1. DOWNTOWN URBAN ARTS FESTIVAL
DEADLINE: November 1st, 2023
WEBSITE: https://www.duafnyc.com/
Downtown Urban Arts Festival (DUAF) is seeking theatrical works (plays, musicals, and solo performances) for its 22nd anuual season to be held in June 2024 in the Theatre District in New York City.
DUAF supports diverse, new, and emerging voices from America’s burgeoning multicultural landscape. Over 200 playwrights have participated in DUAF and some have gone on to greater success on Broadway and have claimed top prizes such as the Pulitzer, Tony and Obie awards and nominations.
Submission Categories:
Short-length play (under 45 minutes)
Full-length play (not exceeding 70 minutes)
Eligible Projects:
Plays do not exceed 70 minutes
Plays should be new or existing work with minimal exposure
Plays should not have any other production in New York City during the 30-day period before and after the 2024 festival
Playwright’s Supports: No submission or participation fees
$750 (short) and $1,000 (full) playwright stipends
Actor and director stipends
Casting support
Technical design and operation
Reimbursed rehearsal space rentals
Actor’s Equity Showcase Code application administration
$1,000 awards for best full, short and audience
Submission Checklist:
Playwright's bio with contact info including name, address, phone # and email
Photo of playwright
Synopsis of theatrical work
Complete script of theatrical work
Estimated running time of work
Actor/director/crew bios, if available
Description of stage set (if any) and production needs (i.e. sound and lighting)
Please submit all attachments as .pdf. Photos must be in either .jpg or .jpeg.
The submission deadline is Friday, November 10, 2023. Please submit to coordinator@duafnyc.com. For more info about DUAF, visit: duafnyc.com.
2. PREMIERE STAGES PLAY FESTIVAL
DEADLINE: November 1st, 2023
https://premierestagesatkean.submittable.com/submit
Through the Premiere Play Festival, Premiere Stages has developed many plays that have gone on to have successful productions in New York and at regional theaters throughout the country. We strive to facilitate relationships between writers and theater professionals who we think will respond to their work, in hopes that plays developed at Premiere will go on to subsequent productions. We offer Play Festival writers we produce the option to retain the coveted “World Premiere” brand on their plays. Additionally, Premiere’s productions are consistently reviewed, scouted by major publishing houses, and honored by the American Theatre Critics Association.
From September 1, 2023 through November 1, 2023, Premiere Stages will accept submissions of unproduced plays written by playwrights affiliated with the greater metropolitan area. We accept 10 page script samples and synopses from playwrights without professional representation. Every sample is read and considered, and Premiere Stages will request the full script to read if the play seems viable for the 2024 season. The winners of the 2022 and 2023 Play Festival were both first received as samples. All plays submitted to the festival are evaluated by a panel of professional theater producers, directors, dramaturgs, playwrights, and publishers. Four or five finalists are subsequently selected for public Equity readings in the Spring of 2024.
SUBMISSION GUIDELINES:
Plays must be full-length and have a cast size of no more than eight. Playwrights without professional representation are invited to submit a 10 page sample, synopsis, development history (if any), and a bio and/or resume. Every sample is read and considered, and Premiere Stages will request the full script to read if the play seems viable for the 2024 season.
Plays must be unpublished and unproduced (readings and workshops are okay), with no productions or publication currently scheduled.
Playwrights must have strong affiliations with the greater metropolitan area (New York, New Jersey, Connecticut, Pennsylvania, and Delaware).
Musicals, adaptations (of existing plays or other sources), and solo shows are not eligible.
Submissions are limited to one script per playwright.
Please contact Premiere Stages to inquire about submitting a script that has been previously submitted.
Playwrights must be available for the development of their script (see 2024 schedule).
3. THE RICHARD RODGERS AWARD
DEADLINE: Nov. 1st, 2023
WEBSITE: https://artsandletters.org/awards/richard-rodgers-award/
These awards, created and endowed by Richard Rodgers in 1978 for the development of the musical theater, subsidize full productions, studio productions, and staged readings by nonprofit theaters in New York City of works by composers and writers who are not already established in this field. The winners are selected by a jury of the American Academy of Arts and Letters.
The term "musical theater" is understood to include musicals, plays with songs, thematic revues, or any comparable work. The submission of live and experimental work is encouraged. The work submitted must be of significant length to fill an evening; it may consist of a group of smaller, related pieces. The jury will consider only completed works. Care should be taken to submit the work in its best possible form as it may not be submitted again, in another year, even if substantially revised.
Only one submission by a collaborative group or a sole creator will be accepted and applicants must be citizens or permanent residents of the United States. Works by members of the Academy and previous winners of the production awards are not eligible for consideration. Former winners of Richard Rodgers awards for staged readings or studio productions may submit new works. An applicant whose works in the musical theater have received professional or amateur productions in New York City or out of town is eligible unless, in the judgment of the jury, the applicant has already achieved significant recognition in the field of musical theater through the work submitted or through any previous work. Works which have been produced by professional theater companies before a paying audience are eligible only if such productions received no more than 21 performances by a for-profit company or 50 performances by a nonprofit company.
4, THE RICHARD RODGERS AWARD
DEADLINE: Nov. 1st, 2023
WEBSITE: https://artsandletters.org/awards/richard-rodgers-award/
The Richard Rodgers Awards were created and endowed by Richard Rodgers in 1978 for the development of the musical theater. These awards subsidize full productions, studio productions, and staged readings by nonprofit theaters in New York City of works by composers and writers who are not already established in this field. The winners are selected by a jury of the American Academy of Arts and Letters. The Richard Rodgers Awards are the only awards for which the Academy accepts applications.
5. VELVET PARK LGBTQ WRITERS RESIDENCY
DEADLINE: November 3rd, 2023
WEBSITE: https://velvetparkmedia.com/application2024/
Velvetpark welcomes LGBTQ+ writers to develop and share their stories through our 4th Writer’s Residency. A 6 month live-work studio in Brooklyn, New York will be awarded to the resident.
Velvetpark Residency is a project based live-work studio, awarded through a selection process by open application. It is open to LGBTQ+ writers and visual artists to complete a proposed project.
The studio will be awarded bi-yearly, and will alternate between writers Winter/Spring, and visual artists Summer/Fall respectively. This schedule will continue to alternate into the ensuing years.
Velvetpark‘s Residency award is open for for an artists, writers, creators age eighteen and above, who are not enrolled in an academic program. The residency is for a 6 month term, as indicated in application form. The VP Residency is housed within Crown Studios, an artist building on a floor of eleven working arts professionals in the Crown and Prospect Heights neighborhoods of Brooklyn, New York.
For almost two decades Velvetpark has recognized queer people in the arts, academia and activism, by featuring stories on, by, or about these individuals in the pages of the print magazine and online. It is in the same spirit that our residency program has been launched and expanded to include imaginative and enterprising LGBT+ creators, who need space to support and cultivate their work.
6. CAFE ROYAL CULTURAL FOUNDATION NYC
DEADLINE: November 6th
WEBSITE: https://caferoyalculturalfoundation.org/literature-page
Café Royal Cultural Foundation NYC will award a writing grant to authors of fiction / creative nonfiction, poetry and playwriting.
Submission Capacity: To ensure that each submission receives the attention it deserves we will be only accepting 40 applications for each of our categories.
Deadline: Our Fall Grant cycle is currently open and ends on Monday November 6th at 9am ET or when reach our limit of 40 applications, whichever comes first.
Amounts: Up to $10,000.00
Eligibility:
Authors in fiction / creative non-fiction, poetry and playwriting.
The applicant must be the originator of the written material.
Grants will not be made for the purpose of research only.
Grants will not be made for equipment.
Writers applying must be a current resident of New York City and have lived there for a minimum of one year prior to applying and plan to be a resident through the completion of their project.
Grants awarded in this category may fund costs associated with continuing the composition of work submitted. Such as:
Course Reduction (if you're a Teacher/Professor)
Salary Replacement
Living Expenses
Research Expenses
Travel Research Expenses
Application Requirements:
Up to and no more than a 15 page PDF of the work, for the Café Royal Cultural Foundation Selection and Executive Committee to download and read. Please make sure your links are correct and not password protected. If they are not correct or have password protection your application will be declined and not reviewed by the Selection Committee.
A short description of the project.
A short author biography of the person(s) involved.
Budget must not exceed the amount of $10,000.00.
List of costs of how you plan to use the grant funds.
(Please review our lists of Approved and Ineligible Budget Items for Literature Grant Funds, located below)Travel and Research costs within the United States must demonstrate a direct correlation to the project for which you are applying.
You may not apply for International Travel and Research Costs.
If you are hiring fact checkers / editors / research assistants please be aware that we prefer that individuals providing these services are located in the NYC area.
Writers applying must be a current resident of New York City and have lived there for a minimum of one year prior to applying and plan to be a resident through the completion of their project.
We ask that the completion of your manuscript is no sooner than 90 days after this application's due date and no later than 12 months after your grant’s award date.
Applicants can only apply with the same project twice.
You may apply in a different cycle with a different project.
7. EUGENE O’NEILL FOUNDATION TAO ARTIST IN RESIDENCE PROGRAM
DEADLINE: November 15th
WEBSITE: http://www.eugeneoneill.org/artist-in-residence-program/
The Artist in Residence Program at Tao House provides a working retreat for developing or established playwrights, scholars, or critics of the performing arts. In 2017, the Foundation established the Carey Perloff Fellowship under the Travis Bogard Artist in Residence Program. The fellowship will be awarded each year, if appropriate, to an established theatre artist who desires to transition into a writer. For example, a director or an actor may be changing disciplines to focus on writing. Those seeking a Carey Perloff Fellowship should so stipulate on the Program Application and in their project description.
Fellows live off-site in comfortable, contemplative surroundings but spend their days at the nearby Eugene O’Neill National Historic Site. Housing, including meals and local transportation, is provided by the Foundation. Couples can be admitted, but only fellows will be financed. Children are not permitted. Residencies are available between April 1 and October 31. Each applicant can specify preferred residency dates—from one week to three weeks—but the length of stay awarded will be determined by the Artist in Residence Committee, based on various factors. Fellows will be encouraged to participate in a mutually agreed upon Foundation event, as appropriate. The Foundation and National Park Service will expect a copy or representation of the final project resulting from the fellowship and appropriate acknowledgment in any published work.
8. DISNEY ENTERTAINMENT TELEVISION (DET) WRITING PROGRAM
DEADLINE: November 17th
WEBSITE: https://sites.disney.com/ctdi/writingprogram/
The Disney Entertainment Television (DET) Writing Program is a highly selective, annual TV staffing program. The goal is to staff emerging and diverse television writers on DET scripted series. Program Writers are contract employees of Disney for one year (or until they staff on a show), and receive mentorship, professional development, and unprecedented access to the company and its creative executives, producers, showrunners, and program alumni. Each year, one writer receives the Eunetta T. Boone Comedy Writers Scholarship and special staffing consideration on a Disney Branded Television series. In 2024, the program will create the FX John Singleton Scholarship, providing one writer special staffing consideration on an FX Networks series.
Established in 1990, the one-year writing program is widely recognized as one of the entertainment industry’s most successful of its type. It has kickstarted the careers of many established and award-winning writers, producers and showrunners, including Saladin Patterson, Raamla Mohammed, Peter Saji, Zahir McGhee, Dailyn Rodriguez, Luvh Rakhe, Sierra Ornelas, and Claudia Foriestri, among many others.
The Program has had a 100% staffing rate each year. It also has a long history of being the only staffing/writing initiative in the entertainment industry to employ its writers contractually as full-time employees prior to staffing.
9. THE WOMEN PLAYWRIGHTS SERIES (WPS) AND SUSAN GLASPELL CONTEST.
DEADLINE: November 18th
WEBSITE: https://www.centenarystageco.org/call-for-plays-wps
The Centenary Stage Company, a professional theatre in residence on the campus of Centenary University in Hackettstown, NJ is accepting submissions for the Women Playwrights Series (WPS) and Susan Glaspell Contest.
The WPS is a developmental program dedicated to providing a working forum for the unique and under-served voice of women writing for the theatre today. Each season 3 new plays are selected for a collaborative workshop process, with a professional director and actors, which takes place in a brief rehearsal period of approximately 1 week, allowing time for the playwright to hear and adapt their work with other professionals. The process culminates in a presentation of the work for the general public as part of the series, giving CSC audiences larger exposure to new work, as well as offering the playwright an opportunity to get feedback from the audience during the development process.
Plays presented in the developmental WPS program are finalists in the Susan Glaspell Award Competition, and are under consideration for full production in a subsequent season at the Centenary Stage Company, the professional theatre in residence on the campus of Centenary University. Due to COVID-19, this opportunity may be delayed.
Playwrights selected for the workshop process will receive a $200 honorarium. Additional funds for travel and housing is available for one playwright each season.
Please include 1 letter of recommendation from a professional colleague or professor/instructor familiar with your work.
GUIDELINES
Full length plays only
No prior AEA production
Seven character maximum
Cover letter attached
One letter of recommendation
Please send digital copy of script to wps@centenarystageco.org
10. VALDEZ THEATRE CONFERENCE
DEADLINE: November 20th
We will accept the first 300 submissions from writers who have not participated before and don’t reside in Alaska
Submission Guidelines
20 to 120 minutes in length.
no more than ten actors needed.
no prior publications or professional productions.
no musicals without prior permissions from the coordinator.
One submission per author.
PDF or Word documents accepted.
All genres and styles of storytelling are welcome. We will accept the first 300 submissions from writers who have not participated before and don’t reside in Alaska. The deadlines for writers who do meet those qualifications is November 20. If you have questions, feel free to contact Coordinator Dawson Moore.
Accepted authors are expected to attend the Conference June 8-15, along with approximately 50 other authors for a weeklong developmental immersion. Travel expenses are the responsibility of the playwrights.
11. WAVELENGTH’S WAVE GRANT
DEADLINE: December 1st
WEBSITE: https://wavelengthproductions.com/grants/
Applications for Wavelength’s WAVE Grant are now open! The WAVE Grant is devoted to helping first-time female and non-binary filmmakers of color tell their own “great f**king story.” This year we will select five recipients to receive a $5,000 seed grant for the production of their short film. Recipients will also receive mentorship from our award-winning team with development, production, and distribution strategies.
12. MCKNIGHT FELLOWSHIPS IN PLAYWRITING
DEADLINE:December 14th
WEBSITE: https://pwcenter.org/programs/mcknight-fellowships-in-playwriting
The intent of the McKnight National Residency and Commission is to support an established playwright from outside of Minnesota who demonstrates a sustained body of work, commitment, and distinct artistic vision. The Recipient of the Residency and Commission will create a new play which will be developed with the Playwrights' Center through a series of workshops and will culminate in a public reading of the play.
Recipients will not be required to move to Minnesota but will have opportunities to engage with local artists and the Playwrights' Center staff and fellows throughout their term (July 1, 2024-June 30, 2025). One of the goals of this program is to create dialogue between Minnesota-based artists and those outside of the community. Benefits include: a $15,000 commission, up to $12,250 in workshop funds to support the development of the play, and a public reading.
The Application
(NOTE: The primary language used by evaluators during the selection process is English. If text is intentionally written not in English, a line of context would be helpful to an evaluator. Playwrights’ Center acknowledges this is an ethnocentric practice. While most Fellowship activities and engagements are conducted in English, Playwrights' Center staff are available to discuss additional support and resources as necessary.)
Each application will contain the following pieces:
-Application Form (including contact details, eligibility, and demographic information)
-Playwriting Resume. Please note clearly which productions listed on your resume (if any) meet the criteria for being "fully produced by a professional theater." Professional productions are defined as full length productions—running at least 45 minutes in performance— for which the author and primary artists (actors, directors, and creative collaborators) were reasonably compensated and that received at least three public performances each. Ten-minute or one-act plays and university, college, secondary school, amateur, and Equity showcase/waiver productions are not considered full professional productions. Productions that open after the application deadline of December 14, 2023 do not count.
At least one play must have had a production actually be presented fully before an audience. If you have had an additional play be scheduled for production and publicized, but the production was canceled for reasons outside of your control within the last three years, you may count that as your second professional production.
-Full-length play script. Submit a play that is representative of your work. A full-length play generally runs at least 45 minutes. If you are hoping to submit a script that is shorter than 45 minutes in length, please contact Julia at juliab@pwcenter.org to discuss. Co-written work will not be accepted, and musicals may be submitted by the book writer only. If you have previously received a McKnight Artist and Culture Bearer Fellowship in any discipline, this script must have been completed after that fellowship year.
NOTE: If you are planning to apply with a musical, please be aware that only text submissions are allowed. We do not accept any audio files or links to external websites, and evaluators will be instructed to not seek out any demos or audio tracks related to submitted scripts. We recommend that you consider the strength of just the text of your piece—separate from any music or other elements—as you select which piece to submit.
-2-3 page Project Proposal. This proposal should explain the project you intend to create if you receive the commission. The evaluators are looking for a project that is relevant, compelling, original, and that could reasonably have a first draft finished within the year. Please also detail why you would like to develop this piece with the Playwrights’ Center and your interest in engaging with the community here. Readers and panelists will be evaluating the specificity of your project and development/residency plans to the local community, so be sure to discuss why the Playwrights’ Center, Minneapolis, and/or Minnesota is the right place for you to work on the piece.
-One letter of recommendatioN. Please request one letter of recommendation from an artistic professional familiar with your work as a playwright. Letters must be received by the application deadline: December 14, 2023. You will be sending a request through the application portal below. You may request a letter through the application system before finishing your final application, so we recommend that you click on the link below and begin your application sooner rather than later to give your recommender time to complete their letter. New for 2023: Letters of recommendation are valid for three years. If you would like to resubmit a past letter of recommendation, please email Artistic Programs Manager Julia Brown at juliab@pwcenter.org at least two weeks before the application deadline. We try to keep all letters on file, but we cannot guarantee that each letter will be available.
13. THE JEWISH PLAYS PROJECT
DEADLINE: Rolling
WEBSITE: www.jewishplaysproject.org/guide
AN IMPORTANT NOTE: SUBMISSIONS ARE OPEN TO ARTISTS OF ALL
BACKGROUNDS, DENOMINATIONS, FAITHS, CREEDS, RELIGIONS, and other IDEALS.
SUBMISSION PROCESS: Fill out the Project Application Form and attach a play to the form as a PDF. You must submit your play with your name and other identifying information removed (we review all plays blind). We will consider submitted plays and musicals:
MUSICALS: Submitted musicals must include links to recordings of at least 3 songs to be reviewed. Please note, we review musicals on a different timeline than our other programming.
ELIGIBILITY:
The following must be true of a submitted play or musical:
It contains significant Jewish themes, characters, content, or points of view.
It is in English, or primarily in English—we love plays that play with language as a theatrical tool, and plays that explore the differences in language. It just needs to be primarily accessible to an English speaking audience. (We welcome translations.)
It is full length, meaning over around 75 minutes in length. (For a guide, that usually means 60 pages or more. We DO NOT review 10 or 20 minute plays.)
It has not had a full production in the NY Metro region or a major regional theater (LORT C or above).
It has never been published in any form.
NOTE: We are most interested in submissions that embrace and depend on Jewish identity at their dramatic core, while avoiding stereotypical forms that rely on cultural or ethnic shorthands in lieu of dramatic development. This holds true whether dealing with the historical gravity of the Holocaust or employing stereotypical tropes for comic effect.
The JPP brings all the tools of new play development to bear on the plays we select: dramaturgical consultation and research; the involvement of collaborating artists - including directors, designers and actors - at all stages as needed; private and public presentations; and industry advocacy. We partner with great writers who not only have a great idea for a play, but have a heartfelt intention to write a Jewish play. To us, this means that during the development process, the writer is committed to making decisions about the progress of the play (or musical) that enhance and deepen the Jewish content, spirit, ideas and values in the work.
14. NATIVE VOICES PRODUCTION SUBMISSIONS
DEADLINE: Rolling
WEBSITE: theautry.org/events/signature-programs/native-voices-annual-call-for-scripts
We accept scripts all year long. Do you have a full-length script that has been developed and produced that you would like us to consider for a future Native Voices production in Los Angeles? Please follow the Checklist for All Submissions below and in the Native Voices Script Submission form check the box for 2023 General Production Consideration.
Checklist for Call for Scripts
Please label script attachment as follows: PlayTitle_Author’s Last Name, First Initial (Example: MyNewPlay_Doe, J.doc).
All submissions must conform to a standard play-script format (one-inch margins, #12 Times or Courier font, all pages numbered).
Include a title page with full contact information (mailing address, phone numbers, e-mail address) and a draft or revision date.
Include a character breakdown at the beginning of your script.
Provide a biography of 75–100 words. Please label attachment as follows: Bio_Author’s Last Name, First Initial (Example: Bio_Doe, J.doc).
Provide a press ready photo of at least 300dpi. Please label attachment as follows: Photo_Author’s Last Name, First Initial (Example: Photo_Doe, J.doc).
Provide development history for the play. Label attachment as follows: DevHistory_PlayTitle_Author’s Last Name, First Initial (Example: DevHistory_MyNewPlay_Doe, J.doc).
To submit, fill out our online form and upload your submission materials here: Native Voices Script Submission Form
Please do not send treatments or outlines. Previously produced plays should be submitted under the 2023 General Submission for Production Consideration. Playwrights are encouraged to make multiple submissions (up to three per event), but selection will be limited to only one play per playwright, per event.
15. AUDIBLE EMERGING PLAYWRIGHTS FUND
DEADLINE: Rolling
WEBSITE: https://www.audible.com/ep/audible-theater
In 2017, Audible launched a theater initiative, intended to radically increase access to exceptional plays and performances. A core pillar of the initiative is the Emerging Playwrights Fund, a program that invests in and nurtures self-identifying emerging playwrights, some of our most inventive, delightful, and provocative storytellers. Through the Fund, Audible aims to connect extraordinary performers with remarkable original work, amplifying new voices and harnessing the power and potential of audio to reach millions of listeners.
The Fund specifically supports t he creation of original dramatic work, written with audio in mind, but theatrical in spirit. Audible is dedicated to commissioning, developing, and producing work that reflects the diversity of our members and our world. To accomplish this, Audible is committed to granting at least 50% of emerging playwright commissions to artists of color and women.
To be considered as an applicant for a commission, please submit all of the following to AudibleTheater@audible.com:
1. One full-length script for an original or adapted play (in English language only) that represents your voice ("Script"). The Script can be in any genre and may include one-acts and solo pieces;
2. A short biography; and
3. A brief statement about why audio plays appeal to you.
If you have an idea for an original audio play, you are welcome to include a pitch or summary along with your statement (this is encouraged, but not required).
Any applicant over the age of 18 may submit a Script. Submissions are accepted year-round. Due to the number of Scripts that Audible receives, Audible will only consider one Script at a time from each applicant and will not consider resubmissions, including those that have been significantly revised. The Audible team evaluates submissions on a rolling basis, and applicants will be notified regarding the status of their submissions via email. Thanks in advance for your patience while we process your Script; our typical response time is 6-8 months.
16. THE STOCHASTIC LABS
DEADLINE: Rolling
WEBSITE: https://stochasticlabs.org/residencies/
The Stochastic Labs offers fully-sponsored residencies to engineers, artists, scientists, and entrepreneurs from around the world. Residencies include a private apartment at the mansion, co-working and/or dedicated work space, shop access, a $1,000 monthly stipend and a budget for materials.
17. THE FOUNDATION FOR CONTEMPORARY ARTS
DEADLINE: Rolling
WEBSITE: https://www.foundationforcontemporaryarts.org/grants/emergency-grants/
Created in 1993 to further FCA's mission to encourage, sponsor, and promote work of a contemporary, experimental nature, Emergency Grants provide urgent funding for visual and performing artists who:
Have sudden, unanticipated opportunities to present their work to the public when there is insufficient time to seek other sources of funding
Incur unexpected or unbudgeted expenses for projects close to completion with committed exhibition or performance dates
Emergency Grants is the only active, multi-disciplinary program that offers immediate assistance of this kind to artists living and working anywhere in the United States, for projects occurring in the U.S. and abroad.VEach month FCA receives an average of 95 Emergency Grant applications and makes approximately 12-15 grants. Grants range in amount from $500 to $3,000, and the average grant is now $1,700. We recommend that artists review all of our eligibility guidelines and FAQs before applying. You may also complete our Eligibility Questionnaire, but please note that the questionnaire is not a substitute for a thorough review of program guidelines.
18. THEATRE ARIEL OPEN SUBMISSIONS
DEADLINE: Open
WEBSITE: http://www.theatreariel.org/opportunities
Theatre Ariel is always seeking the next great Jewish play to present to our audiences. Theatre Ariel is looking for plays that engage with the rich world of Jewish life, thought and practice; plays where Judaism, Jewish identity or Jewish perspectives are significant or driving factors in the story (In other words, not plays where the characters ‘happen’ to be Jewish or that have a few yiddishisms or “Jewish jokes” in them, but plays where Jewish life/thought/history is integral or particularly relevant to the story.). Theatre Ariel seeks plays with casts of five actors or less.
You do not have to be Jewish to have your work considered by Theatre Ariel.
All our performances are presented as salon-style theatre readings in people’s homes, following a long tradition of Jewish theatre. For the foreseeable future, we will be presenting in a hybrid model of both in-person and virtual performances. To have your script considered, please email the following to submissions@theatreariel.org:
Brief cover letter introducing yourself and your play, as well as a short plot summary and character breakdown (indicating doubling, if any)
Ten minute excerpt from the script (if these are not the first ten pages, then please supply a brief explanation of where we are in the story when your sample picks up)
Theatre Ariel is committed to reading and responding to every submission we receive. Please allow three to six months for a response. Please forward any questions you may have to the same email address listed above.
19. THE DOROTHY ROSS FRIEDMAN RESIDENCE
DEADLINE: Rolling
and
The Friedman Residence, located at 475 West 57th Street, offers affordable housing for senior citizens, working professionals, and persons with HIV/AIDS. All apartments are complete with dishwasher, washer, dryer, central heating and air conditioning. Many apartments have terraces and feature spectacular Manhattan views. The Friedman Residence also features 24-hour security.
Eligibility for The Friedman Residence is based on federal guidelines for Low-Income Housing Tax Credits. An applicant’s annual income from all sources (employment, benefits, asset interest) must be more than $28,500 and less than $47,760. The annual income of a household of two should be at least $30,000 and cannot exceed $54,600.
Please note:
• Applicants receiving specific rental subsidies may also be eligible. • Full-time students are NOT eligible for residency.
• Assets must be evaluated in determining eligibility.
(Assets do not include personal property, such as: furniture, automobiles, and clothing.)
• No pets are allowed. The Friedman Residence is a building for adults. Households of two will be considered for a one-bedroom unit only if both members are either a person with HIV/AIDS or a senior citizen. The Friedman Residence is not able to accommodate households greater than two. Tenants who live in one-bedroom apartments are responsible for paying a monthly rent and electric charges.
SHARED HOUSING
Apartments at The Friedman Residence are comprised of two- and three-bedroom units. There are also a limited number of one-bedroom units; however, priority for these units is given only to persons with specialized medical needs. In the shared apartments, each resident has a private bedroom and shares a living room and kitchen with one or two other people. Some bedrooms feature private baths, while others feature shared baths with one other person. Tenants living in shared apartments must pay a monthly rent charge. Electricity costs are not charged for tenants who live in these (shared) units.
APPLICATION PROCESS
Once the Intake Office receives your completed application, it will be screened for eligibility and you will receive written notification of your application status. Incomplete applications will not be reviewed and you may be notified that additional information is required for us to process your application. If your application meets the preliminary requirements for housing at The Friedman Residence, your name will be placed on our waiting list and you will be contacted when your name comes to the top of the list. As The Friedman Residence strives to maintain a commitment to all the populations that it serves, please be advised that apartments will be filled according to vacancies for seniors, persons with HIV/AIDS, and Low-Income working professionals. Please also note that waiting list status will depend upon the types of apartments available for each category and may be quite lengthy. We will do our best to accommodate you in a timely fashion as vacancies become available. Thank you for your interest in The Friedman Residence.
If you would like to receive an application by mail, please call the Breaking Ground Application Hotline at 1-800-324-7055 and leave a clearly understandable message with your name and correct mailing address, and an application will be mailed to that address.
If you have additional questions about the Friedman Residence or the application process, please contact the Intake Office at 212.246.2424, ext.-4, or send an email to AuroraIntake@breakingground.org
20. WILD CULTURE , WILD PROJECT
DEADLINE: Rolling
WEBSITE: http://www.thewildproject.org/programs/wild-culture/
Wild Culture is a program where wild project partners with a cross-section of independent, downtown performance artists to help both professional and emerging theater performers nurture, broaden and advance projects that are in various stages of development. Wild Culture gives artists free or subsidized space at wild project’s 89-seat eco-friendly theater, a stipend, box-office split, tech staff, marketing and community outreach to sustain the innovative creativity of downtown performance and unburden independent artists from prohibitive production costs. The program generally grants each project limited engagements of one to three performances. Projects that wish to submit to Wild Culture should align with wild project’s mission to enrich and educate the community, explore issues relating to female, BIPOC, and LGBTQIA+ artist communities, and demonstrate a clear performance aesthetic.
Wild Culture adapts each partnership to the specific needs and artistic vision of the project. Wild Culture is an ongoing program throughout the year. If you have a project that might be suitable for a Wild Culture partnership, please email Producing Artistic Director Ana Mari de Quesada at adequesada@thewildproject.org to get the conversation going to partner with us.
21. NY THEATER FESTIVAL SPRING/SUMMERFEST
DEADLINE: Rolling
WEBSITE: http://newyorktheaterfestival.com/summerfest-festivals/
ACCEPTING APPLICATIONS FOR 2024.
We strongly believe that self producing a play or a musical can offer a very important tool for the growth of every playwright’s work. Once a playwright sees their work onstage, it provides an opportunity for the playwright to improve or modify their story. It’s also a great opportunity to invite people from the industry to see your production. People are more likely to go see a show than to read an unsolicited script, as some industry people receive on average thousands of submissions per month, and they understand that the journey for a show to be successful often goes through several productions.
Our team is completely dedicated to help get your work seen. We are always with you to help, from the first moment of your tech rehearsal to the closing of your last show. You will never be left alone during the process. We will help you to choose some of the 85 set/furniture props we offer to dress your stage for your run, and give you a complete crash course on how to use the audio/light/video system, which are intentionally very user friendly. After we show you how to use the tools we provide and how to utilize the space, you will be able to rehearse your tech rehearsal with whatever plan works best for you and your production. A team member will be present to provide prime responses to every inquiry, as well as a telephone # you can call anytime during relevant hours throughout the run of your show. In 11 years and 19 seasons we have successfully hosted 1,200 plays and 300 musicals and rewarded with cash prizes over 300 artists who participated in our Festival.
PRIZES:
We offer up to $8,000 in Prizes. $3,500 alone goes to the season’s best production (either a play or a musical)
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