeled after the previously successful Hispanic Film Project. The television scriptwriters workshop is designed to familiarize participants with the format, characters and storyline structure of specific shows that are currently on the air. This five-week, total immersion workshop is mentored and guided by former NBC V.P of Script Development, Geoff Harris. The workshop is conducted in Burbank, CA and a total of 10 writers are recruited nationwide from established network of NHMC chapters, other non-profit agencies, schools, universities, guilds and media organizations. The goal is that the writers garner the skills necessary to obtain employment in the industry. The NLMC/NHMC Writers Program was created in accordance to NHMC's mission to improve the image of American Latinos as portrayed by the media and increase the number of American Latinos employed in all facets of the media industry. The program directly responds to the lack of diverse writers in primetime network TV with the idea that if there are more diverse writers present at the writer's table, more diversity will be reflected on TV.

Application packages must be submitted by August 13, 2012 and selected program participants will be announced September 17, 2012. Writing samples must be in English and television scripts are preferred. We accept any type of writing sample including books, plays, pilots, specs, etc. Please note that writing teams are ineligible. The deadline for submissions is August 13, 2012. Scripts will be evaluated and program participants announced on September 17, 2012.

For submissions to be considered, the following materials must be submitted:

   * Program Application (2 copies)
   * Resume/Bio (2 copies)
   * Writing Sample (2 hard copies and 2 CD* copies each with the writing sample saved in PDF format)*Instead of CD copies, applicants can submit 2 USB flash drives each with the writing sample saved in PDF format.
   * Statement of Interest:Why you want to write for television (2 copies)
   * Writer's Agreement (2 copies)
   * Waiver of Liability (2 copies)
   * Medical Form (2 copies)
   * ABC Notarized Release Form (The original notarized form and a copy)
   * NBC Release Form (2 copies)
   * Checklist

Submissions must be post marked by August 13 and sent to:

Nilda Muhr
National Latino Media Council
55 S. Grand Ave.
Pasadena, CA 91105

 *All materials must be submitted together and at the same time. Any application packet with missing materials will automatically be disqualified.

*Unfortunately due to a small number of judges and lack of resources, NHMC will not be able to provide feedback on any writing samples that are submitted and not accepted into the program.
7.
LOAF THEATRE
Deadline: unclear but probably before mid June.

Loaf Theatre Company seeks 60-90 minute scripts for its first annual 'Fresh Out of the Oven' Reading Series to be presented in early/mid July of 2012.

Each play will receive one staged reading presentation in a Manhattan venue followed by an intensive talk-back session with actors, audience, and Loaf Theatre members. Loaf Theatre will provide the space and will assist in finding actors, directors, and moderate publicity if needed. No pay provided, but selected plays will be considered for future development and production with Loaf Theatre Company.

Interested playwrights should email writing resume, synopsis, and complete script to: loafsubmissions@gmail.com

For more information about Loaf Theatre, please visit: www.loaftheatrecompany.com


8.
NYC PLAY OF THE WEEK
Deadline: June 10th

Beginning in June 2012, NYCPlaywrights will embark on a new project - The Play of the Week.NYCPlaywrights has been running its Play of the Month project since April 2011, and it's been tough to only pick one script per month from all the good scripts submitted. The Play of the Week project will give many more writers a chance to get a public reading of their work.

Four plays will be selected during each submission period, and then video-recorded readings of the plays will be posted online, one week at a time, during the following month.

The first submission period is Monday, June 4, 2012 @12:00 AM to Sunday, June 10, 2012 @11:59 AM

The mission of NYCPlaywrights, from the beginning, has been to provide script-in-hand readings as a good way for playwrights to get a sense of whether their play is working or not. The ultimate goal of any play, of course, is a full production. Playwrights should think of Play of the Week as a learning tool.

Originally plays were read in a room to a limited number of NYCPlaywrights meeting attendees. Thanks to the Internet, the plays will be available to a world-wide audience.

In addition to watching a script-in-hand reading, many playwrights feel it is beneficial to get verbal feedback on their work. Playwrights have an opportunity to allow visitors to the Play of the Week web site to comment on their play readings.

For more information see the Play of the Week web site.


9.
Urban Stages Emerging Playwright Award
Deadline: unclear but probably mid-summer (b/c they are looking for stuff for the fall)


Established in 1986, Urban Stages' EMERGING PLAYWRIGHT AWARD has been presented to the best of new, innovative playwrights whose works speak to the whole of our society. Winners receive a cash prize of $500 (in lieu of royalties) and receive a staged production of their play after the process of staged readinds and workshops. To be consider for this award, please submit your full length play on any topic (however special attention is again given to innovative plays that touch on social issues). 7 characters or less.

IMPORTANT!!!! 
All Plays must include a biography and/or author's history of the play, character breakdown, and brief description or synopsis of the play. 
All Plays may have been developed elsewhere, but never produced in New York City. There is no limit to submission. Subject matter and character variations are open.
All submissions must be sent via mail (ABSOLUTELY NO EMAILS!):
Urban Stages
555 Eighth Avenue, RM 1800
New York, NY 10018
Include a SASE (a small one for a response letter or a large one with appropriate postage if you would like us to return your play – otherwise scripts will be recycled.)
There is no submission fee.
All scripts must be firmly bound. No changes or revisions accepted after submission. No double-sided pages.
It usually takes two to six months for us to read and process your script. We ask that you do not call or email our offices to inquire on the status of your play.

10.

Studio Roanoke Theatre
Deadline: rolling
Studio Roanoke, a small theatre dedicated to new plays and the people who create them, is committed to making Roanoke, VA, a nationally recognized ignition point for new play development. We accept independent and agency-represented submissions year round for consideration in our regular season of new works and two reading series, the Workshop Reading Series and Guerrilla Playhouse. We proudly abide by the Dramatists Guild of America's Bill of Rights.

As a separate document accompanying your script, please include a cover letter with a brief playwright bio and brief synopsis of your play (each 100 words or less), and a concise description of the play’s prior production history (if applicable).  Save this file with your last name and the word “cover” (e.g. ShakespeareCover.pdf).

Include these two separate documents as attachments in your email.  Send Main Stage and Workshop Reading Series submissions toliterary@studioroanoke.org; your Guerrilla Playhouse submissions should be sent togeneralmanager@studioroanoke.org.  In the subject line or body of the e-mail, please indicate for which series you wish to be considered (Main Stage, Workshop, or Guerrilla). 

The literary staff will respond as quickly as possible to confirm receipt of your submission, and then again once we’ve had a chance to review your material.  Like most literary departments at American theatres, however, we’re understaffed and over-worked, so please allow at least eight to 12 weeks before expecting a response to your submission.

WHAT WE’RE LOOKING FOR

We’re interested in full-length and one-act plays of any style or genre except musicals or works targeted primarily toward children. Any adaptations must be from work in the public domain or be accompanied by proof that the playwright has secured the rights to the source material. Since our focus is on developing new work, we tend to shy away from scripts that have been published and/or received multiple previous productions...though this isn’t an ironclad rule. We’re particularly interested in works with a strong narrative through-line and compelling characters, yet we encourage innovative, non-traditional plot structures, new approaches to characterization and theatrical use of the space.

While the playwright is welcome in rehearsals and performance, we are typically unable to provide accommodations or to reimburse travel expenses. If the playwright is unable to be in attendance, we will communicate via email and phone to the extent practicable to allow the writer to have approval of production elements and creative communication with the director and design teams.

Main Stage: Full-length plays or a full evening’s worth of related one-acts. Playwrights whose plays we select for production as part of our Main Stage season are granted a 12-performance run and paid royalties.

Workshop Reading Series: This new series, which replaces our former Lunchbox Series, provides an opportunity for playwrights of new scripts to hear their work performed aloud before an audience and to receive developmental feedback from audiences and artists. Works developed in this series will be given strong consideration for inclusion in our Main Stage at a later stage in their development. These seated readings are offered to our audiences on the fourth Sundays of alternate months, beginning in January 2011. Plays should be complete full-length works or a full evening's worth of related one-acts. Playwrights are offered a $25 royalty for the performance.

Guerrilla Playhouse: This series often presents more experimental short pieces (30-60 minutes) ranging from solo performances, darker material, works involving audience interaction and/or participation, and plays with a rock-n-roll sensibility. Guerrilla Playhouse runs on the second Sunday nights every month, and the theatrical performances are paired with a live set from an invited musical artist or group. Playwrights are offered a royalty of 20 percent of the door for a one-night performance. To see Director of Guerrilla Programming Ben R. Williams' specific guidelines, please click here.

Shows in our Main Stage and Workshop Reading series receive a post-show talkback moderated by a member of our resident artistic staff. The Studio’s resident dramaturg and/or literary manager provide dramaturgical notes in the program for Main Stage productions to spur deeper consideration of the script by the audience. Playwrights who are able to attend the production are invited on stage following the performance to join the discussion and ask or answer any questions that arise. Playwrights have found our moderated post-show discussions particularly valuable as they further develop the script.

Studio Roanoke designates its productions as developmental workshops, allowing playwrights to offer their works as “world premieres” to other theatres after their appearance at the Studio. We place no future financial obligations on playwrights whose work is developed on our stage, though, of course, we certainly welcome contributions from playwrights whose experiences at Studio Roanoke have contributed to any fame or fortune they achieve afterwards. We do request, however, that playwrights premiering works on our stage require that the Studio is credited as a contributor to the development of the script in publications and/or program text associated with subsequent productions.


11.
Heiress Production Playwriting Contest
Deadline: August 1st

Heiress Productions is now accepting submissions for its 2012 Playwriting Competition

Here’s how to enter:

Scripts should be full-length and mostly comedic in nature (or with major comedic elements).  In addition, the plays should be unpublished and should not have been produced in NYC.

Submissions will be accepted through August 1, 2012.  

The prize for the winning play(s) will be a complete  reading in NYC produced by Heiress Productions with the potential of being fully produced at a later date.

For consideration, please send the following materials to scripts@heiressproductions.org -

1. Cover Letter
2. Synopsis
3. Ten (10) representative pages. These will be the basis for the first round of consideration. Scripts selected to continue will be read in their entirety by the judging panel.
4. Resume of the playwright(s)

We look forward to reading your work!



12.
CREATOrS Malawi Project
Deadline: June 30th

CREATOrS, Inc. announces Accepting Inquiries for Script Commission


CREATOrS, Inc. is accepting inquiries for a playwriting commission.  The project will be collaborative with a composer to create script and lyrics for a full-length musical drama based on the true African story of Malawi, and a courageous leader who helped to organize the rejection of that country’s brutal dictator in the early 1990s.  The final project will include scoring for symphony orchestra, singers, dancers, and multimedia. Project details, story profile, a brief documentary and composer background are available at www.creatorsinc.org.

African-born writers are strongly encouraged to apply.

The successful applicant would:

  • receive a commission for the project
  • collaborate with the composer
  • travel to Malawi, Africa with the composer and stage director to conduct research
  • target for completion is 2013

CREATOrS, Inc. (creatorsinc.org) is a non-profit organization based in Norfolk, Virginia, whose mission is to facilitate the creation of new works based on contemporary stories and issues.

Writers interested in being considered for this project should send their inquiries to creatorsinc@me.com.  Please include reference materials and writing samples.

13.
Theatre Three One-Act Festival
Deadline: Sept 30th
16th ANNUAL Festival of One-Act Plays
to be held on its Second Stage, the Ronald F. Peierls Theatre, during March 2012.
Submission Guidelines
* Only unproduced works will be accepted.
* Plays that have had staged readings are eligible.
* No adaptations, musicals, or children's plays.
* Cast size maximum: 8.
* Length: 40 minutes maximum, no minimum.
* Settings should be simple or suggested.
* Playwrights may make multiple submissions. They need not be made under separate cover.
* Please do not submit works that have been previously submitted.
* Scripts must be postmarked by September 30, 2011.
Please submit a cover letter, a synopsis, and a resume along with one copy of the play. Cover sheet of play should have title, author, author's address, author's telephone number, and author's email address (if available). Plays should be neatly bound or stapled on the left-hand corner (no loose pages and no binders, please). All submissions must include a standard SASE for correspondence. Or, if playwrights wish to have their works returned, an appropriate SASE must also be included.
Selected plays will be presented for 10 performances. Playwrights will receive a small stipend.
Plays should be submitted to The 15th Annual Festival of One-Act Plays, Attn: Jeffrey Sanzel, Artistic Director, THEATRE THREE, P.O. Box 512, Port Jefferson, NY 11777-0512. We do not accept electronic (email) submissions. Please do not call or stop by the theatre.

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