1. NYLON FUSION THEATRE COMPANY
Deadline: August 8th
Website: https://www.nylonfusion.org/submissions
RETROSPECT: The Worst of Times
We have some epic fails in our past. Explore one of them. Was this a failure to all or just some? Could it have been prevented? Should it have been prevented? Take any angle you want, even speculating what it would mean if things were different.
PROSPECT: The Future
Every era has a “future” style. A future outlook based on the present. What does “future” look like now? What does it sound like? What does it feel like? We look at The Jetsons or Back To The Future and say “where is my flying car?” What do we expect now that we know that flying cars aren’t (yet?) a thing? Speculate. Have fun!
To be considered This Round's On Us please submit/email the following: A cover letter, brief synopsis, resume and full script to nylonsubmissions@gmail.com Please be specific as to which project you are submitting to. Write on the SUBJECT LINE For example: This Round’s On Us: The Worst Of Times, Jane Jones. Accepted plays are produced (including casting) by Nylon Fusion Theatre Company. Playwrights are encouraged to attend rehearsals.
2. NATIVE VOICES: FESTIVAL AND RETREAT
Deadline: August 10th
Website: https://theautry.org/events/signature-programs/native-voices-annual-call-for-scripts
2021 Playwrights Retreat and 27th Festival of New Plays: Native Voices is currently accepting submissions of full-length plays (60+ pages) by Native American, Alaska Native, Native Hawaiian, and First Nations playwrights addressing all themes and topics.
The Retreat and Festival bring artists to Los Angeles to work on 3–5 plays through a rigorous directorial and dramaturgical commitment for 8–10 days in May/June. The retreat culminates in public staged readings of the plays at the Autry Museum of the American West in Los Angeles. Selected playwrights receive artistic support as well as an honorarium; out-of-town artists receive roundtrip airfare plus lodging in Southern California.
Selection Process: Full-length plays (60+ pages) will be read and evaluated. A select number of playwrights will be invited to submit formal proposals detailing their developmental goals should their play be chosen for the short list. Scripts will then be sent to a committee of nationally recognized theatre artists for further evaluation. With their help, Native Voices selects up to five plays for the Playwrights Retreat and Festival of New Plays. Playwrights will be notified in January 2021.
2021 OPEN Submission for Production Consideration
We accept scripts all year long. Do you have a full-length script that has been developed and produced that you’d like us to consider for a future Native Voices production in Los Angeles? Please follow the Checklist for All Submissions below and in the Native Voices Script Submission form check the box for 2021 General Submission for Production Consideration.
A Note About the Native Voices Distance Dramaturgy Process
Months prior to residencies at the Playwrights Retreat and Festival of New Plays, selected playwrights participate in dramaturgical conversations with an assigned director and dramaturg. Workshops with these creative teams and a cast of professional actors commence once the playwright arrives on-site. It is important to note that these conversations and workshops are playwright driven, allowing the writer to shape their own developmental path. Selected playwrights should be prepared to dedicate adequate time to this process prior to arriving on-site.
Checklist for All Submissions
Please label script attachment as follows: PlayTitle_Author’s Last Name, First Initial (Example: MyNewPlay_Doe, J.doc).
All submissions must conform to a standard play-script format (one-inch margins, #12 Times or Courier font, all pages numbered).
Include a title page with full contact information (mailing address, phone numbers, e-mail address) and a draft or revision date.
Include a character breakdown at the beginning of your script.
Provide a biography of 75–100 words. Please label attachment as follows: Bio_Author’s Last Name, First Initial (Example: Bio_Doe, J.doc).
Provide a press ready photo of at least 300dpi. Please label attachment as follows: Photo_Author’s Last Name, First Initial (Example: Photo_Doe, J.doc).
Provide development history for the play. Label attachment as follows: DevHistory_PlayTitle_Author’s Last Name, First Initial (Example: DevHistory_MyNewPlay_Doe, J.doc).
To submit, fill out our online form and upload your submission materials here: Native Voices Script Submission Form
Previously submitted plays should only be resubmitted if the play has undergone significant dramatic changes. Previously produced plays should be submitted under the 2021 General Submission for Production Consideration. Plays that are not selected are kept on file for consideration for future opportunities. Playwrights are encouraged to make multiple submissions (up to three per event), but selection will be limited to only one play per playwright, per event.
3. YALE DRAMA SERIES PLAYWRITING COMPETITION
Deadline: August 15th
Website: https://yalebooks.yale.edu/yale-drama-series-submissions
The Yale Drama Series is seeking submissions for its 2021 playwriting competition. The winning play will be selected by the series' current judge, Paula Vogel. The winner of this annual competition will be awarded the David Charles Horn Prize of $10,000, publication of their manuscript by Yale University Press, and a staged reading at Lincoln Center’s Claire Tow Theater. The prize and publication are contingent on the playwright agreeing to the terms of the publishing agreement. This contest is restricted to plays written in the English language. Worldwide submissions are accepted. Submissions must be original, unpublished full-length plays, with a minimum of 65 pages. Plays with less than 65 pages will not be considered. Translations, musicals, and children's plays are not accepted.
The Yale Drama Series is intended to support emerging playwrights. Playwrights may win the competition only once.
Playwrights may submit only one manuscript per year. Only manuscripts authored by one playwright are eligible. Plays that have been professionally produced or published are not eligible. Plays that have had a workshop, reading, or non-professional production or that have been published as an actor’s edition will be considered. Plays may not be under option, commissioned, or scheduled for professional production or publication at the time of submission. Plays must be typed/word-processed and page-numbered. If you are submitting your play electronically, please omit your name and contact information from your manuscript. The manuscript must begin with a title page that shows the play's title, a 2-3 sentence keynote description of the play, a list of characters, and a list of acts and scenes. Please enter the title of your play, your name and contact information (including address, phone number, and email address), and a brief biography where indicated in the electronic submission form.
If you would like to submit an electronic copy of your manuscript please go to: https://yup.submittable.com/submit.
4. PLAYHOUSE CREATURES THEATRE COMPANY
DEADLINE: August 15th
WEBSITE: http://www.playhousecreatures.org
Playhouse Creatures Theatre Company is honored to announce a call for original plays, for its 3rd Annual Dr. R. J. Rodriguez Emerging Playwrights’ Contest. Nazareth Housing is a community-based nonprofit serving vulnerable families of the LES. For almost 40 years, NH has helped families and individuals unlock their potential, build pathways out of poverty, and avoid homelessness. Since 2011, PCTC has provided the NH community with FREE theatre camps (“Little Creatures Act Out”), for over 1200 LES youth. Given the fact we can’t share the winner’s work in a traditional theatre space, we are asking writers to create plays that will initially be shared on-line, but (adhering to social distancing guidelines) can easily be performed live—especially to underserved audiences. We are asking playwrights to follow these guidelines: A 30 minute play (or less), with a cast of 4 (or fewer); A play that may be performed via internet, phone, or live (we’d love to bring it to the community—at a safe distance—when we are able to). And, most importantly, a play that deals with the un-dealt-with racial divide we have been suffering through since 1619; and, how the Covid-19 pandemic has served as a pressure cooker of a catalyst. Submit to: 2020PCTC@gmail.com
The winner will receive a Zoom workshop production, and $100 will be donated to the Nazareth Housing Food Pantry in their name. There is no entry fee. Donations are accepted at: www.playhousecreatures.org.
5. THE CROSSROADS PROJECT: 2021 DIVERSE VOICES PLAYWRITING INITIATIVE
DEADLINE: August 15th
WEBSITE: https://finearts.illinoisstate.edu/crossroads-project/
The 2021 Diverse Voices Playwriting Initiative welcomes submissions for full-length, unproduced plays by playwrights of color in accordance with the mission statement of the Crossroads Project (see below). A diverse panel of judges comprised of faculty, staff, and students will select one playwright as the winner of the contest.
The winning playwright will receive:
An invitation to Illinois State University in Bloomington-Normal, IL for a one-week new play development workshop, culminating in a public staged reading. The playwright may also be invited to offer guest lectures and colloquia. The Crossroads Project will cover costs for travel, housing, and meals during the workshop.
An honorarium of $500 for the workshop.
To be eligible to win the contest, the playwright must be available for a one-week workshop in late March 2021 (exact dates TBD). Due to funding limitations, the Crossroads Project can only cover costs for travel within the United States. There is no entry fee. We only accept electronic submissions in PDF format. Because our staff and resources are limited, we can only consider the first 100 submissions.
Please include in your submission:
A sample from your play up to 15 pages. This does not have to be the first 15 pages of the play.
A playwright’s statement (max. 250 words) describing your inspiration for writing the play, as well as how you believe a workshop in a university setting will further your development process.
A synopsis of the play (max. 250 words).
A character list with short descriptions for each character (age, ethnicity, gender, occupation, family relationships, etc.)
A playwright may only submit one play per contest. The writer of the play must submit their own work.
Plays that have been previously fully produced or published are ineligible for the contest. Plays that have previously had workshops or staged readings are eligible.
Submissions must be the original work of the playwright, which may include adaptations of fictional or factual material. Translations of other playwrights’ work are not accepted.
The submitting playwright must either be the owner and controller of the copyright or provide written proof that they have acquired the legal right to use copyrighted material in their work.
Submissions must be full-length plays.
Musicals are not accepted. However, plays with limited music requirements are accepted.
The primary language of the play must be English.
To submit your play, use the play submission form . Please try the link first to check if the contest is still open. We will contact semi-finalists by the end of October and ask them to submit the full play. Inquiries about the Diverse Voices Playwriting Initiative should be directed to: Kee-Yoon Nahm, Email: knahm@ilstu.edu
6. SPOOKY ACTION THEATER NEW WORKS IN ACTION
DEADLINE: August 15th
WEBSITE: https://www.spookyaction.org/new-works.html
New Works in Action (NWIA) aims to host a play development experience that is playwright-centered. At various stages in your writing process, we can give you access to professional directors and actors to help you experience your play. We are here to serve you and your vision.
New Submission Criteria for Round 13- Short Play Virtual Reading Series
Send us your most impossible short play. Do you have a brilliant idea for a play but you think can never be put onstage? We are looking to present digitally streamed readings of plays that still fit in the magic realism genre but include a certain epic or unbelievable element. Therefore, we are calling Round 13 “THE IMPOSSIBLE PLAY CYCLE.” We want short plays, ranging from 8 to 40 minutes (ideally between 5 and 35 pages). Selected plays will be rehearsed and presented on YouTube via Zoom in October. Additionally, due to the overwhelming popularity of our last round of submissions, we are only asking local DC/Baltimore area playwrights.
About Spooky Action Theater:
Spooky Action’s programming fits within that ambiguous label of “magical realism”, and our definition expands to include stories from every race, culture, background, gender, orientation, and ability. We want plays that are mind-blowers. Reality twisters. We want plays that explore the primality of humanity, experience life in fresh ways, and reach beyond the conscious world. Styles and forms that break ordinary order and bend to a new paradigm of rules.
Please note: we do not typically look for sci-fi or horror scripts; instead, we are committed to scripts that live in the intersection of the cerebral and the soulful. If you need additional accommodation, please contact Bridget Grace Sheaff at bgsheaff@spookyaction.org
7. ABINGDON THEATRE COMPANY: VIRTUAL FESTIVAL OF SHORT PLAYS
DEADLINE: August 17th
WEBSITE: https://www.abingdontheatre.org/about/
If you are a BIPOC emerging artist please send your short play ( max 60 pgs) to bcavalieri@abingdontheatre.org.
Abingdon Theatre Company continues its mission in creating opportunities for all voices to be heard. With this in mind, the company will produce a Fall Festival of Short Plays, a two-week virtual festival shedding light on stories by people of color. A diverse panel of judges, theatre professionals who are Black Indigenous People of Color (BIPOC), will select 6 new short pieces created and performed by people of color. At the conclusion of the Festival, the panel will select a winner who will receive a stipend to be used to support further exploration of their piece and will be invited to become an "Artist-in-Residence." The Abingdon Theatre Company has committed to producing the winning piece as part of their "Around the Table" free reading series. Through the outreach, online readings, and finally the staged reading of the winning piece, the hope is to engage around 1,500 people of color and to create a more diverse environment at the Abingdon.
8. THE STOREFRONT THEATRE (WAXHAW | NC)
DEADLINE: August 15th
WEBSITE: http://www.thestorefronttheatre.org
Our 8th annual 10-minute play competition will be presented as staged or online readings in March 2021. 1st and 2nd place winners will receive a cash award. The Storefront Theatre presents plays in a concert reading style followed by a “talkback” session with the playwright (whenever possible), cast, and director. Our mission is to enrich, educate, and entertain our community by providing a superior theatre experience at a price all can afford.
· No more than two characters,
· suited for a general audience,
· no children or teens,
· only one entry per playwright,
· send as PDF attached to an email.
· All contact information should be in the body of the email but there should be no name or contact information on the play itself.
9. ENSEMBLE PLAYWRIGHT LAB (Letter of Marque Theatre Company)
DEADLINE: August 24th
WEBSITE: https://www.lomtheater.org/
The Ensemble Playwright Lab (EPL) is a residency program for NYC-based playwrights to engage with Letter of Marque's (LOM) ensemble of actors, musicians, dancers, designers, and dramaturgs to create, develop, or re-imagine a piece of work. This experimental process of creation and development is designed to welcome the playwright into the rehearsal room through active participation in devised and improvisational explorations. The goals and outcomes of each residency are mutually determined by both LOM and the playwright.
Playwrights are chosen using an anonymous submission process. Each entrant is asked to create an alias so as to mask their identity. Entrants are also required to omit all mentions of names of previous collaborators and the titles of their previous work.
This season, for the first time ever, LOM will proudly offer a $500 honorarium to each playwright chosen for a residency. There will be two residencies: Fall (Oct.-Nov.) and Winter (Feb-March). Each residency will consist of 7 consecutive sessions to develop a work with the LOM ensemble. At the end of each residency, there will be 2 public Zoom showings and a facilitated post-showing talkback with the audience, playwright, and cast.
This season, LOM will be exploring the theme of action. All meetings, rehearsals, and showings will take place on Zoom. Therefore, playwrights should have a strong interest in working on pieces within this format. To qualify: playwrights must currently live or have lived in NYC in the past 12 months, be able to attend all required sessions on Zoom, and be age 21 or older.
LOM is striving to amplify more BIPoC and LGBTQA+ voices. Playwrights from these communities are encouraged to apply. The purpose of the Ensemble Playwright Lab is to build a relationship between a playwright and the LOM ensemble, and to explore/allow for/create new ways of collaboration. This program is intended for artists who identify as playwrights and want to improve their craft as well as their work. Yes, there will be public presentations at the end of the residency. However, what gets presented will be based on the interest and goals of the playwright. Letter of Marque’s mission is to spread ensemble culture, through responsive, inclusive, and accessible theater, and to engage individuals in collective success and meaningful dialogue.
10. BLUE INK PLAYWRITING AWARD
DEADLINE: August 31st
WEBSITE: https://americanbluestheater.com/
The international Blue Ink Playwriting Award was created in 2010 to support new work. Since inception, we’ve named 9 Award winners, 64 finalists, and 83 semi-finalists. Over $5,000 in cash and prizes will be distributed to playwrights.
Each year American Blues Theater accepts worldwide submissions of original, unpublished full-length plays. The winning play will be selected by Artistic Director Gwendolyn Whiteside and the theater’s Ensemble. The playwright receives a monetary prize of $1,250 and a developmental workshop or staged reading at American Blues Theater in Chicago. Cash prizes are awarded to finalists and semi-finalists too. All proceeds of the administrative fee are distributed for playwrights’ cash prizes.
11. THE WARREN MILLER PERFORMING ARTS CENTER AND MONTANA REPERTORY THEATRE
DEADLINE: August 31st
WEBSITE: http://montanarep.org/
The Warren Miller Performing Arts Center and Montana Repertory Theatre seek proposals for a new theatrical work to premiere at Montana Repertory Theatre in its 2021/2022 season, followed by a statewide tour. The commissioned work could be a play; a piece of dance theater; an interdisciplinary performance event; or any work meant to be performed live for/with an audience. The commissioned artist will receive a fee of $10,000; development support in the form of an artist’s retreat in Big Sky and a workshop in the Bitterroot Lab at Montana Repertory Theatre; and research support from the University of Montana School of Law, the Margery Hunter Brown Indian Law Clinic, and the Payne Native American Center. The timing of these development activities will remain flexible, pursuant to ongoing social distancing advisories. The project will culminate in a premiere production at Montana Repertory Theatre in April, 2022, followed by a statewide tour of Montana.
Proposals should include:
· An introduction to you and your previous artistic work. This could include a biography or brief personal statement; a resume or CV; and/or links to websites/media.
· A sample of previous artistic work: for playwrights, a full-length play (60+ pages); for dancers/choreographers, performance artists, and others, documentation of a full-length work (including but not limited to script, music, and/or video).
· A one-page proposal describing the project you would like to make.
The commissioning theaters are eager to receive proposals from any artist who feels called to this opportunity. Artists without formal resumes or CVs or documentation of their previous work are encouraged to apply. Please tell us about yourself and what you would like to make.
Proposals will be accepted via Submittable (https://montanarep.submittable.com/submit) If you are not able to submit online, please call Michael Legg at 406-243-5288 to discuss other options. Now one of the most dynamic and respected touring companies in the country, Montana Repertory Theatre was established as a professional touring company in 1967, providing professional theatre to our own and neighboring Western states at an affordable cost. Our mission is to tell the great stories of our world to enlighten, develop, and celebrate the human spirit in an ever-expanding community.
12. PLAYERS WORKSHOP
DEADLINE: August 31st
WEBSITE: NA
Players Workshop seeks plays for its Ninth Annual International 10-Minute Play Festival. This fully-staged festival will be in English and will take place in March of 2021 in the center of the international arts of San Miguel de Allende, Mexico.
Each playwright whose script is selected and performed will receive a $25 USD cash honorarium and two complimentary tickets to the production. One play will be selected as the Audience Favorite and its playwright shall receive an additional $25 USD cash award. No other remuneration will be provided, and any playwright attending must do so at his or her own expense.
Submission Guidelines
· Only one play may be submitted per entrant. Scripts are not limited to subject matter or content. However, there must be no nudity, and suitability for performance before a general adult audience will be a factor in selection.
· No musicals or children’s plays, please.
· The play must be submitted by email, as an attached PDF file, with a separate PDF listing playwright information. No Word files or other formats will be accepted. Your name must not appear on the script. The second PDF shall include all contact information for the playwright, including name, address, telephone number, and email address on a separate title page. The script must be in standard play format, with a title page, a character listing, the setting, props, and any technical requirements or other production considerations. The two PDF files should be titled "Submission [Name Of Play]” and "Title Page [Name Of Play].”
· The play must be in English and no longer than 10 pages in standard format, with a calculated running time of no less than eight minutes and no more than twelve minutes. The play must be unpublished but may have had previous productions. If the play has had previous productions, a production history must be included with the submission of the title page. The submitting playwright must own all rights to the play.
Notification is expected to be made no later than December 1st. Only playwrights whose plays have been selected for performance during the festival will receive notification of acceptance. Plays are restricted to 4 or fewer characters. Small casts are preferable, as the stage size is modest, with minimal set, props, sound cues, and costuming. Our talent pool is composed mostly of actors aged 40 and older. This will be a factor in selection. Please email your submission to: diezminutosfestival@gmail.com. Any inquiries should be sent to the same address.
13. CROSS AWARD
Deadline: September 15th
WEBSITE: http://www.crossproject.it/en/application/
LIS Lab Performing Arts – in collaboration with Fondazione Piemonte dal Vivo and Ricola – announces the fifth edition of the ‘International CROSS award’ for artists and companies in the field of performing arts and music, with particular attention to original productions focused on the close interaction between artistic creation and environment, understood as landscape, territory or community. With respect to the profound changes that shake our everyday life, CROSS Award 2020 aims to be an incubator of images and practices which are engaged on the rewriting of the present as well as the re-appropriation of public spaces.
The award aims to promote investigation and artistic expressions related to the combination of different styles and genres, considering multi-language practices and the mix of techniques and codes pertaining to the various performing arts as reward factors. The artistic creation aims to be a mean of research and intervention on the reality. Through their relational and permeable quality, performative arts represent the place to build again trust on the community and social dimension of our experience of the world. The goal of the competition is to identify new productions – thoroughly unpublished – that put in dialogue the language of the body and of the stage performance with musical composition, without any restrictions or constraints of kind, category or practice.
The call is open to individual artists, professionals and companies. The project must be submitted as a production that can be developed during the different phases of the residency and that could include multiple expressive practices at the same time (as such: dance, music composition and interpretation, DJset, live soundtrack, composition of a soundtrack, activity of noise music, theatre, body performance, urban performance and dance, walkways, participated workshops, singing, new technologies, video art, motion capture, readings, site-specific design).
For this edition will be selected 5 projects for a 15-day residence in Verbania (Italy) with a fee for the production of € 2.000,00 each.
14. NANCY DEAN LESBIAN PLAYWRIGHT AWARD
DEADLINE September 15th
WEBSITE: http://www.openmeadows.org/nancy-dean-lesbian-playwriting-award.html
Open to playwrights who identify as lesbian, gay, queer, trans, and nonbinary. Playwright must have written one play and am writing a play about lesbians. In these times of social definition and refinement the age-old conflict of acceptance and the right to live our true lives as we truly are is still our continuing fight which is refined and embolden by each new generation. We understand people have their own language for their gender and sexuality. We are open to submission from people who are lesbian, queer or gay, trans, and nonbinary. We are asking professors, teachers, artistic directors, directors, literary managers, actors, writers, and others to nominate promising writers. As we want to be inclusive, we will allow people to self-nominate. The awarded playwright will receive $5000 + $1,000 from Arch Brown.
The following are our guidelines:
1. Writer is lesbian, queer or gay and nonbinary;
2. Writer has written at least one play;
3. Writer is writing plays about lesbians;
4. Writer is committed to writing plays and furthering her/their career;
Please send a letter(pdf) describing why your writer should receive this award and a full-length play (pdf) to openmeadowsfdn@gmail.com. In your letter, please be as detailed as possible in up to 2 pages. Include the writer’s resume and website or other social media links. The awarded playwright will receive $5000 + $1,000 from Arch Brown.
15. THEATREFOLK
DEADLINE: September 15th
WEBSITE: https://www.theatrefolk.com/
Theatrefolk Inc. is seeking one-act Middle School play submissions by BIPOC playwrights for immediate publication. Plays must be between 25 and 35 minutes in length. Simple staging requirements, for middle-school-aged audiences and performers. Our mission is to represent student voices and to let students know they are not alone. It has been made clear where we have succeeded and where we have failed in this pursuit. We want to do better and we want to start with Middle School plays.
Submission Criteria
· Plays must be between 25 and 35 minutes in length.
· Plays must have a majority of middle-school-aged characters.
· Plays must be contemporary.
Please submit your work via email to submissions@theatrefolk.com with a cover letter and contact information. Tell us about yourself and your play.
16. THEATRE VISCERA
DEADLINE: September 25th
WEBSITE: https://www.theatreviscera.com/work-with-us-playwrights
We are only able to accept the first 100 submissions, upon which the submission period will close. If we reach our cap of 100 submissions before the stated close date we will make an announcement on our website and social media that the contest will close the following day.
As the situation with the Coronavirus and COVID-19 continues to develop, we are moving to virtual work for the time being in order to continue our commitment to telling queer stories while focusing on the health and safety of our community. We are therefore accepting submissions for the 2021 Podcast season with Theatre Viscera. We are looking for pieces that will read well in a podcast format, but we are not producing Radio Plays. This is a great opportunity to send us weird work that might be “less producible” because of strange conventions or unique storytelling.
At this time we are accepting only one submission per playwright. Submissions may be full length plays, a collection of one acts totally no more than 100 minutes reading time, or a collection of 10 minute plays totally no more than 100 minutes reading time. Submissions must be between 60-100 minutes of reading time, or about 60-100 pages of formatted script.
For collections of one acts or 10 minute plays, we are accepting collaborations as long as the individual pieces have a through line of plot, theme, or theatrical device. We are not accepting musicals at this time. We have a preference for pieces with modest cast lists (8 characters or less.) We have a preference for pieces that tell stories of trans and GNC characters, as well as stories at the intersections of oppression; disabled queer characters, BIPOC queer characters, etc. We are looking for plays by queer artists, about queer characters, for queer actors.
For your submission please include: A cover page with a brief synopsis and cast breakdown; Your full script as a PDF or Word Doc formatted appropriately; Your artist bio and contact information, including your pronouns.
Email submissions to theatreviscera@gmail.com and use subject line “Podcast Play Submission”.
17. THE DOROTHY AND LEWIS B. CULLMAN CENTER FOR SCHOLARS AND WRITERS FELLOWSHIP
DEADLINE: September 25
WEBSITE: https://www.nypl.org/help/about-nypl/fellowships-institutes/center-for-scholars-and-writers/fellowships-at-the-cullman-center
The Dorothy and Lewis B. Cullman Center for Scholars and Writers supports projects that draw on the research collections at The New York Public Library's Stephen A. Schwarzman Building (formerly the Humanities and Social Sciences Library). The Center looks for top-quality writing from academics as well as from creative writers and independent scholars. Visual artists whose projects require extensive use of Library collections are also encouraged to apply. The Center aims to promote dynamic conversation about the humanities, social sciences, and scholarship at the highest level—within the Center, in public forums throughout the Library, and in the Fellows' published work. Successful candidates for this Fellowship will need to work primarily at the Schwarzman Building rather than at other divisions of the Library. Applications from those working in languages other than English are welcome; however, the applicant must be conversant in English, and the application materials must be in English. In order to avoid real or apparent conflicts of interest, the Cullman Center for Scholars and Writers does not accept applications from New York Public Library staff members or their partners, or from people active on the Library’s Board of Trustees, Board Advisory Committees, or Library Council. Please visit www.nypl.org/research-collections for detailed information about the collections of the Stephen A. Schwarzman Building at Fifth Avenue and 42nd Street.
Fellows are required to work at the Cullman Center for the duration of the Fellowship term and may not accept other major professional obligations during the term. Some Fellows may have a few prior commitments but must limit research trips, attendance at scholarly meetings, and speaking engagements to short periods of time. Anyone who needs to be away for more than two days must notify the Center's Director or Deputy Director. The Library will pro-rate stipends for Fellows who spend too much time away from the Center. Fellowships will not be granted for academic projects to post-doctoral fellows or to applicants doing graduate-school dissertation research. The Cullman Center will not accept dossier letters in place of new letters of recommendation.
We offer a $75,000 stipend.
18. ALMOST ADULT PRODUCTIONS
DEADLINE: open-ended
WEBSITE: http://www.theatresantafe.org/auditions
Almost Adults Productions is looking for 10-15 minute LGBTQ+ themed plays for an ongoing reading series to be presented on Zoom starting this summer. Writers do not have to be LGBTQ+ identified, but their material should be thematically relevant to the queer community. There is no requirement for premiere status. Writers will be asked to participate in the production of their reading but Almost Adults can help out wherever needed. At least one rehearsal will be required prior to each reading. Send plays as Word or PDF documents to Aaron Leventman at writingcoachsf@gmail.com. Questions may be sent to this address as well. Writers may send up to three plays and will be notified within one month of submission. We are also looking for actors and directors for this series. Please send an email if interested in participating.
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