1. 2021-22 WOODWARD/NEWMAN DRAMA AWARD
DEADLINE: December 1st
WEBSITE: https://www.newplays.org/opportunities/submissions/woodward-newman-award/
We are currently accepting submissions for the 2022-23 Woodward/Newman Award. The winner and finalists will be announced by June 2022. The winner will be awarded $3,000 and a full production.
“Full-length” plays should have a complete running time of between 1 hour 15 minutes (75 minutes) to 2 hours 15 minutes (135 minutes).
Plays submitted must be unpublished at the time of submission (independently published is acceptable).
Each submission should be sent to BPP via email. Send your email to literarymanager@newplays.org
Your email should include the following:
Tell us your name, phone number, and the name of your Play
Tell us how you are satisfying the $10 administrative fee
Agent submitted scripts require no fee.
If via Dramatist Guild membership, attach a copy of your DG card to the email
If you have paid via Paypal on our website, indicate your confirmation number and the email address used.
Paypal is preferred, but if you can’t pay on-line, you may send a check or Money Order, (must be from a US bank). Tell us the check or Money Order number. Make it payable to “BPP” and mail to BPP, 107 W 9th ST, Bloomington, IN 47404
Attach a SINGLE PDF file containing your script with the following information included in the following order:
Title page with author name
Synopsis (1 page or less). Please list the genre at the top (comedy, drama, etc.)
Character list/breakdown
Production history for the play—Include readings and productions
A brief bio of the playwright,
Full Script
Submissions that fail to include all requested information in the order listed will be disqualified from the contest.
Plays submitted in previous years will be accepted.
Two separate submissions per playwright per annual competition are allowed as long as each submission has all the required materials.
2. WAVELENGTH’S WAVE GRANT
DEADLINE: December 1st
WEBSITE: https://wavelengthproductions.com/grants/
Applications for Wavelength’s WAVE Grant are now open! The WAVE Grant is devoted to helping first-time female and non-binary filmmakers of color tell their own “great f**king story.” This year we will select five recipients to receive a $5,000 seed grant for the production of their short film. Recipients will also receive mentorship from our award-winning team with development, production, and distribution strategies. Submissions close December 1st, 2021.
3. ROCKFORD NEW WORDS 2022
DEADLINE: December 1, 2021
WEBSITE: https://wssr.org/submit
10 new works will be chosen and presented in a staged performance Feb 4th & 5th, 2021. Writers can choose to perform their own works (Live or on Zoom), or have them presented by professional performers. Writers each receive $200.
THEME: WORDS ON WOMAN. “Woman” has multiple facets including gender identity, social construct, and lived experience. This year we are asking writers to look beyond boundaries to express their experience with the word “woman.”
RULES
New Words: written after OCT 25, 2021
Theme: Words On Woman
One Written Work per writer
Language: English
Writer Location: Anywhere!
Originality: no translations, adaptations, or excerpts of other works
Copyright: you must own it
Eligibility: no previously published or produced works
Length: 10 pages or less
Time: 10 minutes or less
Format: Any
Fill out the online application and upload a copy of your work here: wssr.org/submit
We will let you know the status of your submission by January 15, 2022.
Have questions? words@wssr.org
4. ASHLAND NEW PLAYS FESTIVAL 2022
DEADLINE: December 1st
WEBSITE: https://ashlandnewplays.org/script-submission/
About: ANPF’s Fall Festival is our annual flagship event that features readings of four plays - chosen from hundreds of submissions from all over the world. The plays are submitted blind and are read by a dedicated team of volunteer readers who select the finalists. Our artistic director receives the blinded scripts and leads the collaborative process of choosing the winners. Each play receives two readings, a matinée and an evening, and is followed by a talkback session with the playwright, providing a learning opportunity for both the audience and the artist.
Criteria: -Full-length drama or comedy, intermission preferred. If no intermission, then 75-minutes minimum running time. ANPF presentations are concert readings, not staged readings. The emphasis is on the language and dialogue of a play. Stage business cannot be considered as part of the running time. Submitted scripts should meet the timing requirement with this in mind.
-Previously unproduced. All scripts submitted to ANPF must be unproduced and remain unproduced until the time of the Fall Festival. College/academic productions do not count as productions; nor do workshops or readings. Any staging by a theatre (including non-Equity, regional, or community theatre) where actors are off-book and admission is charged DOES count as a production.
-Maximum of eight actors. Doubling is permitted, provided a doubling plan is included with the cast list.
-Submitting author is (or authors, when in collaboration, are) sole owner(s) of script copyright.
-As part of the application process, we are asking playwrights to share a brief personal statement. See link below.
Compensation: $1,500
5. THE 2022 SAMUEL FRENCH OFF OFF BROADWAY SHORT PLAY FESTIVAL
DEADLINE: December 1st/15th
WEBSITE: https://oobfestival.com
We will be capping submissions at 850, as we are committed to providing thorough and thoughtful consideration to each script in a timely manner. Submissions will close when we either reach our limit of 850 submissions or our deadline of December 15th.
We are hopeful and planning for the festival to take place in person. To that end, should your play be selected and if we are able to host an in person festival, all playwrights, producers, casts, or anyone affiliated attending in person will be required to be fully vaccinated in accordance with New York City and our performing venue guidelines. When the top 30 plays/musicals are chosen for the 2022 festival, we will let the 30 playwrights know if the festival will be virtual or physical before they commit to proceeding further in the competition.
Short plays and musicals can be no longer than 15 pages and have a max run time of 15 minutes (ideal run times are between 8-13 minutes). If submitting a musical the page limit should reflect the libretto.
Writers may submit only 1 play, including plays they have co-authored. Producers (writer’s groups, theatre companies, universities, etc.) may submit up to 15 plays accredited to their organization, but can only submit one play by an individual playwright. Script submissions will be accepted in digital format only, via Submittable. Each nomination must submit a separate application form. Conglomerate entries on one application are not acceptable.
Plays must be written in English. Plays must be typed, and in no less that 10-point type, in conjunction with formatting suggestions listed in the Dramatist Guild’s Formatting Guidelines. Note that cover pages or additional cast size pages are not required and will not be counted against the 15 page limit. Playwrights previously published by any Concord Theatricals company, including Concord Theatricals, Samuel French, Inc., Tams-Witmark, Rodgers & Hammerstein, or The Musical Company, are not eligible for submission into the Off Off Broadway Short Play Festival. This includes winners of previous Samuel French Festivals.
6. MCKNIGHT NATIONAL RESIDENCY AND COMMISSION
DEADLINE: December 2nd
WEBSITE: https://pwcenter.org/programs/mcknight-national-residency-and-commission
The intent of the McKnight National Residency and Commission is to support an established playwright from outside of Minnesota who demonstrates a sustained body of work, commitment, and artistic excellence. The Recipient of the Residency and Commission will create a new play which will be developed with the Playwrights' Center through a series of workshops and will culminate in a public reading of the play.
Recipients will not move to Minnesota but will have opportunities to engage with local artists and the Playwrights' Center staff and fellows throughout their term (July 1, 2021-June 30, 2022). One of the goals of this program is to create dialogue between Minnesota-based artists and those outside of the community. Benefits include, a $15,000 commission, up to $12,250 in workshop funds to support the development of the play, and a public reading. Applicants must reside in and have the legal right to work in the U.S. Applicants must be nationally recognized playwrights who have had at least two different plays fully produced by professional theaters at the time of application. If you had a production that was canceled or postponed due to COVID-19, that does count when determining eligibility.
Criteria: Each application will contain the following pieces:
-Application Form (including contact details, eligibility, and demographic information)
-Playwriting Resume
-Full-length play script
Submit a play that is representative of your work. A full-length play generally runs at least 45 minutes. If you are hoping to submit a script that is shorter than 45 minutes in length, please contact Julia at juliab@pwcenter.org to discuss. Co-written work will not be accepted, and musicals may be submitted by the book writer only.
-2-3 page Project Proposal
This proposal should explain the project you intend to create if you receive the commission. The evaluators are looking for a project that is relevant, compelling, original, and that could reasonably have a first draft finished within the year. Please also detail why you would like to develop this piece with the Playwrights’ Center and your interest in engaging with the community here.
-One letter of recommendation
Please request one letter of recommendation from an agent or theater professional. Letters must be received by the application deadline.
Compensation: $15,000 commission, up to $12,500 in developmental support
7. MCKNIGHT FELLOWSHIPS IN PLAYWRITING
DEADLINE:December 9th
WEBSITE: https://pwcenter.org/programs/mcknight-fellowships-in-playwriting
The McKnight Foundation, a family foundation based in Minnesota, advances a more just, creative, and abundant future where people and planet thrive. The McKnight Fellowship in Playwriting recognizes and supports mid-career playwrights living and working in Minnesota who demonstrate a sustained body of work, commitment, and attributes of artistic merit. The fellowship, which runs July 1, 2022-June 30, 2023, includes: a $25,000 stipend, an additional $2,500 to support a play development workshop and other professional expenses, and $1,400 in travel funds.
Applicants must reside in and have the legal right to work in the U.S. during the fellowship term. Applicants must have been continuous residents of Minnesota since at least December 9, 2021, and must maintain residency in Minnesota during the fellowship year. Applicants must have a minimum of one work fully produced by a professional theater at the time of application. (Note for 2020, 2021, and 2022: any programmed/announced professional productions cancelled due to COVID-19 can be counted as long as they would have met the criteria above. Please be sure to mark cancellations or postponements clearly on your resume).) Full-time students are not eligible. Fellowship recipients may not receive any other Playwrights' Center fellowships, grants, or Core Writer program benefits during the grant year.
Questions may be addressed to Artistic Programs Manager Julia Brown at juliab@pwcenter.org.
8. THE KERNOODLE NEW PLAY AWARD
WEBSITE: fulbright.uark.edu/departments/theatre/callboard/kernodle-new-play-award.php
DEADLINE: December 16th
The University of Arkansas Department of Theatre administers the Kernodle New Play Award, which recognizes full-length plays that invite the audience’s imagination and are inherently theatrical. All playwrights must fill out our online submission form, which is only available during our submission window, which opens on November 1, 2021 and closes Dec. 16, 2021. Additionally, please understand, due to staffing levels (and a desire to keep unsolicited submissions free), we can only accept the first 100 unsolicited submissions received in 2021-2022.
Playwrights whose work has been solicited, agent submissions, and playwrights who currently reside in, or are originally from, Arkansas are welcome to apply until the Dec. 16, 2021 deadline. Please fill out our online form, indicating who solicited your work/agent affiliation, or your ties to Arkansas.
9. CARLOW LITTLE THEATRE INTERNATIONAL PLAYWRITING FESTIVAL
DEADLINE: December 20th
WEBSITE: www.carlowlittletheatre.com/upload/246216/documents/207E0AC22727EDDA.pdf
The competition is open to all writers over 18 years old, both members and non-members, local and international. The play submitted must be in English and be an original work of the entrant that has not yet been published, nor performed on stage previously, nor received any awards previously. No entry fee is required. The script length / duration of the play should not exceed 20 minutes.
Scripts are to be sent electronically to Carlow Little Theatre Society, by emailing them tocarlowlittletheatre@gmail.com with the subject header of ‘2021/22 Playwriting Competition’, along with fully completed entry form attached to the email. Note that the entrant’s name should appear only on the entry form and not on the scripts. The 3 finalist plays selected for rehearsed readings will be announced on Friday 4th February 2022, with the entrants also contacted directly.
Two independent adjudicators will judge the final three scripts prior to the rehearsed readings. The rehearsed readings of the three finalist plays are then planned to be streamed on Saturday 19th February 2022. Online voting will begin as this stream finishes and this online vote will remain open until 23:59 on Monday 21st February 2022. The online votes will count for 34% of the final total with the remaining 66% split between the two adjudicators. The overall outright winner of the competition will be announced on Tuesday 22nd February 2022, with a monetary prize of €500 for 1st place, €300 for 2nd place and €200 for third place.
Playwrights are asked to read the guidelines below before submitting their play for consideration:
Each play should have a running time of up to 20 minutes. As a guide, use the format: 1 page equals approximately 1 minute of performance time.
Script formats are not strict and can take a variety of forms. However, it must be clearly formatted and the recommended format is 12pt, double-spaced, Times New Roman.
Plays should be sent as doc (Word) or PDF, via email only. Each script should be numbered, with the title of the play at the top of each page.
The playwright’s name should not appear on the script.
All entrants must be 18 years of age or older.
The script should not have been published, performed previously or be scheduled for performance or have received any awards previously.
The play should not be an excerpt from a longer work.
We do not accept adaptations.
Entries are to be sent by email to carlowlittletheatre@gmail.com with the Subject Header of ‘2021/22 Playwriting Competition’.
Each submission must be accompanied by the fully completed entry form. The entry form can be downloaded directly from HERE.
Entry to the competition provides Carlow Little Theatre Society with permission and rights to perform all received plays in a rehearsed reading. A recording of the rehearsed readings will then be streamed online and will remain on Carlow Little Theatre Society's social media for a period of no more than seven days thereafter.
Selected finalist writers are asked, but not required, to be available for communications with the director assigned to their play, either via electronic communication, phone or in person meetings. The director retains the final artistic control over each plays' production but all efforts will be made to engage with the writers wishes where possible.
10. NAMT FESTIVAL OF NEW MUSICALS
DEADLINE: December 20th/January 10th
WEBSITE: https://namt.org/newmusicals/festival-submissions/
Now in its 34th year, NAMT’s Festival of New Musicals is the cornerstone of NAMT’s mission to be a catalyst for nurturing musical theatre development and production. Every year, we feature eight musicals in short presentations for an audience of over 700 industry professionals. We look for new musicals at all stages of development from the broadest possible range of voices.
In the short run, the Festival’s goal is to connect producers with writers, so that our shows can extend their development trajectory. The long-term goal is to expand the musical theatre repertoire and advance the musical theatre art form.
NOTE: The festivals in 2020 and 2021 were presented in online and/or hybrid formats. Decisions have not yet been made regarding the format of the 2022 Festival, but applicants will be notified as soon as possible once that information has been determined.
The objectives of the Festival are to:
Showcase quality new musicals with a wide range of subject matter, style and concept
Nurture composers, lyricists and book writers of all identities and backgrounds
Stimulate networking opportunities for NAMT Members and theatre professionals
Provide a forum to spark new collaborations and ventures
Encourage future productions of new musicals
The musical must…
Be complete and ready for readings, workshops and/or productions.
Have a demo that is an accurate representation of the music and style of the show.
Have full underlying rights clearances for any pre-existing material used (music, source material, etc.) in the script.
Be ready for readings, workshops and/or productions at the time of submission and available for performance in October 2022 at the Festival.
The musical cannot…
Already be licensed through a professional licensing house.
Have been produced on Broadway. [Shows that have had readings, workshops and/or productions (including regional or Off-Broadway) are still eligible.]
Have already been submitted to the Festival three times. Each show can only be submitted three times for review by the committee.
Have been presented as one of our main presentations at a Festival (excludes shows presented as part of our complementary programming including concerts and showcases).
In addition, the writers must be available for the Festival and all rehearsals.
11. THE BLANK THEATRE FUTURE OF PLAYWRITING PRIZE
WEBSITE: ucross-the-blank-theatre-future-of-playwriting-prize
DEADLINE: December 20th
This award represents a unique collaboration between the prestigious Ucross Foundation in Wyoming, where artists from all disciplines have been supported by residencies since 1983, and The Blank Theatre in Hollywood, which has been developing new plays and new artists since 1990.
The Future of Playwriting Prize will be given annually to an early-career playwright who personifies the future of theatre — someone whose voice will shape theatre for decades to come, and who will bring new thoughts and views to the American theatrical conversation.
The winner will be awarded a $5,000 cash prize and an all-expenses-paid, two-week residency at Ucross’s ranch at the foothills of the Bighorn Mountains. The residency includes transportation, accommodations, meals, and the opportunity to commune with other visiting artists. The winner will also receive a professionally produced staged reading in The Blank Theatre’s Living Room Series new play development program.
Two additional finalists will each be awarded a $500 cash prize.
We encourage application by playwrights who may not have had access to advanced or graduate writing programs. As this is an emerging playwright award, writers who have had Off-Broadway, Broadway, or major regional theatre productions will not be considered. Playwrights must reside in the United States.
Winning writers must be between 21 and 30 years of age as of April 1, 2022.
Writers must submit:
1. Resume including creative/educational background.
2. A personal artistic statement - 1000 words or less - that describes:
Who you are and what has brought you to this place - your influences and life experiences. Also, what you hope to gain personally from an uninterrupted two-week residency at Ucross.
The concept for a new play (a full-length you have not yet initiated) that you would like to begin or work on while you are there - what themes, characters or stories do you want to explore?
How do you see the future of theatre, and what is your role as a playwright in it?
3. One short play (45 pages or less). Please submit only a complete short play, not a sample from a full-length play. PDF form only, titled FirstName_LastName_SHORT (e.g., Sally_Jones_SHORT).
4. One full-length play (60 to 120 pages). PDF form only, titled FirstName_LastName_FULL ( e.g., Sally_Jones_FULL).
One submission only per playwright. Please do not submit multiple applications to include different scripts. We want to see what you consider your best work.
Plays and other submission materials must be written in English.
Translations, musicals, adaptations, and children's plays will not be considered.
All scripts must be typed in standard playwriting format.
Page numbers must appear with the first page of dialogue as page 1.
Scripts must contain a character breakdown and time/place setting.
The first 300 submissions will be considered. If 300 valid submissions are received before the end of the application period, additional entries may not be accepted, and notice will be posted at TheBlank.com.
12. PHILADELPHIA WOMEN’S THEATRE FESTIVAL
DEADLINE: December 22nd
WEBSITE: https://www.phillywomenstheatrefest.org/submissions
The 2022 Philadelphia Women’s Theatre Festival, is focused on centering stories of mental health and wellness. By elevating, exploring, and amplifying the voices of artists with mental health stories to share, the festival will address how this topic affects a broad and diverse spectrum of people across many identities, professions, backgrounds, and more.
PWTF is a women's theatre festival committed to diversity, equity and inclusion by embracing all people and viewpoints. We aim to embrace intersectionality and serve people of all colors and backgrounds, inclusive of our BIPOC, non-binary, and trans community members. PWTF does not discriminate based on age, race, sexual orientation, gender identity/expression, religion, or ability. Through staffing, casting, and programming that reflects the diverse makeup of our community and our world, we are dedicated to creating accessible theatre for the Greater Philadelphia Region and it's theatre artists. Our story is to #ChangeTheStory
13. GHOSTLIGHT ENSEMBLE
DEADLINE: December 31st
WEBSITE: http://www.ghostlightensemble.com
Ghostlight Ensemble is seeking short scripts (a maximum of 15 minutes) that are geared toward young audiences. Priority will be placed on scripts that are ethnically and culturally diverse, and written by writers of color and/or LGBTQ writers. This is open to playwrights in any geographic area, though writers in the greater Chicago area will receive priority. NO FEE.
Playwrights will receive $25 per selected script.
Selected plays will be produced summer of 2022 as part of the third annual Make/Believe festival of theatre for children under our Nightlight banner. (Learn more about the 2020 festival here and the 2021 festival here.) This for live, outdoor performances.
Please pay close attention to the script requirements. Scripts that do not meet the following criteria will not be considered.
Requirements
A maximum of 3 actors per script. There are no restrictions, however, on the number of characters. Please note, that while some directors have chosen to use child actors in past pieces, the intent of this festival is to perform for children, not with children.
Plays must have no technical demands, as this will be outside and there is no lighting or backstage area and minimal sound cues will be available.
Must fit our mission. Geared toward children 10 and under. Please, NO scripts about high school students.
All props, set pieces and costumes must be easily made at home by actors (and children watching who want to stage their own productions at home). Pieces can be previously produced, but cannot have a production running concurrently with Make/Believe.
Electronic submissions only, please. Submit cover letter with full contact information, short bio, brief synopsis of script including development and production history (if applicable) and full script to Maria Burnham at scripts@ghostlightensemble.com. Please use the following format in the email’s subject line: Nightlight Script Submission: [play name] - [playwright name]
14. DRAMA LEAGUE DIRECTING FELLOWSHIPS AND ASSISTANTSHIPS
DEADLINE: December 31st
WEBSITE: dramaleague.org/apply
Part of an umbrella of programs collectively known as "The Directors Project," these Fellowships are designed for early-career stage directors who wish to advance their careers, hone their artistry, and elevate their professional development.
The Drama League recently altered and expanded its Directors Project programming, and each has its own application and area of focus. We strongly encourage you to read about them in depth before beginning any of the six applications. by visiting the following pages:
The Drama League Stage Directing Fellowships
The Drama League FutureNow Stage Directing Fellowships
The Drama League Film and Television Directing Fellowships
The Beatrice Terry Directing Residency
The Next Stage Directing Residency
The Drama League Directing Assistantships
APPLICATION REQUIREMENTS
Applicants are NOT required to have a university degree.
Applicants must have directed at least three non-collegiate productions.
Applicants cannot be enrolled in any university undergraduate or graduate degree program during the program's period of support.
Please make sure that you are fully committed to participating in the program as your personal priority BEFORE applying. Applicants must be available for all program components during the program period without exception. This means that applicants cannot participate in other career development programs, fellowships, residencies, or other opportunities during this time window. Conflicts with the program components will result in the cancelation of those components, without being rescheduled, and a reduction in the program.
Please review the program schedule to ensure that program components do not conflict with your planned directing work. Applicants may have directing commitments during the program period, which The Drama League supports. Conflicts with the program component timeline, however, will result in the cancelation of those components and a reduction in the program, without being rescheduled.
Please see our Eligibility F.A.Q. page for details to determine your eligibility for this program. We understand that every individual comes to directing on their own individual path; to speak with Drama League staff about your specific experience and its appropriateness for this opportunity, please email artistic@dramaleague.org with your questions.
If a candidate feels they fall outside the bounds of these guidelines and chooses to apply, it is hoped they will note this in the application and address the reasons they've applied in their answers to the narrative questions.
15. THE PULITZER PRIZE IN DRAMA
DEADLINE: December 31st
WEBSITE: https://www.pulitzer.org/page/drama-submission-guidelines-and-requirements
Columbia University, on the recommendation of the Pulitzer Prize Board, annually awards a Pulitzer Prize in Drama of $15,000 "for a distinguished play by an American author, preferably original in its source and dealing with American life."
Please note the amended eligibility for the 2022 Award.
Eligible works include full-length dramas that opened in the United States between January 1, 2021 and December 31, 2021. For the 2022 award, eligible entries may also include plays that were scheduled to be produced in theatres in calendar 2021 but postponed or cancelled due to the pandemic, and plays produced and performed in places other than theaters, including online, outside or in site-specific venues, during the year.
The Pulitzer Prizes honor contemporary creative work. Dramatic works previously submitted for the award and revivals are not eligible. If submitted for the 2022 award, unproduced plays scheduled for production this year should include some confirmation of their cancellation or postponement, submitted with the play script. Alternatively, such works may be submitted instead in a later year, when a production is realized. While full-length dramatic works produced and performed in places other than theaters during calendar 2021 will be eligible, a script and production details will still be required for entry.
In general, but especially in these cases, we strongly urge a recording of the performed work be included with the submission. The creator(s) of a dramatic work should determine when it is ready for award consideration, as it may be submitted only once. If necessary, eligibility will be determined on a case by case basis. All other criteria for the Pulitzer Prize in Drama will remain the same.
Please follow these entry procedures:
Complete the online entry form (including PDF upload of the required playscript) and pay non-refundable $75 entry fee by credit card.
A video recording of the production is strongly urged to be included with the entry but is not required. If a recording is submitted, it will be used only to assist the judging process. Whenever possible, the recording should be provided as a web link on the online entry form. All video links must remain active and accessible until the Prize announcement in mid-April. Any login credentials should be listed on the label of the uploaded item or emailed to pulitzer@pulitzer.org at the earliest convenience.
Alternatively, an mp4 video may be uploaded with an entry, although its resolution may not exceed 480p. Please provide a link if you want to submit high-definition video.
Columbia University awards the Pulitzer Prize in Drama annually on the recommendation of the Pulitzer Prize Board, which acts on the nominations of a distinguished committee of Pulitzer Drama Jurors. The award is announced during the spring.
16. FRESH FRUIT FESTIVAL
DEADLINE: December 31st
All Out Arts is accepting submissions for the 19th Annual Mainstage portion of the Fresh Fruit Festival, New York City’s grassroots, multidisciplinary, international festival of Lesbian, Gay, Bisexual, Transgender, and Queer arts and culture. The festival will occur over two weeks in early May at The Wild Project in Manhattan’s Lower East Side. The Fresh Fruit Festival’s goal is to present the whole spectrum of LGBTQ lives as expressed through new Theatre, Performance Art, Dance, Video, Film, Graphic Arts, Music & various other forms of artistic expression.
Submissions in all artistic disciplines & lengths are considered for presentation as long as they highlight or showcase a spectrum of the LGBTQ experience, and are finished, self-produced shows.
The Festival provides AEA-approved performance venues & insurance, marketing & publicity assistance, ticketing services, professional theater staff (logistics manager; a light or sound technician; front of house), repertory lighting plot & sound system, networking events, box-office shares, & more! If you are applying from out-of-town: (25+ miles from New York City), you must include a note about how you intend to Produce your show (& cast, direct, execute a local publicity campaign, etc.) You may use the “Performance History” section of the form. All shows must be locally produced.
If you are applying in the Poetry, Dance, or Film categories, – or if you have any other questions about the submission process, please email a letter of interest: submissions [at] freshfruitfestival [dot] com. For short questions use our Contact Form.
17. SCENES FROM THE STATEN ISLAND FERRY
DEADLINE: December 31st
WEBSITE: https://sundogtheatre.org/opportunities/scenes2022/
Sundog Theatre in NYC is seeking one-act plays for “Scenes from the Staten Island Ferry 2022” Since it is our 20th anniversary, the themes are “celebration” or “anniversary”.
Writing Guidelines:
–Original plays not previously produced or published, with a signed note affirming that.
–10-25 minutes in length and set on the Staten Island Ferry.
–Set in contemporary time period. Strong priority will be given to plays with 2 characters, however, 3-character plays will be considered. No special set pieces other than benches or railings found on the Ferry, limited and easily accessible props, and no special sound or lighting.
–Avoid overt and unnecessary sexual/violence situations and language since we cater to a broad audience.
–No musicals, long monologues, poetry, rants, or verse.
–Humor, if appropriate, is welcome.
—Please send two copies, bound or stapled, blind submission (removable cover page with title, author and contacts), and the name of the play on each page to Sundog Theatre, “Scenes 2022”, PO Box 183, Staten Island, NY 10301. Submissions should include brief synopsis, play history, 70-word bio, and full author resume.
Latest postmark we will accept is December 24.
–Please do not submit plays electronically.
–Questions: ferry@sundogtheatre.org. Susan Fenley, Producer
>>5 – 6 plays will be chosen; writers will receive $100 each and be produced in our series of five March 2022 performances in Staten Island.<<
Playwrights of selected plays will be contacted directly and their names listed on Sundog’s website early in 2022.
18. The Robert J. Pickering / J.R. Colbeck Award for Playwriting Excellence
DEADLINE: December 31st
This annual award was established to provide a vehicle for playwrights to see their works produced. Over 30 plays have been produced since 1984. $200 is awarded for first place, $50 for second place and $25 for third place. Full length, unproduced plays and musicals. Children’s plays accepted. Unable to return without a self-addressed stamped envelope. Chairman and committee members read and review each entry and select ten finalists from which the first, second and third place winners are chosen. BCCT productions are staged in the historic Tibbits Opera House in Coldwater, Michigan. Built in 1882, Tibbits is a completely restored 500-seat proscenium theater. Send submissions to Branch County Community Theatre 14 S. Hanchett St. Coldwater, MI 49036
19. CIRCLE OF CONFUSION WRITERS DISCOVERY FELLOWSHIP
DEADLINE: January 2nd
WEBSITE: circleofconfusion.com/fellowship
Circle of Confusion’s core mission has always been discovery, and we have been fortunate enough to have identified and promoted many talented writers, directors, actors and creators from all walks of life. The excitement of film and television has always been the joy that great storytelling brings to audiences around the globe. By promoting voices that have been historically excluded, the Fellowship will enrich both the professional lives of the Fellows and the dynamic quality of the entertainment industry.
Circle of Confusion will provide an immersive introductory experience to the world of professional screen and television writing to a diverse group of aspiring writers who have not yet been employed or represented by the industry. The Fellows will each be given a $10,000 stipend by way of a first look deal with Circle of Confusion Television Studios. Once per year, the program will select six to eight writers for a six-month fellowship which closely replicates the writer-manager dynamic. Each Fellow will be assigned a mentor who will educate and guide them by way of script development, career advice, and support. While the Fellowship cannot guarantee the sale of the pilot or specific employment, by the end of each Fellowship session, each Fellow will have developed a submission-ready television pilot, been afforded multiple opportunities for industry networking, and generally equipped with the essential tools for their success as writers in the entertainment industry.
Our mentors will include Circle of Confusion literary managers and other senior industry professionals, offering general business advice and script development within the duration of the Fellowship. In the first four months, each Fellow will develop an original pilot script with their dedicated mentor. The pilot scripts will be reviewed by the Fellowship’s Advisory Board (composed of established members of the film and television community with an expertise in content evaluation) and then submitted to relevant industry professionals, with the explicit goal of using the last two months of the Fellowship to arrange general one-on-one Zoom meetings with producers and executives. Throughout the entire Fellowship session, the mentor will be available to guide the Fellow through each step, assisting the Fellow in their development of writing and storytelling skills, pitching skills and navigating the meeting process.
The Fellowship program will begin in May of 2022 and include informational panels, speakers and workshops with industry professionals. Additionally, Fellows will have the opportunity to participate in several practice/mock-general meetings in preparation for their final professional meetings.
20. YADDO RESIDENCY
Deadline: January 5th
Website: https://www.yaddo.org/apply/guidelines/
Artists who qualify for Yaddo residencies are working at the professional level in their fields. An abiding principle at Yaddo is that applications for residency are judged on the quality of the artist’s work and professional promise. There are no publication, exhibition, or performance requirements for application.
Artists in all disciplines who are enrolled in graduate or undergraduate programs, or are engaged in completing work toward an academic degree at the time of application, are not eligible to apply to Yaddo. Artists may apply once every other calendar year. Yaddo encourages artists of all backgrounds to apply for admission. Yaddo does not discriminate in its programs and activities against anyone on the basis of race, creed, color, religion, national origin, gender, age, sexual orientation, marital status, ancestry, disability, HIV status, or veteran status.
Artistic Disciplines
Five admissions panels consider applications to Yaddo in the following disciplines:
-Literature, including fiction, nonfiction, poetry, drama, translation, librettos, and graphic novels.
-Visual Art, including painting, drawing, sculpture, printmaking, photography, mixed media, and installation art
-Music Composition, including instrumental forms, vocal forms, electronic music, music for film, and sound art
-Performance, including choreography, performance art, multi-media and/or collaborative works incorporating live performance
-Film & Video
21. SESAME STREET WORKSHOP
DEADLINE: January 10th, 2022
WEBSITE: https://sesamewritersroom.org/
Sesame Workshop Writers’ Room is a writing fellowship from the creators of Sesame Street. And we’re looking for YOU! Fresh new writing talent from underrepresented racial backgrounds. Emerging storytellers who are selected to join the Writers’ Room will receive hands-on writing experience guided by Sesame Street veterans and other media industry leaders. Each participant will develop and write a pilot script for their own original kids concept. Past fellows have gone on to develop their own original content with Sesame Workshop, as well as write for Sesame Street and various programs at Nickelodeon, Disney, DreamWorks, and more!
-Up to 8 writers from underrepresented racial backgrounds will be selected
-Includes eight, three-hour sessions on creating original children's content
-Learn from industry writers, producers, agents and executives
-Complete at least one original script during the program
-Up to two participants will have the opportunity to receive creative development deals and further mentorship
Eligibility Checklist
-Participants must be a U.S. citizen or permanent resident
-Participants must be 21+ years old
-Must come from an underrepresented racial group
-No extensive media writing experience, such as having written more than six episodes for a network or cable scripted/narrative series
-Participants must be able to attend all eight weekly sessions which will be held from May to July.
22. THE ORCHARD PROJECT
DEADLINE: January 14th
WEBSITE: https://orchardproject.com/2022-apply/
As we welcome the return of in-person events, we also hope to honor the discoveries we made through engaging with virtual working methods. In 2022, we’re thrilled to offer virtual, hybrid, and in-person Labs, as well as the addition of an Adaptation Lab, thematically geared toward conceptually engaging this time of artistic renewal and institutional transformation. The Orchard Project is proud to announce its 2022 lab programs, which continue to expand and shift in response to the ongoing challenges facing performing artists nationally and worldwide. As we support the most innovative artists and diverse voices, helping creators to explore, create, and share their work in new ways, our 2022 programming reflects a moment of transition within the organization and in the arts ecosystem at large. While we welcome the return of some in-person events and collaborations, we also seek to honor the new discoveries that took place in our 2020/2021 virtual Labs.
In our summer Episodic and Audio Labs, we will continue to build on the success of our virtual Lab settings – in particular, the virtual setting’s ability to unite an international and diverse cohort of high-caliber voices, while providing each artist the autonomy to write freely from their own corners of the world. Our year-round Greenhouse Program will similarly begin mainly with virtual meetings, but with a sincere hope to transition regular meetings into the physical realm as the health crisis evolves throughout the year, and as physical resources allow.
In addition to our annual Episodic, Audio, and Greenhouse Labs, we’re excited to pilot a new online Adaptation Lab, thematically geared toward supporting ambitious Adaptation work across a variety of mediums.
The Orchard Project Greenhouse Program, for collaborators generating new works and collaborations in a multitude of forms;
The Orchard Project Episodic Lab, for writers working on the advancement of original TV scripts;
The Orchard Project Audio Lab, for early development of scripts and ideas in the audio storytelling form; and
The Orchard Project Adaptation Lab, for development of dramatic work that adapts source material in one form into another.
23. BLKSPACE AT RYDER FARM
DEADLINE: January 5th
WEBSITE: https://www.spaceonryderfarm.org/blkspace-2022
Led by an all Black woman team, Interfest (Kristen Adele Calhoun and Nikki Vera) will curate BLKSPACE: two consecutive, weeklong residencies— August 29 to September 3 and September 5 to September 10— for Black creatives to use the full resources of SPACE on Ryder Farm however they see fit. To create a welcoming environment for residents, each week will feature an entirely Black residency staff and curated visual art throughout the living and working spaces. BLKSPACE seeks to simultaneously provide an expansive dreaming space for the individual and a collective practice ground for Black liberation.
BLKSPACE provides Black individual artists, activists, organizers and small groups (up to 4 people) the opportunity to create and ideate away from the stress and noise of everyday life and in the company of other Black people. Residents will manage their own time based on what they would like to achieve and the Residency will be centered around three farm fresh, communal meals prepared by a Black chef (please see SPACE’s FAQ page for information about diets and food allergies our chefs are able to accommodate).
24. SPACE ON RYDER FARM’S FAMILY RESIDENCY
DEADLINE: January 5th
WEBSITE: https://spaceonryderfarm.com
SPACE on Ryder Farm’s Family Residency, provides a residency on the farm for working parents and their children. The Family Residency offers artist-parents structured time to create while their child(ren) participate in nature-focused arts programming under the guidance of professional educators. All family residents (parents and children) enjoy three farm-sourced meals daily. (Please see SPACE’s FAQ page for information about diets and food allergies that SPACE’s chefs are able to accommodate.) The residency culminates in short, informal sharings of the work created by both parents and children while in residence.
APPLY FOR THE FAMILY RESIDENCY HERE
SPACE welcomes applications from artist-parents with children who will be 5 to 12 years old by July 1, 2022. If both adults in a two-parent/guardian household want to apply for the Family Residency, each parent/guardian must submit SEPARATE applications, regardless of whether they are working on the same or distinct projects. Please know that while SPACE has hosted two-parent/guardian households previously, it is possible that only one adult in a household will be accepted. If either of your participation is contingent on both of you being accepted, please refrain from applying.
All time in-residence is fully subsidized. Additionally, those selected for the Family Residency are able to apply for a travel subsidy to help offset their transportation costs. The allocation of travel funds is based on a resident’s geographical location as well as their stated financial circumstances. If you are traveling from New York City, a round-trip, off-peak Metro-North ticket from Grand Central Terminal to Brewster is $30. Transportation between the Brewster Station and farm is provided by the SPACE team.
Because SPACE residents routinely dine together, work together and inhabit indoor buildings with SPACE staff (who are in turn part of their own communities), minimizing risk associated with COVID-19 requires full participation in straightforward, clear policies. To this end, all residents are required to be fully vaccinated as a condition of attending a 2022 SPACE residency. A similar policy is in effect for SPACE staff and guests. SPACE recognizes medical contraindications and closely held religious beliefs may prevent some residents from receiving the COVID vaccine.. Such individuals will be asked to follow a thorough set of safety protocols including quarantining and PCR testing before arrival. Additionally, all residents, regardless of vaccination status, will be tested on the first day of their residency.
Applicants must be available to be in residence from either August 1-10 or August 16-25, 2022. Family Residency alumni are not eligible to attend again but are encouraged to apply to SPACE’s other programs. Prospective residents may only apply for one program in a season.
25. EST SLOAN PROJECT
DEADLINE: January 15th
WEBSITE: https://www.ensemblestudiotheatre.org/est-sloan/submissions
The EST/Sloan Project commissions, develops, and presents new works delving into how we view and are affected by the scientific world. These plays examine the struggles and challenges scientists, and engineers face from moral issues to the consequences of their discoveries. The Project is designed to stimulate artists to create credible and compelling work exploring the worlds of science and technology and to challenge existing stereotypes of scientists and engineers in the popular imagination. The Project commissions and develops new works throughout EST’s developmental season, including one Mainstage Production, as well as workshops and readings in an annual festival called FIRST LIGHT.
For over 20 years, the EST/Sloan Project has awarded commissions totaling more than $3,000,000 to more than 300 artists and theatres. The EST/Sloan Project is open to a broad range of topics related to the issues, people, ideas, processes, leading-edge discoveries, inventions, and/or history of the "hard" sciences and technology.
Commissions will be awarded to individuals, groups and creative teams for full-length and one-act plays and musicals. Commissions range from $1000 to $10,000. Commission amounts are determined on a case-by-case basis, as are deadlines for drafts, finished work, and research support (if appropriate). Extant, full-length works may be submitted and are judged on a script-by-script basis by the EST/Sloan Project staff. Rewrite commissions for existing scripts range from $1,000 to $5,000.
26. THEATRE ARIEL OPEN SUBMISSIONS
DEADLINE: Open
WEBSITE: http://www.theatreariel.org/opportunities
Theatre Ariel is always seeking the next great Jewish play to present to our audiences. Theatre Ariel is looking for plays that engage with the rich world of Jewish life, thought and practice; plays where Judaism, Jewish identity or Jewish perspectives are significant or driving factors in the story (In other words, not plays where the characters ‘happen’ to be Jewish or that have a few yiddishisms or “Jewish jokes” in them, but plays where Jewish life/thought/history is integral or particularly relevant to the story.). Theatre Ariel seeks plays with casts of five actors or less.
You do not have to be Jewish to have your work considered by Theatre Ariel.
All our performances are presented as salon-style theatre readings in people’s homes, following a long tradition of Jewish theatre. For the foreseeable future, we will be presenting in a hybrid model of both in-person and virtual performances. To have your script considered, please email the following to submissions@theatreariel.org:
Brief cover letter introducing yourself and your play, as well as a short plot summary and character breakdown (indicating doubling, if any)
Ten minute excerpt from the script (if these are not the first ten pages, then please supply a brief explanation of where we are in the story when your sample picks up)
Theatre Ariel is committed to reading and responding to every submission we receive. Please allow three to six months for a response. Please forward any questions you may have to the same email address listed above.
27. DRAMATISTS GUILD FOUNDATION EMERGENCY GRANTS
DEADLINE: Rolling
WEBSITE: https://dgf.org/programs/grants/grants-for-writers/
It is vital to support writers in times of need so that they can get back to doing what they do best. DGF provides emergency financial assistance to individual playwrights, composers, lyricists, and librettists in dire need of funds due to severe hardship or unexpected illness.
If you are a writer in need, we can help.
28. THE DOROTHY ROSS FRIEDMAN RESIDENCE
DEADLINE: Rolling
WEBSITE: https://actorsfund.org/services-and-programs/housing-resource-center?mc_cid=1266183bf9&mc_eid=7436d341a2
and
https://actorsfund.org/sites/default/files/Friedman-Application-Revision-7-21-20.pdf?mc_cid=1266183bf9&mc_eid=7436d341a2
If you think you are eligible, now is a fabulous time to apply to The Dorothy Ross Friedman Residence. The Friedman is a shared housing (roommates) residence that offers affordable housing for working professionals in performing arts and entertainment, persons with HIV/AIDS, and senior citizens (60 years of age or older). Most of the apartments are 2-bedrooms, where you would have one roommate and there are a few 3-bedrooms, where you would have two roommates. All tenants have a rent stabilized lease. All apartments are complete with dishwasher, washer/dryer, central heating, and AC. Many apartments have terraces with spectacular Manhattan views, and everyone has access to the Colleen Dewhurst Community Room and the newly renovated Bette Midler Rooftop and Garden. On-site social services include a range of community programs and the Waldman Living Room for seniors. The Friedman Residence also features 24-hour security.
Criteria: Income Eligibility: 1-person household: $28,500 - $47,760
29. WILD CULTURE PROGRAM @ WILD PROJECT
DEADLINE: Rolling
WEBSITE: http://thewildproject.com/wild-culture-submit-page/
Wild Project is currently accepting artist submissions for its WILD CULTURE curation program. WILD CULTURE will produce the work of 15-20 artists, prioritizing projects by female, BIPOC and LGBTQIA+ artists, across theatre, performance art, music, visual art, and dance later this spring and summer. This program embraces the work of independent performance artists and productions to give these performers free access to valuable resources like wild project’s 89-seat theater and more. Curated artists will also have the option to live stream and/or film their work with our film production equipment and digital distribution platform. Wild Culture is primarily suited for work that is already more developed or previously workshopped. Wild Culture, launched in 2018, gives artists much-needed production support at an important time in their development. It strongly encourages artists whose projects address important issues like social justice, gender identity, equality, mental health, and climate change to submit their work.
30. LONG WHARF THEATRE LITERARY PROGRAM & NEW WORK DEVELOPMENT
DEADLINE: Year round
WEBSITE: https://longwharf.org/casting-and-literary
Long Wharf Theatre has a proud and rich history of forming meaningful relationships with artists, supporting the development of their work, and moving their projects towards production. We are particularly interested in incubating new pieces that center BIPOC voices, push form, and feature innovative dramaturgy. We are also eager to support projects that originate with artists other than playwrights, such as designers, directors, dramaturgs, and activists. Many of these works have become part of the modern American canon with more than thirty Long Wharf Theatre productions transferred to Broadway or Off-Broadway runs.
We are revitalizing our commitment to playwrights at all stages in their careers, and are now welcoming scripts from unrepresented playwrights as well as agents.
The following are examples of ways we have supported and continue to support new work development. These offerings are flexible, as we are committed to tailoring the process to suit the needs of each artist. We strive to be nimbly responsive to our artists’ goals.
Email scripts to:
literary@longwharf.org
Type of Materials:
Full-length, One act, 10-minute scripts, musicals, adaptations, translations, virtual/Zoom plays.
Special Interests:
Plays by BIPOC writers, plays centering cultural narratives, stories of joy and resilience, multi-disciplinary work, and theatrical innovation.
