Disclaimer: I am still a bit confused about LOVECRAFT COUNTRY and question question QUESTION so many things. But....
Episode 9 was the first time this show actually made me cry. The transcendent blend of Sonia Sanchez's poem "Catch the Fire" with historical events and an sweeping aria made the whole latter part of the hour feel like some grand Wagnerian Black sci-fi opera. Still problematic, still confused, still question some choice, but for a fleeting moment I felt actual catharsis.
Catch the Fire
(Sometimes I wonder:
What to say to you now
in the soft afternoon air as you
hold us all in a single death?)
I say—
Where is your fire?
I say—
Where is your fire?
You got to find it and pass it on.
You got to find it and pass it on
from you to me from me to her from her
to him from the son to the father from the
brother to the sister from the daughter to
the mother from the mother to the child.
Where is your fire? I say where is your fire?
Can’t you smell it coming out of our past?
The fire of living…not dying
The fire of loving…not killing
The fire of Blackness…not gangster shadows.
Where is our beautiful fire that gave light
to the world?
The fire of pyramids;
The fire that burned through the holes of
slaveships and made us breathe;
The fire that made guts into chitterlings;
The fire that took rhythms and made jazz;
The fire of sit-ins and marches that made
us jump boundaries and barriers;
The fire that took street talk sounds
and made righteous imhotep raps.
Where is your fire, the torch of life
full of Nzingha and Nat Turner and Garvey
and DuBois and Fannie Lou Hamer and Martin
and Malcolm and Mandela.
Sister/Sistah Brother/Brotha Come/Come
CATCH YOUR FIRE…DON’T KILL
HOLD YOUR FIRE…DON’T KILL
LEARN YOUR FIRE…DON’T KILL
BE THE FIRE…DON’T KILL
Catch the fire and burn with eyes
that see our souls:
WALKING.
SINGING.
BUILDING.
LAUGHING.
LEARNING.
LOVING.
TEACHING.
BEING.
Hey. Brother/Brotha. Sister/Sista.
Here is my hand.
Catch the fire…and live.
live.
livelivelive.
livelivelive.
live.
live.
- Sonia Sanchez
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