1. THE CREATIVE CAPITAL AWARD
DEADLINE: April 1st
WEBSITE: https://creative-capital.org/about-the-creative-capital-award-open/
Creative Capital provides grants to support the creation of groundbreaking art by innovative and adventurous artists across the country through our national, open call process. Grants are awarded through an annual competition open to citizens, permanent residents, and O-1 visa holders of the United States. We are committed to funding and supporting conceptually and formally challenging, risk-taking, never-before-seen projects. Innovation is our primary selection criterion, and our focus on championing groundbreaking projects and ideas distinguishes Creative Capital from other granting organizations. While selecting projects that are genre-stretching and adventurous is at the core of our mission, we welcome multidisciplinary projects as well as projects that push boundaries within a single genre.
Awardees receive direct project funding in varying amounts up to $50,000, advisory services, and a community of fellow awardees and other professionals who may provide additional support for the project. Creative Capital is fiercely committed to groundbreaking ideas that challenge what art can be. As countless visionary projects selected for the Creative Capital Awards have demonstrated, socially impactful ideas are embedded in the work of forward-thinking artists in a myriad of forms, often with the goal of imagining new forms of living.
Performing Arts: including dance, theatre, music, jazz, sound, non-traditional opera, multimedia performance, and socially engaged and/or sustainable performance-based practices
Technology: including digital art, gaming, interdisciplinary arts, AR, VR, or XR, bio art, AI, data visualization, net art, new genres, and socially engaged and/or sustainable technology-based practices
Literature: including fiction, poetry, nonfiction, genre-defying literary work, and socially engaged and/or sustainable text-based practices
Along with your project title, one line project description (25 words max), project description (250 words max), resume, and artist website (if applicable), please answer the following questions:
How does your project take an original and imaginative approach to content and form? Please be as specific as possible. (150 words)
Please place your work in context so we may better evaluate it. What are the main influences upon your work as an artist? How does your past work inform your current project? Please use concrete examples, which may include other artists’ work, art movements, cultural heritage, science, philosophy, research/work from outside the arts field, etc. (150 words)
What kind of impact—artistic, intellectual, communal, civic, social, political, environmental, etc.—do you hope your project will have? What strategies will you employ to achieve the desired impact? (100 words)
Who are the specific audiences/communities that you hope to engage through this project? Please think beyond the broader art community where possible. How are you hoping to reach them? (100 words)
How might your proposed project act as a catalyst for your artistic and professional growth? In what ways is it a pivotal moment in your practice? (100 words)
In addition to funding, Creative Capital also provides scaffolding and support services for awardees (such as expert consultations, gatherings/retreat, alumni network, workshops). How would our non-monetary services help you to realize your goals for this project and/or your long-term artistic and professional growth? (100 words)
2. ALPINE FELLOWSHIP
DEADLINE: April 1st, 2022
WEBSITE: https://alpinefellowship.com/writing-prize
Awarded for the best piece of writing on the theme of the Alpine Fellowship 2022 - Freedom. The winner will receive a £10,000 cash prize. A £3,000 cash prize will go to the second place, and £2,000 to the third place runner up. The winner and two runners up are invited to attend the symposium.
Open to all nationalities and to anyone aged 18 and above.
All entries must be written in English.
Submissions must be standalone and cannot be extracts from a larger piece.
Poetry must be submitted to the Alpine Fellowship Poetry Prize. Poetry submissions to the Writing Prize will be considered ineligible.
Applicants can enter more than one prize in a single year, but it MUST be with different pieces of work. One piece of work can only be entered once.
All genres permitted.
A maximum of 2,500 words per entry.
Limited to one entry per person.
Text must not have been published, self-published or accepted for publication in print or online, or have won or been placed in another competition at any time (including the Alpine Fellowship Academic Writing Prize).
3. THEATER FOR YOUNG AUDIENCES AT 92ND STREET Y
DEADLINE: April 1st, 2022
WEBSITE: https://www.92y.org/musical-theater.aspx
Theater for Young Audiences at 92nd Street Y (92Y.org/MusicalTheater) is seeking to
commission playwrights for a new series specifically designed to introduce 6-10 year olds to the exciting world of Shakespeare.
Theater for Young Audiences at 92nd Street Y is a series of performances and discussions centering children as the audience. Our shows are stimulating and compelling, using storytelling as a vehicle for building empathy, and learning essential life lessons. Our shows gather around movement as a shared language, a way to meet each other through the most universally shared experience: moving. Audience participation and a crafted handmade design remind children that they are essential creators in the story.
The commission requires writing a 40-minute performance piece for children and their families envisioning movement as an essential storytelling component in the play. Pieces should contain music as a theatrical element- both Musicals and Plays with Music are eligible.
Piece should be an age-appropriate adaptation of a Shakespearian play. You do not have to use original language and can take some liberties with the context (“a play about Shakespeare writing As You Like It…”)
Piece will be performed in our 2022-2023 season by professional performers (over 18+), Cast/Director/Choreographer/Production provided by 92Y.
Must be ready for pre-production in June 2022
Creators retain all rights to their material, but allow 92Y an exclusive option to produce the show with royalty payments negotiated each season.
Plays you can choose from are:
All’s Well that Ends Well
As You Like It
The Comedy of Errors
Measure for Measure
The Merry Wives of Windsor
The Winter’s Tale
The creative team will receive a minimum stipend of $2500 with increases based on experience, attendance of rehearsals or performances, participation in community engagement programs.
To apply, please send:
A proposal for your play/musical of no more than 1000 words, including your basic premise as well as how it will incorporate the required elements of movement where movement is the vital element, and the story is told primarily through movement (as directed by the script).
A ten-page sample of your writing, preferably something that has been intended for a youth/family market. If you are proposing a musical please also include a demo recording of a previous TYA collaboration.
Your bio or resume
A statement as to why you think you are a good fit for this project
A description of your proposed timeline, participation and fees
Send materials to Attn: Megan Doyle, Artistic Director, Mdoyle@92y.org (PDF and links preferred- please do not attach large files) or 92Y Musical Theater Attn: Megan Doyle, 1395 Lexington Avenue, NY, NY 10128
4. FIRST ANNUAL LOWER EAST SIDE PLAY FESTIVAL
DEADLINE: April 1st, 2022
WEBSITE: NA
There are only two rules:
The play must be set on the Lower East Side.
The script must be 7-12 pages when in standard play format. Not every play is best served by rigidly conforming to either the new (https://tinyurl.com/new1) or classic (https://tinyurl.com/dgaclassic) Dramatists Guild format and you are free to submit your play formatted how you see fit, but please check the length.
Submitted plays do NOT have to be:
Jewish plays. The LES Play Festival is generously hosted by a synagogue and the LES itself has a rich Jewish history, so plays about the Jewish Lower East Side, both contemporary and historic, are of course welcome, but it is not a requirement.
In English. The Lower East Side is a multilingual community. Plays do not have to be exclusively in English.
Submissions: https://forms.gle/pRbcaYfL7b2Pdorp8
Please no more than two submissions per playwright. With any questions, please reach out to lowereastsideplayfestival@gmail.com. Find us on twitter @LESPlayFestival.
5. FADE TO BLACK PLAY FESTIVAL
DEADLINE: April 1st
WEBSITE: https://www.fadetoblackfest.com
Building on the growing success and popularity of our previous years, Shabach Enterprise presents its tenth season of the Fade To Black Play Festival, Houston's only short play festival celebrating the new works of African American playwrights.
See details below.
Three (3) script submissions are allowed per playwright.
Selected playwright winners will be awarded a cash prize of $100.00 and out-of-town travel expenses.
Winning playwrights will be announced nationally on Sunday, May 1, 2022.
TO QUALIFY:
1. Playwright must be the sole author of the submitted work.
2. Playwright must publicly and openly identify themselves as African-American, Black, or of the African diaspora.
3. Previously published or produced work by the author or theatre/company is not allowed (See definitions below).
4. Play must run no longer than 8-10 minutes long on stage. (Consider conducting an informal reading to ensure).
5. Play should accommodate a “bare-stage” set requiring only a minimum of removable stage props and require basic lighting and sound cues.
6. Play must not be a musical.
7. Play must not be written for children or youth.
8. Play must not contain characters that are under 17 years old.
9. Play must not be a re-submission of previous Fade To Black play festival seasons.
10. Play must not be considered a translation or adaptation.
11. Play must not be a film. Screenplays will not be accepted.
12. Play should be "stand-alone", a separate body of work that has not been extracted from a larger, previously written play.
13. Author must be at least 18 years of age.
14. Play must be submitted in a PDF format.
TO SUBMIT:
1. Complete the script submissions application. https://forms.gle/sUESPtTCvJrR9gfn9
2. Upload pdf of original work.
6. EVOLUTION FESTIVAL
DEADLINE: April 1st, 2022
WEBSITE: https://www.centeratwestpark.org/artist-residencies
We are seeking existing works in progress that are ready to share with audiences but have not yet had a world premiere. Works should be evening-length: at least 45 minutes and not more than two hours. Above all, we are looking for fresh, urgent, personal work that won’t leave you alone.
Artists from historically under-represented communities, including Black, Indigenous, Latinx, Asian, and People of Color, LGBTQ+ folx, and people with disabilities, are enthusiastically invited to apply. We also welcome applications from artists at all stages of their careers, including those who have not yet received major institutional support.
All artists must be over 18, not be currently enrolled in a full-time academic program, and reside in the NYC metro area. Artists may apply as individuals or formal or informal groups, collective, ensemble, or companies.
Each artist will have use of the Center’s Sanctuary Space for six days, including technical and dress rehearsals, culminating in three evening performances. Artists will have the use of CWP’s technical equipment, including a theatrical lighting system, sound system, and projector. Artists will also have 40 hours of free rehearsal space at CWP prior to the performance week. Each artist will receive a performance fee of $1,200 plus a split of the box office (after fee recoupment). CWP will provide technical support as well as ticketing, front of house, and photography and videography for all performances.
Artists will be responsible for all production expenses associated with their work, including fees for creative team members and performers and the cost of materials and additional equipment for set, costumes, props, lighting, and sound.
7. THE THEATER J TRISH VRADENBURG JEWISH PLAY PRIZE
DEADLINE: April 1st, 2022
WEBSITE: https://theaterj.org/new-play-prizes2/
The Theater J Trish Vradenburg Jewish Play Prize will award $15,000 to an established playwright in honor of a new play that celebrates, explores, and/or struggles with the complexities and nuances of the Jewish experience. The Prize is dedicated to the memory of philanthropist, playwright, and Alzheimer’s research advocate Trish Vradenburg, who served on Theater J’s Council for 13 years.
Plays must be submitted by a theatrical agent or artistic staff members of a professional theater company. We expect established playwrights to have had productions of their plays on Broadway, at major off-Broadway theaters, and/or at multiple LORT theaters, or other markers of attaining significant accomplishments and/or national attention as a playwright. Unproduced plays are eligible, as are plays professionally produced after July 2018 or currently scheduled for an NYC premiere.
8. THEATRE J’S PATTY ABRAMSON JEWISH PLAY PRIZE
DEADLINE: April 1st
WEBSITE: https://theaterj.org/new-play-prizes2/
The Theater J Patty Abramson Jewish Play Prize will award $3,000 and a stage reading to a promising emerging woman, trans, or non-binary playwright in honor of a new play that celebrates, explores, and/or struggles with the complexities and nuances of the Jewish experience.
The Prize is dedicated to the memory of philanthropist and venture capitalist Patty Abramson. Plays must not have been produced, but a future professional production (outside of the DC metro region) may be scheduled. Eligible playwrights must not have had more than two productions at LORT or off-Broadway theaters (multiple productions of the same play will be counted) but may have been produced at other professional theaters. Submitted plays will be read by a committee of Theater J staff and collaborators.
9. RISING SUN OUTDOOR THEATER FESTIVAL ON GOVERNORS ISLAND
DEADLINE: April 4th 2022
WEBSITE: http://www.risingsunnyc.com/index.html
Rising Sun is seeking submissions for plays for their 2022 outdoor Theater Festival on Governors Island.
Selected/Produced plays will receive a $100 Rights/Performance Payment.
Rising Sun Performance Company is planning a return for our 6th season on Governors Island this summer (permit pending). Our company has a rich history and relationship with the island, and we look to continue that with more entertaining and enriching theater! Performances will be held in Governors Island, NYC (permit pending), one to two weekends in August/September 2022. These performances will be presented to the public for free (donations accepted).
As we will be presenting the festival pieces outdoors–free and open to the public–it is essential that we ensure that all material is suitable and appropriate for all ages, and “family friendly”. Therefore, we especially welcome and strongly encourage submissions of plays that are intended for young audiences. However this call is not exclusive to such plays; and we will also be considering pieces that are not strictly meant as “children’s theater”.
Plays should also fit the following requirements:
● Play should be able to be performed outdoors
● Plays should be able to be performed with minimal production elements
● Cast Age range should be adaptable, understanding our ensemble is 20s-50s
● Especially looking for plays with strong female identifying characters
● Especially looking for plays with diverse characters in race, gender identity and age
● Cast size should be no larger than 4-6 people.
● Running time should be 30-50 Minutes in length
● No more than 50 pages in length
Plays that do not fit most of these criteria will not be read. We are not seeking musicals at this time, but are open to plays with musical elements.
Please include the following:
● Contact Information
● Play Synopsis
● Cast breakdown
● Script in word or PDF format
● Any other pertinent information (Playwright bio, list of previous productions, etc)
● Please resubmit even if you have submitted in the past.
Please complete one submission form for each play submitted.
OUTDOOR SCRIPT SUBMISSIONS - GOVERNORS ISLAND
Should you have any technical issues or questions about submissions, please contact our literary manager at: rspliterarymanager@gmail.com.
10. 25TH ANNUAL THEATRE SOUTHWEST FESTIVAL OF ORIGINALS
DEADLINE: April 10th, 2022
WEBSITE: http://www.theatresouthwest.org/
Theatre Southwest of Houston, Texas is now accepting entries from now until April 10, 2022 for the 25th Annual Theatre Southwest Festival of Originals! The TSW-FOO is FREE to enter and will once again be calling for short one act (20 minute) plays in any and all genres from all over the country and the world. Please check below for submission guidelines and see how you can enter for a chance to win a cash prize and to see your work produced.
Submission Guidelines:
Each playwright may submit up to 2 plays for consideration.
All entries should be unpublished and previously unproduced in the Houston area.
All Genres are accepted.
Monologues or One Actor plays are not accepted.
Plays should be 20 minutes in length (give or take a minute or two). Page count should be no less than 17, but no more than 22 pages. 12 point font (Courier, Arial or Times New Roman)
There is no maximum limit of characters or sets, but common sense should be used as 5 plays will be produced in one evening. Number all pages of the scripts, and scripts MUST be securely bound by three hole punch with brads or three hole punch folder. NO STAPLES!
Scripts must be submitted by postal mail ONLY. Emailed PDF or Word files will not be considered. Be sure to include your contact information; phone number, email, and mailing address on the title page of each script.
List all characters with a brief character description.
Please include a one paragraph synopsis of the play.
Make sure all mailed entries are POSTMARKED by April 10, 2022.
Scripts cannot be returned.
One hundred dollars will be paid to all playwrights selected for production.
Scripts should be mailed to:
Theatre Southwest
8944 Clarkcrest St.
Houston, Texas 77063-4004
Attn: TSW-FOO
11. 2022 NATIONAL LATINE PLAYWRIGHTS AWARD
DEADLINE: April 15th, 2022
WEBSITE: https://arizonatheatre.org/national-latine-playwrights-award/
Early submissions are highly encouraged. Latine playwrights residing in the United States, its territories or Mexico are encouraged to submit scripts for the award. Each script will be read and evaluated by a culturally diverse panel of theatre artists; finalists will be judged by ATC artistic staff.
Eligibility
The award is open to all Latine playwrights currently residing in the United States, its territories, or Mexico.
Scripts may be in English, Spanish, or a combination of the two (Spanish scripts must be accompanied by an English translation).
Plays must be unpublished, professionally unproduced, and not currently under option at the time of submission.
Full-length and one-act plays, with a minimum length of 50 pages, on any subject will be accepted.
Scripts
The physical scripts become the property of Arizona Theatre Company and will not be returned. In this case, “property” means the physical property of the theatre, not the intellectual property or any rights to the play.
The winner will be notified by August 1, 2022. Application requirements include:
Submissions of a single script can be sent via email to NLPA@arizonatheatre.org.
Include a cover letter of no more than one page describing the play’s developmental history and how the play fits into the playwright’s broader career trajectory.
For more information contact Elaine Romero, ATC Playwright-in Residence: info@arizonatheatre.org.
12. BOGLIASCO FELLOWSHIPS
DEADLINE: April 15th
WEBSITE: https://bfny.org/en/apply/requirements
Bogliasco Fellowships are awarded to gifted individuals working in all the disciplines of the Arts and Humanities without regard to nationality, age, race, religion or gender.
To be eligible for the award of a Fellowship, applicants should demonstrate significant achievement in their disciplines, commensurate with their age and experience. Please note that Bogliasco Fellowships are not awarded to students currently in a degree-granting program. The Foundation gives preference to those whose applications suggest that they would be comfortable working in an intimate, international, multilingual community of scholars and artists. We are pleased to offer Special Fellowship awards, many of which include travel stipends to recipients.
The Foundation only accepts applications submitted through the online application system. To access the system, you must first register for an account here, where you will also find a list of requirements that we strongly encourage you to read before beginning your application. Once registered, you may login as needed to work on your application by clicking on the "login" button indicated to the left.
13. 25TH ANNUAL AURAND HARRIS PLAYWRITING AWARD
DEADLINE: April 15th, 2022
WEBSITE: https://www.netconline.org/aurand-harris-memorial-playwriting-award
This award was created in 1997 to honor the late Aurand Harris (1915-1996) for his lifetime dedication to all aspects of professional theatre for young audiences.
A panel of judges named by the NETC Executive Board will administer this award. A staged reading of the prize-winning scripts will be held along with the Annual Excellence in Theatre Awards ceremony.
RULES OF ENTRY
The contest is open to all playwrights and is for new full-length plays for young audiences. No musicals nor plays targeted at adult audiences
All plays will be submitted online to harris-award@netconline.org
Plays submitted to the contest must not have been previously published
submitted to NETC’s Gassner Playwriting Contest
previously produced by a professional or Equity company.
Plays submitted which have had workshop productions or staged readings are eligible and encouraged.
Plays submitted to this contest may have been submitted to another playwriting contest, and may have previously won a prize or an award in another contest. However, such plays must not have been published or professionally produced and must not be under option for publication or professional production.
Playwrights may submit only one play to the contest in one year.
The play must be submitted, along with:
a statement that the play will not have been published or professionally produced as of May 1, 2022, and that it is not under option for publication or professional production and will not be under such option as of May 1, 2022.
a list of the play’s workshop and non-professional productions, if any, and awards received, if any.
14. AUSTIN FILM FESTIVAL PLAYWRITING COMPETITION
DEADLINE: APRIL 18th, 2022 (earlybird)
WEBSITE: https://austinfilmfestival.com/submit/play/
At the Austin Film Festival, our mission is to champion all writers across mediums. Our Playwriting Competition (open to full-length plays) gives playwrights a chance to explore our film and television conference. It will also allow film professionals to discover storytellers who have mastered the art and craft of stage drama.
Three finalists from the Playwriting Competition will have live readings during the festival which will be performed in front of an audience including the industry professionals already in attendance at the Conference. One winner will be selected and will receive a $1000 cash prize, AFF’s Bronze Typewriter Award, and reimbursements of up to $500 for travel and up to $500 for lodging if used during the 2019 Festival. There is a $25 application fee.
THE AFROANIMATION SHORT STORY ANIMATION FILM AWARD
DEADLINE: April 18th, 2022
WEBSITE: https://www.afroanimation.com/short-film-sub-page
The AfroAnimation Short Animation Film Award is the top award of original storytellers by a black animator and global audiences seeking new voices and fresh perspectives.
The culmination of the AfroAnimation Animation Short Film Award is our award ceremony taking place on Thursday, April 28th. Winning this award can be life changing for a filmmaker and can bring attention to the impactful diverse stories that might not have otherwise reached wider audiences. Short films are bestowed by our juries, made up of individuals with original and diverse points of view from the film community. Winning this contest not only brings a cash prize, but increase the audience viewership of your film.
In addition, we invite the AfroAnimation audience to screen the short film or trailer and vote using the poll feature in the Animation Short Film Award virtual screening room on the Summit's live platform, called Hopin. Registered Summit attendees can screen each film and vote once anytime during the 2-day Summit for one film title. The grand prize of $5,000 USD, will be given to one winner. The voting window will close at 4pm EST, 2 hours before the live voting and award ceremony on April 28th, 2022.
15. CARLO ANNONI INTERNATIONAL PLAYWRITING PRIZE
DEADLINE: April 30th, 2022
WEBSITE: http://premiocarloannoni.eu/?lang=en
Carlo Annoni International Playwriting Prize accepts plays on any topic affecting the LGBTQ+ community, and the promotion of diversity in love, society, politics and culture.
We dedicate the 2022 Carlo Annoni Prize to all those individuals that fight to see their right to love respected both in Italy and in the world, and to those experiencing discrimination because of their identity. We are happy to consider plays that have already been performed.
Two plays (one in English and one in Italian) will be awarded the amount of 1000 Euros each.
Special mentions might be given to:
BEST COMEDY
BEST SHORT PLAY: a special mention will be given to a short play of a maximum of 10 minutes length
NEXT GENERATION: A special mention will be assigned to a play chosen by a jury of under 25s
16. PARAMOUNT WRITERS MENTORING PROGRAM
DEADLINE: May 1st, 2022
WEBSITE: https://www.paramount.com/writers-mentoring-program
There are many different paths writers can follow to get their first foothold in being hired in television. As part of its ongoing commitment to create additional access for writers of diverse backgrounds Paramount's Office of Global Inclusion has launched a different kind of writers program which highlights one of those paths. The focus of this eight month program is on opening doors: providing opportunities to build relationships with network and studio executives and show runners; to support new and emerging writers in their efforts to improve their craft; and to develop the interpersonal skills necessary to break in and succeed. The Writers Mentoring Program is not employment and there is no monetary compensation. It is, instead, a structured program of career development, support, and personal access to executives and the decision-making processes, with the goal of preparing aspiring writers for later employment opportunities in television. Each participant will be teamed with an executive mentor. A Paramount network or studio executive with whom they will meet on a regular basis, to discuss their work, get creative feedback on their material and get advice and support in furthering their career. Once a week, for 16 weeks participants will be invittend a small workshop-style meeting with various Paramount show runners and other industry professionals. Speakers include executive producers, agents, managers, development and current executives and show runners. The purpose of these gatherings is for participants to gain a better understanding of how the business works from many different perspectives as well as creating the opportunity to make critical networking connections. Another important part of the program is the opportunity for each participant to spend time observing in a writers room. Each participant will have help in creating a rigorous career action plan and there will be on-going support in evaluating and achieving those goals. Another important benefit of the program is the development of a close-knit peer support group that will sustain participants through the program and beyond. The Paramount Writers Mentoring Program helps aspiring writers to understand the unwritten rules of breaking in and moving up. It is a combination of mentoring and networking opportunities. Program opportunities such as mentoring, workshops, and observing can be scheduled around participants’ existing work commitments. In order for a participant to get the most out of the Program a meaningful commitment of time and effort are required. It has been found that in order to derive the greatest benefit from the program, participants should be available to 1) attend a once a week (evening) workshop and 2) attend meetings or observe in various situations for a minimum of five full days (not necessarily in sequence) over the course of the eight-month program. The primary focus of the Paramount Writers Mentoring Program is to provide access and opportunities for talented and motivated diverse writers. Aspiring diverse writers with a strong desire to write for Paramount television series are encouraged to apply. You must be 21 or older to be eligible. Finalists will be notified in mid September 2022 (or such later date as may be determined by Paramount). The program is scheduled to begin in October 2022 and continues through April 2023.
17. WB TELEVISION WORKSHOP
DEADLINE: Opens in May, deadline unclear
WEBSITE: https://televisionworkshop.warnerbros.com/writers-workshop/
For over 40 years, the Warner Bros. Television Writers’ Workshop has been the premiere writing program for new writers looking to start and further their career in the world of television. Every year, the Workshop selects up to eight participants out of more than 2,500 submissions and exposes them to Warner Bros. Television’s top writers and executives, all with the ultimate goal of earning them a staff position on a Warner Bros.-produced television show. The Warner Bros. Television Writers’ Workshop consists of three components, all geared towards preparing the writer for a successful career in television writing. The 2021-2022 Warner Bros. Television Writers’ Workshop will run October 2021 – March 2022, with meetings on the Warner Bros. lot in Burbank, California, one evening a week from 7 p.m.-10 p.m. Full participation is mandatory.
18. FESTIVAL OF XIII
DEADLINE: May 1st, 2022
WEBSITE: https://www.brockport.edu/academics/theatre_music/festival_of_ten.html
The Department of Theatre and Music Studies at SUNY Brockport is pleased to announce its 13th Biennial Festival of Ten-Minute Plays.
Brockport’s Festival of Ten began in 1999, and every two years since then audiences have enjoyed these performances consisting of 10 ten-minute plays. Our Festival of Ten has grown over the years and now has an International reputation, with playwrights from as far away as Australia. For each festival we accept 500 submissions, ultimately selecting ten to produce. Plays can be submitted beginning March 15, 2022, until May 1, 2022, or until we reach 500 submissions.
All plays will be submitted online. Submitted plays should have the name of the playwright removed.
Each script must have a running time of 7–14 minutes.
Only original scripts allowed.
Maximum of two scripts per playwright.
Plays that have been read or performed in any manner for a paying audience prior to submission are not accepted.
Plays written by current Brockport Department of Theatre and Music Studies faculty and staff (full and part-time) are not accepted.
Entries will be acknowledged via email.
Only the first 500 scripts received will be considered.
The top ten scripts will be produced in fully realized productions as part of the SUNY Brockport’s Festival of Ten XIII (February/March 2023).
Finalists will be notified by November 30, 2023. If you are unsure how to format your play, view this website for an example. If you have questions or need more information, please email festivalof10@brockport.edu.
19. NBC WRITERS ON THE VERGE
DEADLINE: MAY 10th, 2022
WEBSITE: https://nbcunitips.submittable.com/submit/164495/writers-on-the-verge-2020
Writers on the Verge is a program focused on polishing writers and readying them for a staff writer position on a television series. We are looking for writers who are “almost there” but need that final bit of preparation with their writing and personal presentation skills. We particularly encourage writers of diverse backgrounds to apply.
The program will consist of weekly evening classes at NBCUniversal in Universal City, CA. Once accepted, students must attend all classes and turn in all written assignments.
Classes concentrate on creating exceptional material to enhance their portfolio, and understanding the dynamics of pitching oneself in the television industry. Writers are given the chance to interact with industry players ranging from network executives to show runners to agents and receive valuable feedback on their work and pitch style. Writing assignments on a NBCUniversal television show may be available after successful completion of the program but are not a guarantee. Past participants have gone on to series including “The Blacklist,” “Indebted,” “Community”, “Council of Dads”, “Brooklyn Nine-Nine”, “Lincoln Rhyme: Hunt for the Bone Collector”, “Chicago Fire” and “Parenthood.
20. ALICE JUDSON HAYES FELLOWSHIP
Deadline: May 15th, 2022
Website: https://ragdale.submittable.com/submit/137680/2020-alice-judson-hayes-fellowship
The Alice Judson Hayes Writing Fellowship is an annual award in memory of Alice Hayes, who created the Ragdale Foundation in what had been her family home. All her life she was committed to working for a just and peaceful world. An 18- or 25-day residency, free of charge, and a $500 stipend will be given to a writer who is working on a project designed to bring awareness to a contemporary issue having to do with peace, social justice, education, or the environment. Projects can be nonfiction or fiction (including journalism, essays, memoir, script-writing, creative nonfiction). No academic writing.
One Alice Judson Hayes Fellowship is awarded annually. Ragdale encourages applications from artists representing the widest possible range of perspectives and demographics, and to that end, emerging as well as established artists are invited to apply. While there are no publication, exhibition or performance requirements for application, applicants should be working at the professional level in their fields.
Ragdale encourages artists of all backgrounds to apply, and does not discriminate against anyone on the basis of age, disability, gender, origin, race, religion, or sexual orientation.
21. THE BELLAGIO CENTER RESIDENCY
DATE: May 17th, 2022
WEBSITE: https://www.rockefellerfoundation.org/bellagio-center/residency-program/
A Bellagio residency is intended for leading actors working within a wide variety of fields and disciplines to advance groundbreaking work. Among many other activities, Bellagio residents have completed books, edited films, composed operas, written business plans, and formulated new organizational strategies, utilizing the gift of time to realize truly pioneering projects. New this year, we are actively recruiting applicants who have projects related to specific themes: Gender Equality, Green Economies, and The Responsible use of AI. Applicants may be working in any academic or artistic discipline, or they may be practitioners working in any field. Bellagio residencies will be offered to successful candidates within the 2023 program year.
22. AUDIBLE EMERGING PLAYWRIGHTS FUND
DEADLINE: Rolling
WEBSITE: https://www.audible.com/ep/audible-theater
In 2017, Audible launched a theater initiative, intended to radically increase access to exceptional plays and performances. A core pillar of the initiative is the Emerging Playwrights Fund, a program that invests in and nurtures self-identifying emerging playwrights, some of our most inventive, delightful, and provocative storytellers. Through the Fund, Audible aims to connect extraordinary performers with remarkable original work, amplifying new voices and harnessing the power and potential of audio to reach millions of listeners.
The Fund specifically supports t he creation of original dramatic work, written with audio in mind, but theatrical in spirit. Audible is dedicated to commissioning, developing, and producing work that reflects the diversity of our members and our world. To accomplish this, Audible is committed to granting at least 50% of emerging playwright commissions to artists of color and women.
To be considered as an applicant for a commission, please submit all of the following to AudibleTheater@audible.com:
1. One full-length script for an original or adapted play (in English language only) that represents your voice ("Script"). The Script can be in any genre and may include one-acts and solo pieces;
2. A short biography; and
3. A brief statement about why audio plays appeal to you.
If you have an idea for an original audio play, you are welcome to include a pitch or summary along with your statement (this is encouraged, but not required).
Any applicant over the age of 18 may submit a Script. Submissions are accepted year-round. Due to the number of Scripts that Audible receives, Audible will only consider one Script at a time from each applicant and will not consider resubmissions, including those that have been significantly revised. The Audible team evaluates submissions on a rolling basis, and applicants will be notified regarding the status of their submissions via email. Thanks in advance for your patience while we process your Script; our typical response time is 6-8 months.
23. THE STOCHASTIC LABS
DEADLINE: Rolling
WEBSITE: https://stochasticlabs.org/residencies/
The Stochastic Labs offers fully-sponsored residencies to engineers, artists, scientists, and entrepreneurs from around the world. Residencies include a private apartment at the mansion, co-working and/or dedicated work space, shop access, a $1,000 monthly stipend and a budget for materials.
24. THE FOUNDATION FOR CONTEMPORARY ARTS
DEADLINE: Rolling
WEBSITE: https://www.foundationforcontemporaryarts.org/grants/emergency-grants/
Created in 1993 to further FCA's mission to encourage, sponsor, and promote work of a contemporary, experimental nature, Emergency Grants provide urgent funding for visual and performing artists who:
Have sudden, unanticipated opportunities to present their work to the public when there is insufficient time to seek other sources of funding
Incur unexpected or unbudgeted expenses for projects close to completion with committed exhibition or performance dates
Emergency Grants is the only active, multi-disciplinary program that offers immediate assistance of this kind to artists living and working anywhere in the United States, for projects occurring in the U.S. and abroad.VEach month FCA receives an average of 95 Emergency Grant applications and makes approximately 12-15 grants. Grants range in amount from $500 to $3,000, and the average grant is now $1,700. We recommend that artists review all of our eligibility guidelines and FAQs before applying. You may also complete our Eligibility Questionnaire, but please note that the questionnaire is not a substitute for a thorough review of program guidelines.
25. THEATRE ARIEL OPEN SUBMISSIONS
DEADLINE: Open
WEBSITE: http://www.theatreariel.org/opportunities
Theatre Ariel is always seeking the next great Jewish play to present to our audiences. Theatre Ariel is looking for plays that engage with the rich world of Jewish life, thought and practice; plays where Judaism, Jewish identity or Jewish perspectives are significant or driving factors in the story (In other words, not plays where the characters ‘happen’ to be Jewish or that have a few yiddishisms or “Jewish jokes” in them, but plays where Jewish life/thought/history is integral or particularly relevant to the story.). Theatre Ariel seeks plays with casts of five actors or less.
You do not have to be Jewish to have your work considered by Theatre Ariel.
All our performances are presented as salon-style theatre readings in people’s homes, following a long tradition of Jewish theatre. For the foreseeable future, we will be presenting in a hybrid model of both in-person and virtual performances. To have your script considered, please email the following to submissions@theatreariel.org:
Brief cover letter introducing yourself and your play, as well as a short plot summary and character breakdown (indicating doubling, if any)
Ten minute excerpt from the script (if these are not the first ten pages, then please supply a brief explanation of where we are in the story when your sample picks up)
Theatre Ariel is committed to reading and responding to every submission we receive. Please allow three to six months for a response. Please forward any questions you may have to the same email address listed above.
26. DRAMATISTS GUILD FOUNDATION EMERGENCY GRANTS
DEADLINE: Rolling
WEBSITE: https://dgf.org/programs/grants/grants-for-writers/
It is vital to support writers in times of need so that they can get back to doing what they do best. DGF provides emergency financial assistance to individual playwrights, composers, lyricists, and librettists in dire need of funds due to severe hardship or unexpected illness.
If you are a writer in need, we can help.
27. THE DOROTHY ROSS FRIEDMAN RESIDENCE
DEADLINE: Rolling
and
If you think you are eligible, now is a fabulous time to apply to The Dorothy Ross Friedman Residence. The Friedman is a shared housing (roommates) residence that offers affordable housing for working professionals in performing arts and entertainment, persons with HIV/AIDS, and senior citizens (60 years of age or older). Most of the apartments are 2-bedrooms, where you would have one roommate and there are a few 3-bedrooms, where you would have two roommates. All tenants have a rent stabilized lease. All apartments are complete with dishwasher, washer/dryer, central heating, and AC. Many apartments have terraces with spectacular Manhattan views, and everyone has access to the Colleen Dewhurst Community Room and the newly renovated Bette Midler Rooftop and Garden. On-site social services include a range of community programs and the Waldman Living Room for seniors. The Friedman Residence also features 24-hour security.
Criteria: Income Eligibility: 1-person household: $28,500 - $47,760
28. WILD CULTURE PROGRAM @ WILD PROJECT
DEADLINE: Rolling
WEBSITE: http://thewildproject.com/wild-culture-submit-page/
Wild Project is currently accepting artist submissions for its WILD CULTURE curation program. WILD CULTURE will produce the work of 15-20 artists, prioritizing projects by female, BIPOC and LGBTQIA+ artists, across theatre, performance art, music, visual art, and dance later this spring and summer. This program embraces the work of independent performance artists and productions to give these performers free access to valuable resources like wild project’s 89-seat theater and more. Curated artists will also have the option to live stream and/or film their work with our film production equipment and digital distribution platform. Wild Culture is primarily suited for work that is already more developed or previously workshopped. Wild Culture, launched in 2018, gives artists much-needed production support at an important time in their development. It strongly encourages artists whose projects address important issues like social justice, gender identity, equality, mental health, and climate change to submit their work.
29. LONG WHARF THEATRE LITERARY PROGRAM & NEW WORK DEVELOPMENT
DEADLINE: Year round
WEBSITE: https://longwharf.org/casting-and-literary
Long Wharf Theatre has a proud and rich history of forming meaningful relationships with artists, supporting the development of their work, and moving their projects towards production. We are particularly interested in incubating new pieces that center BIPOC voices, push form, and feature innovative dramaturgy. We are also eager to support projects that originate with artists other than playwrights, such as designers, directors, dramaturgs, and activists. Many of these works have become part of the modern American canon with more than thirty Long Wharf Theatre productions transferred to Broadway or Off-Broadway runs.
We are revitalizing our commitment to playwrights at all stages in their careers, and are now welcoming scripts from unrepresented playwrights as well as agents.
Email scripts to: literary@longwharf.org
Type of Materials: Full-length, One act, 10-minute scripts, musicals, adaptations, translations, virtual/Zoom plays.
