Sunday, December 21, 2025

Answer The Call

God doesn’t call the qualified. He qualifies the called.

Don't wait until you feel you have enough research or expertise or craft to do something perfectly. Making preparation to be perfect is a trap. It's a tool of procrastination. It's a way to avoid 99% of the things that scare you. 

My friend called me about a web video. It was 2012 and I was sitting in an airport about to fly back to NYC to volunteer at a church. Suddenly the church contact person not only stopped calling me, he blocked my number and emails. We had no argument or fight. To this day it was one of the biggest mysteries. So now I was sitting in this airport going back to a volunteer job that had vanished. I had nothing going on and my friend called me. I wasn't that interested in web videos and I had almost no experience but it was intriguing. His company wanted to produce some web videos: would I read the scripts? I told him 'yes later.' And then it hit me 'you have nothing going on in your life and the one thing you were going to do for free...has vanished.' So I read the script in the airport. I texted him back my thoughts, he asked when we could meet in person to talk further and I said...'I guess tonight. I'm flying back to NYC.' 

Thus began one of the truly wackiest series of events in my life, starting with an answer to a call. We had dinner that night and I gave my general observations about the script. My friend pivoted. Can you write them?' Yes...I guess I can. Great, now we just need a producer. And out of my mouth I heard the words 'Oh, I can do that too?' My friend looked at me...really? I nodded, Sure. How hard can it be?' To write and produce a series of videos from scratch with no experience? It was much harder than I expected and much easier than I feared. 

Things just started sliding into place. I was willing to answer the call. Every anxiety I faced was overcome. Not perfectly. Not with Spielbergian precision. But with a growing sense of confidence I started writing and producing a series of web videos as my primary source of income. And then I went to another business and pitched my expertise and was hired to write and produce several more videos. I set up a producing bank account so that I could pay myself and others, found the contract templates for directors, crew, and actors, drew up budgets and plans. And it just happened. One fear after another melted just because I woke up everyday like 'what can I do right now? Imperfectly or feeling my way out. And then what help can I ask for now?' A few months later I got into Juilliard and these videos became a financial support for being a playwright there. Some actors dismissed me, some doubted me, I had people hang up on me, outraged that I wasn't enough for them. And it was thrilling to just 'know' this is going to happen. And some of those actors and crew people who hung up on me are still broke, prima donnas waiting all these years later for their perfect ship. As my career advanced from web videos to Juilliard plays, to West-End dramas, Broadway musicals, and 10 yrs of tv writing on hit shows. And one of the foundation moments for me was getting pre-fired from a volunteer job and just reading a web script in an airport and being 'willing.' Willing to say 'ok this web video isn't my ideal...but it could be interesting.' And some of those broke prima donnas are still waiting for perfection and not willing to answer the call they're getting. 

Don't wait for perfect conditions. Start on a Tuesday. Start on your left foot. Start when you only have 5 min. Jot it down on a napkin and get yourself excited with a spark. And if you keep piling up the napkins, awkward 5 min sparks, the circumstances of life start bending around your willingness to answer intuition. 

Don't wait. Answer the call. The qualifications are given on the journey.

Sunday, December 14, 2025

Necessary Roughness

 A flag was thrown on the play, and a referee announced the call: unnecessary roughness on the defense. The ball was advanced forward 15 yards on the penalty. I thought about how many times I've heard that call without processing it: Unnecessary roughness. And for some reason, on this day, it felt like I was hearing it in a funny way. Unnecessary roughness. By inverse logic, it implies that there is a 'necessary amount of roughness on the football field. Not an appropriate or acceptable amount of roughness. Necessary. In order to survive, in order to play, there must be a necessary amount of roughness. An essential degree of resistance or engagement must occur. What does that even mean, and is it applicable to life?

Necessary engagement. Necessary roughness. I think there is an unspoken code of 'necessary roughness.' I learned it on the playground. There was a certain, measured protocol that was never explicitly articulated but has persisted into adulthood. 

I thought about a club bouncer and the necessary amount of roughness. If there's an unruly drunk person who refuses to get out of line it's considered acceptable to push or guide them. Acceptable. If they push back then some people would consider a punch to the body acceptable. If the clubgoer punches back then it's acceptable to follow up with some some more punches to the face and body unil the disruptor gives up. What is 'unnecessary roughness?' Well I think most people would consider stomping on someone, kicking them, hitting them when they're unprotected or unconscious. In videos, when this happens in a fight, there is usually someone who steps in to say 'enough' because there's an accepted belief that escalating things could lead to permanent damage, scarring, or death. Slamming someone to the ground and continuing to pummel them? Unnecessary roughness. But a bouncer's punch to a drunk person? Necessary roughness. The other people standing in line want to get into the club too. And this one person is holding things up. If the bouncer does not use appropriate roughness, they are annoying everyone else waiting, as well as the club owner. 

Necessary engagement with bullies. My father discussed his childhood experience and how he stood up to bullies by sitting...on them. Crushing them until they gave up. The unspoken message was to advocate for yourself in the most nonviolent way. Years later, when I was dealing with a bully in junior high school, my words sufficed. I honed my verbal skills to say the most ruthless and cruel things until the bully felt so humiliated that things didn't escalate. 

In high school, when facing another bully, cruel words did not suffice or de-escalate the situation. Jokes became light punches and slaps on the arm and behind the ear. Half-joking 'ha ha' forms of violence. I thought about it for a minute. Returning the light slaps would result in a slow escalation. So to cut it off at the roots, my teenage brain decided that the best course of action was one, severe, unexpected burst of roughness. It seemed unprompted but I waited until my tormentor was walking down the hall one day. And I feigned a joke 'ha ha' tease as an excuse to run up and kick him in the back. With my entire body. I have never kicked anybody harder in my life. I felt his body reshaping itself around my foot as it entered him for a brief moment and sent him flying down the hall. And then I pretended to be surprised 'oh wow...ha ha...well just giving you some motivation for the day.' I walked away. The next morning the bully smiled at me sheepishly and said he was in so much pain he didn't sleep all night. I said 'really? Oh wow, I didn't know I kicked you that hard, bro.' This bully never touched me again.  And I never had to kick him or any of his friends because they had been warned that I 'didn't know how to tease back gently and it could result in unnecessary and excessive pain.'

In college there was a bully freshman year who made it clear that a measured, terrible burst of engagement would eliminate this person from my life. So it came to pass that one day in the midst of a game of snow football we ended up in a scuffle. I fractured/broke his leg. Not another word out of him. Ever. Or his friends. Ever. 

But in retrospect, I realize that even one burst of roughness every few years or every decade can plant a powerful dark seed. Necessary roughness has repercussions, so perhaps active engagement is a better term. Meet the enemy with wisdom as quickly as possible. No shirking away from the confrontation but to do so with love. 

Is there such a thing as necessary rough love? Engaged kindness? Energized equanimity? Can I play the field with this intensity?




Tuesday, December 2, 2025

Get What You Want: December 2025

 

Many Voices Mentorship – Playwrights’ Center

Deadline: December 4, 2025 (11:59 PM CT)
Website: https://pwcenter.org/programs/many-voices-mentorship

Designed for Minnesota-based Black, Indigenous, or playwrights of color who are new to playwriting. Selected writers receive classes, dramaturgical support, a staged reading, and a year-long mentorship.

The program builds foundational skills and integrates writers into the Playwrights’ Center ecosystem with community and cohort support.


BCA Playwright Residency – Boston Center for the Arts

Deadline: December 8, 2025
Website: https://bostonarts.org/residency/bca-playwright-residency-2024-2025/

A year-long residency offering space, mentorship, and support to playwrights developing innovative work. Writers receive rehearsal space, artistic guidance, and opportunities for community engagement.

Ideal for playwrights creating boundary-pushing or hybrid theatre projects who want to embed deeply in a supportive Boston-based artistic community.


BCA Launchpad Residency – Ensemble/Company Track

Deadline: December 8, 2025
Website: https://bostonarts.org/launchpad

Supports small ensembles or writer-led collectives in developing new performance work. The residency includes rehearsal space, administrative support, and a structured development cycle.

Strong match for playwrights working collaboratively or exploring devised, interdisciplinary, or movement-text hybrid forms.


Excellence Artist Fund Residency – University of Wyoming

Deadline: December 8, 2025
Website: https://www.uwyo.edu/thd/_files/faculty/rfp-uw-2026-2027-excellence-artist-fund-residency-innovation-arts.pdf

A major funded residency ($50k–$150k) supporting ambitious new theatre and dance projects. Artists receive housing, travel, production resources, and up to four weeks of on-site development.

Ideal for playwrights developing large-scale, interdisciplinary, or community-engaged work requiring significant institutional support.


Downtown Urban Arts Festival (DUAF)

Deadline: December 8, 2025
Website: https://www.duafnyc.com/submit

A long-running NYC festival presenting new plays by diverse voices. Selected works receive professional staging, promotion, and a small stipend.

DUAF focuses on bold, urban, contemporary storytelling and is particularly advantageous for emerging writers seeking NYC exposure.


McKnight National Residency & Commission – Playwrights’ Center

Deadline: December 11, 2025
Website: https://pwcenter.org/programs/mcknight-national-residency-and-commission

A major national award for playwrights living outside Minnesota. Offers a $15,000 commission, $7,500+ in development support, travel, workshops, and a public reading.

This is one of the most prestigious U.S. commissioning opportunities, enabling creation of a brand-new play with deep institutional backing.



The Ground Floor Summer Residency Lab – Berkeley Rep

Deadline: December 12, 2025 (5 PM PT)
Website: https://www.berkeleyrep.org/how-to-apply-69nb

One of the nation’s premier development labs. Writers spend 1–2 weeks at Berkeley Rep developing new work with dramaturgs, actors, and artistic staff.

The lab emphasizes exploration and discovery, and many Ground Floor projects go on to major productions regionally and nationally.



The Road: Under Construction Program

Deadline: December 16, 2025
Website: https://roadtheatre.org/event/under-construction-submission/

Beginning in January 2026, this group will meet twice a month live (TUESDAYS @ 7PM). And on Zoom for the virtual cohort (Day/Time TBD). As we get closer to full reads, sessions will be every week. Regular Attendance is required!

Each playwright must enter this group with the beginnings of a new play, and we will work collaboratively for a 10-month gestation process on the development of each piece. Concluding with a directed reading at our theatre. 


McKnight Fellowship in Playwriting – Playwrights’ Center

Deadline: January 8, 2026 (11:59 PM CT)
Website: https://pwcenter.org/programs/mcknight-fellowship-in-playwriting/

A major fellowship for Minnesota-based mid-career playwrights. Provides $25,000, travel funds, and development resources. Requires at least one professional production.

This is one of the most respected and well-funded playwright fellowships in the country.


Lambda Literary Writers Retreat – Emerging LGBTQ Voices

Deadline: January 8, 2026
Website: https://lambdaliterary.org/emerging-writers-retreat/

A highly competitive retreat for emerging LGBTQ+ writers. Includes a playwriting cohort with faculty mentorship, workshops, and community-building.

Ideal for queer playwrights developing new work, expanding their artistic network, or seeking a national literary community.


Relentless Musical Award – American Playwriting Foundation

Deadline: January 15, 2026
Website: https://www.americanplaywritingfoundation.org

One of the largest cash prizes for musical theatre writers in the U.S. Open to unproduced musicals or works-in-progress.

A high-profile opportunity for musical-theatre bookwriters and playwrights working in hybrid text/music forms.


Ucross Foundation – Fall 2026 Residency Session

Deadline: January 15, 2026
Website: https://ucross.org

A world-renowned residency program offering 2–6 week stays for artists across disciplines. Playwrights receive private studios and room/board.

Ideal for writers who thrive in rural quiet with uninterrupted writing time.


A is For seeks one-act plays on reproductive justice


Deadline: January 18, 2026
Website: https://aisfor.org/plays?blm_aid=78942638

The A is For Playwriting Contest and the all it takes is ONE ACT Play Festival engages playwrights who are passionate about abortion rights and reproductive justice, and offers audiences the opportunity to see those stories performed by theatre professionals in live staged readings. Since the inauguration of our Playwriting Contest in 2020, we have received over 1,000 one-act plays about reproductive justice from all around the world, and have brought 12 of them to the stage!

A is For amplifies art and artists working to eradicate stigma against abortion. We believe that theatre deepens our relationship with the world around us by inviting us to empathize, and recognize our own belonging. We are looking for plays that challenge stigma against abortion. We want to hear the stories you want to tell.

Three winners will be announced in late spring 2026, and will receive the following prizes:

1st Place - $5,000

2nd Place - $3,000

3rd Place - $1,500


Princess Grace Awards – Theater/Dance/Film (Nomination Deadline)

Deadline: February 2, 2026 (11:59 PM PT)
Website: https://pgfusa.org/apply

This deadline applies to directors, designers, actors—not playwrights. However, it's often tracked alongside theatre opportunities.

Nominees receive significant grants and national recognition; playwrights are eligible only in the separate Princess Grace Playwriting Fellowship at New Dramatists (opens March 2026).


Core Apprentice Program – Playwrights’ Center

Deadline: February 5, 2026
Website: https://pwcenter.org/programs/core-apprentice

A program for student or early-career playwrights transitioning into professional development. Includes dramaturgy and a full workshop.

A strong national bridge between academia and the professional theatre field.


MacDowell Fellowship (Fall/Winter 2026–27)

Deadline: February 10, 2026
Website: https://www.macdowell.org

One of the most prestigious artist residencies in the world. Playwrights may apply in the theatre category for fully funded residencies lasting 2–6 weeks. Need-based stipends available.

Designed for immersive creation in a quiet, supportive environment with artists across disciplines.


Answer The Call

God doesn’t call the qualified. He qualifies the called. Don't wait until you feel you have enough research or expertise or craft to do ...