1. 2023 SNOWDANCE 10 MINUTE COMEDY FESTIVAL
DEADLINE: November 1st, 2022
WEBSITE: https://overourheadplayers.org/snowdance-submissions.html
Entry is open to original 10 minute or shorter comedies for the stage. Winning entries will be performed together by the OOHP Snowdance ensemble in the winter of 2023. Concluding each performance, audience members can vote for their favorite individual comedy; the audience favorites will earn cash prizes for the playwright. Entries may be sent to SNOWDANCE, c/o Sixth Street Theatre, 318 Sixth Street, Racine, Wisconsin, 53403. Alternatively, entries may be sent by email to snowdance318@gmail.com. Once again, we request that scripts have a maximum of three characters, and entries less than 10 minutes are actively encouraged.
Rules for the Snowdance Comedy Competition, which is open to everyone without age or geographic restriction, are relatively simple. In summary, competition is open to unpublished, 10 minute or shorter comedies. Musicals, adaptations, and translations will not be considered. The writer’s name, address, phone number, and e-mail address should be included on the title page and only the title page. The title page should also include a cast list and a one-to-three sentence synopsis of the play. Plays can have a cast of one to four characters; plays should be easily staged, avoiding elaborate set requirements. Submit one typed manuscript in standard format, securely bound. Complete rules are posted on the Rules page. Any questions can be directed to Rich Smith via the box office, at 262-632-6802, or by e-mail at snowdance318@gmail.com.
2. THE RICHARD RODGERS AWARD
DEADLINE: Nov. 1st, 2022
WEBSITE: https://artsandletters.org/awards/richard-rodgers-award/
These awards, created and endowed by Richard Rodgers in 1978 for the development of the musical theater, subsidize full productions, studio productions, and staged readings by nonprofit theaters in New York City of works by composers and writers who are not already established in this field. The winners are selected by a jury of the American Academy of Arts and Letters.
The term "musical theater" is understood to include musicals, plays with songs, thematic revues, or any comparable work. The submission of live and experimental work is encouraged. The work submitted must be of significant length to fill an evening; it may consist of a group of smaller, related pieces. The jury will consider only completed works. Care should be taken to submit the work in its best possible form as it may not be submitted again, in another year, even if substantially revised.
Only one submission by a collaborative group or a sole creator will be accepted and applicants must be citizens or permanent residents of the United States. Works by members of the Academy and previous winners of the production awards are not eligible for consideration. Former winners of Richard Rodgers awards for staged readings or studio productions may submit new works. An applicant whose works in the musical theater have received professional or amateur productions in New York City or out of town is eligible unless, in the judgment of the jury, the applicant has already achieved significant recognition in the field of musical theater through the work submitted or through any previous work. Works which have been produced by professional theater companies before a paying audience are eligible only if such productions received no more than 21 performances by a for-profit company or 50 performances by a nonprofit company. Applicants will be notified of the jury's decision by March 2022.
3. ABRONS PERFORMANCE AIRSPACE RESIDENCY
DEADLINE: November 9th
WEBSITE: https://www.abronsartscenter.org/jerome-foundation-airspace-residency/
With support from The Jerome Foundation, a cohort of 3 early career performing artists are annually invited to participate in our Performance AIRspace Residency. Performance AIRspace residents are provided with a monetary commission, premium access to studios and theaters for rehearsals towards the development of a live performance to be presented at Abrons Arts Center.
Abrons’ curatorial focus for our Spring 2024 season is sanctuary. For the 2023–2024 Performance AIRspace Residency, we are seeking projects that engage with the concept of sanctuary and its personal, cultural, and political implications.
$7,000 commission for a new work to be presented at Abrons as part of our Spring 2024 Presenting Season. Performances will be programmed to occur between March and June 2024.
200 hours of fully subsidized studio rental time in any of our performance studios.
Promotional photoshoot for the project
Photo documentation and archival video documentation of the project
2 dinners with AIRspace residency cohort
$300 stipend for studio visitor(s)
$2,600 Production Budget
Eligibility Requirements:
Projects should reflect the curatorial focus of Abrons Spring 2024 Season. Please read above for more information.
Applicants must review Abrons Arts Center’s Mission Statement and Declaration of Inclusion before applying for the Residency.
Applicants must be based in New York City and living within 5 boroughs at the time of application submission and during the residency period.
Applicants working in dance, live music, and/or theater are encouraged to apply.
Applicants must identify as early career artists. (Please see below for Abrons’ and Jerome Foundation’s criteria for “early career artist.”)
Applicants must apply with a project that has not yet premiered in its final form in New York City.
Applicants who are enrolled in degree-granting programs or will be students during the grant period are not eligible to apply.
Collaborative groups are invited to apply but will receive the same commission fee as an individual artist. Collaboratives can only submit one application. If collaboratives submit more than one application for the same project, they will be disqualified from the review process.
Applicants and all associated collaborators who will be onsite at Abrons during the residency and production period must abide by Abrons’ COVID-19 Safety Policies.
Who is an “early career” artist?
According to the Jerome Foundation, an early career artist “typically has a track record of generating and publicly presenting full work over which they have ultimate creative control in the discipline in which they are applying, but are not yet at a point in their careers where they receive consistent development and production opportunities and significant recognition, awards, and acclaim.” Please note that this category is not contingent on the age of the artist.
4. PHILLY CYCLE COMMISSIONS
DEADLINE: November 11th, 2022
WEBSITE: http://www.interacttheatre.org/the-philly-cycle
Over the next two years InterAct will commission three plays to be written about and with Philadelphia communities that are under-represented on local (and national) stages.
The first of the three Philly Cycle commissions will focus on the city’s community of African American Muslims, which numbers around 200,000. We are seeking U.S.-based playwrights who would be interested in spending time in conversation with this community and telling a singular story that centers this community.
We recommend that applicants familiarize themselves with InterAct's mission as they consider applying for the Philly Cycle project. Selected playwrights will receive a $15,000 commission, support for extensive play development both in and apart from the relevant community (including travel & local housing), and a guaranteed production (ideally in InterAct's 2024-25 season).
InterAct will support the development of each Philly Cycle play in four distinct ways:
• Facilitating partnerships with community leaders and community organizations as resources for playwrights to fully mine the worlds of their plays. For the first play, we are partnering with the Council on American-Islamic Relations (CAIR-PA).
• Identifying and engaging fully professional artistic teams, including directors, dramaturgs, actors and others, as desired.
• Coordinating private workshops and public readings of each play, including in-progress readings on-site in relevant communities.
• Providing ongoing dramaturgical consultation with InterAct’s artistic staff throughout the process
5. CAFE ROYAL CULTURAL FOUNDATION NYC
DEADLINE: November 14th
WEBSITE: https://caferoyalculturalfoundation.org/literature-page
Café Royal Cultural Foundation NYC will award a publishing grant to authors of fiction / creative non-fiction, poetry and playwriting. To ensure that each submission receives the attention it deserves we will be only accepting 40 applications for each of our categories for the remaining grant cycles in 2022.
Amounts: Up to $10,000.00
Eligibility: Authors in fiction / creative non-fiction, poetry and playwriting. The applicant must be the originator of the written material. Grants awarded in this category may fund costs associated with continuing the composition of work submitted. Such as:
Course Reduction (if you're a Teacher/Professor)
Salary Replacement
Living Expenses
Research Expenses
Writers applying must be a current resident of New York City and have lived there for a minimum of one year prior to applying and plan to be a resident through the completion of their project.
Please make sure to submit your application with ample time before the start date of your project.
Applicants can only apply with the same project twice.
Review Procedures: Funding decisions will be made by the Café Royal Cultural Foundation Selection and Executive Committees. The following criteria will be applied in evaluating grant proposals: Creativity, originality, ideas and concepts, writing style. Importance of the Project/Cultural Relevance. Promise of future achievements in writing
Application Requirements:
Up to and no more than a 15 page PDF of the work, for the Café Royal Cultural Foundation executive committee to download and read.
A letter of intent from the publisher with a date of planned publication, if no publisher is assigned, Café Royal Cultural Foundation may work with writer to help find a publisher.
A short description of the project.
A short author biography of the person(s) involved.
List of costs that the grant money be used for - must not exceed the amount of $10,000.00
6. PREMIERE STAGES PLAY FESTIVAL
DEADLINE: November 14th, 2022
WEBSITE: https://overourheadplayers.org/snowdance-submissions.html
Premiere Stages is committed to supporting emerging and regional playwrights by developing and producing new plays. Since 2005, the Premiere Play Festival has offered playwrights the opportunity to develop their work in an encouraging, focused environment through discussions, rehearsals, readings, workshops, and Equity productions. Through the Premiere Play Festival, Premiere Stages has developed many plays that have gone on to have successful productions in New York and at regional theatres throughout the country. We strive to facilitate relationships between writers and theatre professionals who we think will respond to their work, in hopes that plays developed at Premiere will go on to subsequent productions.
Premiere Stages will accept submissions of unproduced plays written by playwrights affiliated with the greater metropolitan area. All plays submitted to the festival are evaluated by a panel of professional theatre producers, directors, dramaturgs, playwrights, and publishers. Four to five finalists are subsequently selected for public Equity readings in Spring of 2023. Following the Spring readings, one play is selected for an Equity production in the Premiere Stages 2024 season and receives an award of $3000. The runner-up receives a 29-hour staged reading and $1500. The other finalists will each be awarded $1000.
Premiere Stages is committed to supporting a diverse group of writers; playwrights of all backgrounds, ages, and experience levels are encouraged to apply.
PDF FORMAT SUBMISSIONS ONLY
Plays must be full-length and have a cast size of no more than eight.
Plays must be unpublished and unproduced (readings and workshops are okay), with no productions and/or publication currently scheduled through September 2023.
Playwrights must have strong affiliations with the greater metropolitan area (New York, New Jersey, Connecticut, Pennsylvania, and Delaware).
Musicals, adaptations (of existing plays or other sources), and solo shows are not eligible.
Submissions are limited to one script per playwright.
Please contact Premiere Stages to inquire about submitting a script that has been previously submitted.
Playwrights must be available for the development of their script (see the 2023 schedule table).
Submissions are accepted September 1, 2022 through 11:59 p.m. on November 14, 2022. Submissions sent early in the submission window are strongly encouraged.
Names and contact information are welcome on cover pages of scripts.
All plays must be submitted as a PDF via Submittable at premierestagesatkean.submittable.com/submit. Hard copies will not be accepted.
NO AGENT? NO PROBLEM!
We accept script samples and synopses from playwrights without an agent. Submissions must include:
Brief synopsis of the play (no more than half a page)
History of the play’s development (or statement that it has none)
The playwright’s bio or resume
Script sample from the play (no more than 10 pages plus title page and character breakdown)
Premiere Stages will request full scripts to read if the play seems viable for the 2023 season. In 2022, almost half of the 35 Semi-Finalists were first received as samples.
All plays must be submitted as a PDF via Submittable at premierestagesatkean.submittable.com/submit. Hard copies will not be accepted.
Premiere Stages will accept full scripts from literary agents or theatre professionals affiliated with Premiere Stages.
For any questions regarding the submission guidelines or process, please email us at pfsubmit@kean.edu.
7. EUGENE O’NEILL FOUNDATION ARTIST IN RESIDENCE PROGRAM
DEADLINE: November 15th
WEBSITE: http://www.eugeneoneill.org/artist-in-residence-program/
The Artist in Residence Program at Tao House provides a working retreat for developing or established playwrights, scholars, or critics of the performing arts. In 2017, the Foundation established the Carey Perloff Fellowship under the Travis Bogard Artist in Residence Program. The fellowship will be awarded each year, if appropriate, to an established theatre artist who desires to transition into a writer. For example, a director or an actor may be changing disciplines to focus on writing. Those seeking a Carey Perloff Fellowship should so stipulate on the Program Application and in their project description.
Fellows live off-site in comfortable, contemplative surroundings but spend their days at the nearby Eugene O’Neill National Historic Site. Housing, including meals and local transportation, is provided by the Foundation. Couples can be admitted, but only fellows will be financed. Children are not permitted. Residencies are available between April 1 and October 31. Each applicant can specify preferred residency dates—from one week to three weeks—but the length of stay awarded will be determined by the Artist in Residence Committee, based on various factors. Fellows will be encouraged to participate in a mutually agreed upon Foundation event, as appropriate. The Foundation and National Park Service will expect a copy or representation of the final project resulting from the fellowship and appropriate acknowledgment in any published work.
8. THE JEROME FELLOWSHIP
DEADLINE: November 17th
WEBSITE: https://pwcenter.org/programs/jerome-fellowships
The Playwrights' Center's Jerome Fellowship supports early career playwrights who demonstrate extraordinary potential, artistic vision, and a commitment to a professional development residency in Minnesota. Starting on July 1, 2023, the fellowship is expanding from a one-year residency to a two-year residency (July 1, 2023-June 30, 2025), and the salary will be increasing to $25,000/year, to enhance sustainability for each playwright.
Within each two-year cycle, Jerome Fellows will now be classified as part-time employees of Playwrights' Center, with a salary of $25,000/year (paid bi-weekly), and eligible for all employee benefits, including employer-sponsored health insurance. Fellows will continue to have $3,000/year available to support customized play development through workshops with professional directors, dramaturgs, and actors.
Beyond the financial support, the fellowship includes working in an individualized and hands-on way with Playwrights' Center artistic staff—some of the most experienced theater professionals in the country—to develop plays and connect playwrights to producers of new work. This holistic and customized combination of financial support, play development support, and professional connection is career-changing for most playwrights.
Applicants must reside in, and have the legal right to work in, the United States during the fellowship term. Applicants may not have had more than two different works fully produced by professional theaters by the time of the application. Productions that open after November 17, 2022 do not count.
Playwrights who have not received a Jerome Fellowship in the past are eligible.
Playwrights who have received one Jerome Fellowship in the past are eligible.
Playwrights who have received two Jerome Fellowships in the past are not eligible.
Previous Jerome Fellowship recipients must apply with a different play than the one that accompanied their previous successful application. Playwrights who have received other Playwrights’ Center fellowships may apply, provided they still meet the Jerome Fellowship eligibility guidelines. Recipients may not receive any other Playwrights' Center fellowships during the two-year cycle.
Fellows commit to spending the two-year fellowship period in Minnesota and actively participating in the Center's programs. Fellows will now be part-time employees of Playwrights' Center, paid on the same bi-weekly pay cycle and eligible for the same benefits, including employer-sponsored health insurance, as all other employees. Fellows may spend no more than 10 weeks/year (20 weeks over two years) out of town during their residency. Housing and travel are not provided.
The primary language used by evaluators during the selection process is English. If text is intentionally written not in English, a line of context would be helpful to an evaluator. Playwrights’ Center acknowledges this is an ethnocentric practice and hopes to expand access in the future. While most Fellowship activities and engagements are conducted in English, Playwrights' Center staff are available to discuss additional support and resources as necessary.
Questions may be addressed to Artistic Programs Manager Julia Brown at juliab@pwcenter.org.
9. THE WOMEN CENTER STAGE FESTIVAL
DEADLINE: November 20th
WEBSITE: https://womencenterstage.org
Women Center Stage is now accepting submissions from women artists at any stage in their careers. As part of WCS, your piece will be presented during the two-week long festival of original work, workshops, panels, and classes. The festival will take place during the first two weeks of March in downtown New York City.
The Women Center Stage Festival, formerly an initiative of Culture Project, New York’s premier home for socially conscious theater, is returning to New York this spring. Women Center Stage is part multidisciplinary performance/part multicultural salon; a place for artists to build community, share their stories, and create a fresh theatrical landscape. Founded in 1996, Culture Project is the preeminent destination for artistic work that investigates the most urgent social and political issues of our time. We believe art is a powerful force that can lift the human spirit, catalyze public discourse and motivate political action with a clarity of purpose.
Requirements:
- Original work that has not been fully produced, by artists who identify as female.
- 15-30 minutes in length (please specify the length of your piece).
- Can be works-in-progress or part of a full-length piece.
- We will accept writers with teams but this is not a requirement. (you may choose to perform in and/or direct your own work).
- Work can be in any format or genre.
- You must submit a work sample; not necessarily text-based (visual diagrams, storyboards, videos etc).
10. THE MANY VOICES FELLOWSHIP
DEADLINE: December 1st
WEBSITE: https://pwcenter.org/programs/many-voices-fellowships
The Many Voices Fellowship is intended to support early career Black playwrights, playwrights of color, and/or Indigenous playwrights (what's this?) who demonstrate extraordinary potential, artistic vision, and a commitment to a professional development residency in Minnesota. Starting on July 1, 2023, the fellowship is expanding from a one-year residency to a two-year residency(July 1, 2023-June 30, 2025), and the salary will be increasing to $25,000/year, to enhance sustainability for each playwright.
Within each two-year cycle, Many Voices Fellows will now be classified as part-time employees of Playwrights’ Center, with a salary of $25,000/year (paid bi-weekly), and eligible for all employee benefits, including employer-sponsored health insurance. Fellows will continue to have $3,000/year available to support customized play development through workshops with professional directors, dramaturgs, and actors.
Beyond the financial support, the fellowship includes working in an individualized and hands-on way with Playwrights’ Center artistic staff—some of the most experienced theater professionals in the country—to develop plays and connect playwrights to producers of new work. This holistic and customized combination of financial support, play development support, and professional connection is career-changing for most playwrights.
Applicants must reside in, and have the legal right to work in, the United States during the fellowship term. Applicants may not have had more than two different works fully produced by professional theaters by the time of the application. Productions that open after December 1, 2022 do not count.
Playwrights who have received two Many Voices Fellowships in the past are not eligible.
Previous Many Voices Fellowship recipients must apply with a different play than the one that accompanied their previous successful application. Playwrights who have received other Playwrights’ Center fellowships may apply, provided they still meet the Many Voices Fellowship eligibility guidelines. Recipients may not receive any other Playwrights' Center fellowships during the two-year cycle.
Fellows commit to spending the two-year fellowship period in Minnesota and actively participating in the Center's programs. Fellows will now be part-time employees of Playwrights' Center, paid on the same bi-weekly pay cycle and eligible for the same benefits, including employer-sponsored health insurance, as all other employees. Fellows may spend no more than 10 weeks/year (20 weeks over two years) out of town during their residency. Housing and travel are not provided.
Questions may be addressed to Artistic Programs Manager Julia Brown at juliab@pwcenter.org.
11. WOODWARD/NEWMAN DRAMA AWARD
Deadline: December 1st
WEBSITE: https://seeconstellation.org
The Woodward/Newman Award is an exclusive honor offered by Constellation Stage & Screen, started through the support of Joanne Woodward, Newman’s Own Foundation, and the Newman family, celebrating Paul Newman & Joanne Woodward’s tremendous history of work on stage and screen. It presents the best unpublished play of the year with a cash prize of $3,000 and a full production as part of Constellation’s Mainstage season.
Please note that there are significant changes to our submission and selection process from previous years. In order to make the Woodward/Newman Award accessible to all, we have eliminated submission fees as well as the contest format. The Woodward/Newman Award will continue to be awarded to an unpublished new play once per year and come with a $3,000 cash prize and a full production. Submissions will be accepted and reviewed by our literary team on an ongoing basis, and will be considered for the award as well as for all 8 production slots in our season. So a play that is not selected for the Woodward/Newman slot in our season, may still be considered and selected for production. This will allow us to now accept open submissions for all types of plays (including TYA shows). Plays submitted prior to September 1 will be considered for the 2023-24 season, while plays submitted beyond that date will be considered for the 2024-25 Season. All submissions will be kept on file for 2 years after submission.
If you have questions regarding submissions to the Constellation Stage & Screen, please contact the Literary Manager at literary@seeconstellation.org.
The award recipient and finalists will be announced by May 15, 2024. The winner will be awarded $3,000 and a full production (including housing/transportation).
“Full-length” plays should have a complete running time of between 1 hour 15 minutes (75 minutes) to 2 hours 15 minutes (135 minutes). TYA shows should have a complete running time of over 40 minutes.
Plays submitted must be unpublished at the time of submission (independently published is acceptable).
Each play should be individually submitted at the following link: CONSTELLATION STAGE & SCREEN PLAY SUBMISSION.
You will be asked to submit your play as an attachment and all other information (bio, history, synopsis, character breakdown) will be entered into a form. Musical submissions may upload demos as an attachment or include a link to a shared folder.
Limit of 2 play submissions per year.
If you have any questions, please email literary@seeconstellation.org.
12. WAVELENGTH’S WAVE GRANT
DEADLINE: December 1st
WEBSITE: https://wavelengthproductions.com/grants/
Applications for Wavelength’s WAVE Grant are now open! The WAVE Grant is devoted to helping first-time female and non-binary filmmakers of color tell their own “great f**king story.” This year we will select five recipients to receive a $5,000 seed grant for the production of their short film. Recipients will also receive mentorship from our award-winning team with development, production, and distribution strategies.
13. ERIC H. WEINBERGER AWARD FOR EMERGING LIBRETTISTS
DEADLINE: December 2nd
WEBSITE: https://www.amasmusical.org/eric-h-weinberger-award
The Eric H. Weinberger Award for Emerging Librettists is a juried cash and production grant given annually to support the early work and career of a deserving musical theatre librettist. It commemorates the life and work of playwright/librettist Eric H. Weinberger (1950-2017), who was a Drama Desk Award nominee for Best Book of a Musical (Wanda’s World), and the playwright/librettist of Class Mothers ’68, which earned Pricilla Lopez a Drama Desk Award nomination.
The winner will receive $2,000 to help with cost-of-living expenses. The winning musical will receive development assistance in the 2023 New Works Development Program of Amas Musical Theatre, culminating in an Amas Lab production with New York theatre professionals. Amas, which is administering the award, was the development home for several of Mr. Weinberger’s musicals, and which produced the World Premiere of Wanda’s World and the New York Premiere of Tea for Three.
With the many setbacks in the theatre industry over the past three years, we are grateful to be afforded this opportunity to continue making theatre and creating an impact in our community. Both our 2020 and 2021 winners, Cheeyang Ng and Eric Sorrels, and Gabe Caruso and Sangwoo Lee received development workshops of their musicals Māyā and Settle Down this year. We are excited to begin work with our 2022 winners Charlie Roman and Will Wegner on their piece Onward & Upward, and welcome a new wave of inspiring voices to our musical theatre family.
All submissions must be sent through an online application that can be found HERE.
Only one submission per playwright/librettist will be accepted. The winner of the award will be announced spring 2023.
14. MCKNIGHT NATIONAL RESIDENCY AND COMMISSION
DEADLINE: December 8th
WEBSITE: https://pwcenter.org/programs/mcknight-national-residency-and-commission
The intent of the McKnight National Residency and Commission is to support an established playwright from outside of Minnesota who demonstrates a sustained body of work, commitment, and artistic excellence. The Recipient of the Residency and Commission will create a new play which will be developed with the Playwrights' Center through a series of workshops and will culminate in a public reading of the play.
Recipients will not move to Minnesota but will have opportunities to engage with local artists and the Playwrights' Center staff and fellows throughout their term (July 1, 2021-June 30, 2022). One of the goals of this program is to create dialogue between Minnesota-based artists and those outside of the community. Benefits include, a $15,000 commission, up to $12,250 in workshop funds to support the development of the play, and a public reading. Applicants must reside in and have the legal right to work in the U.S. Applicants must be nationally recognized playwrights who have had at least two different plays fully produced by professional theaters at the time of application. If you had a production that was canceled or postponed due to COVID-19, that does count when determining eligibility.
Compensation: $15,000 commission, up to $12,250 in developmental support.
15. MCKNIGHT FELLOWSHIPS IN PLAYWRITING
DEADLINE:December 15th
WEBSITE: https://pwcenter.org/programs/mcknight-fellowships-in-playwriting
The McKnight Foundation, a family foundation based in Minnesota, advances a more just, creative, and abundant future where people and planet thrive. The McKnight Fellowship in Playwriting recognizes and supports mid-career playwrights living and working in Minnesota who demonstrate a sustained body of work, commitment, and attributes of artistic merit. The fellowship, which runs July 1, 2022-June 30, 2023, includes: a $25,000 stipend, an additional $2,500 to support a play development workshop and other professional expenses, and $1,400 in travel funds.
Applicants must reside in and have the legal right to work in the U.S. during the fellowship term. Applicants must have been continuous residents of Minnesota since at least December 9, 2021, and must maintain residency in Minnesota during the fellowship year. Applicants must have a minimum of one work fully produced by a professional theater at the time of application. (Note for 2020, 2021, and 2022: any programmed/announced professional productions cancelled due to COVID-19 can be counted as long as they would have met the criteria above. Please be sure to mark cancellations or postponements clearly on your resume).) Full-time students are not eligible. Fellowship recipients may not receive any other Playwrights' Center fellowships, grants, or Core Writer program benefits during the grant year.
Questions may be addressed to Artistic Programs Manager Julia Brown at juliab@pwcenter.org.
16. THE JEWISH PLAYS PROJECT
DEADLINE: Rolling
WEBSITE: www.jewishplaysproject.org/guide
AN IMPORTANT NOTE: SUBMISSIONS ARE OPEN TO ARTISTS OF ALL
BACKGROUNDS, DENOMINATIONS, FAITHS, CREEDS, RELIGIONS, and other IDEALS.
SUBMISSION PROCESS: Fill out the Project Application Form and attach a play to the form as a PDF. You must submit your play with your name and other identifying information removed (we review all plays blind). We will consider submitted plays and musicals:
MUSICALS: Submitted musicals must include links to recordings of at least 3 songs to be reviewed. Please note, we review musicals on a different timeline than our other programming.
ELIGIBILITY: The following must be true of a submitted play or musical:
It contains significant Jewish themes, characters, content, or points of view.
It is in English, or primarily in English—we love plays that play with language as a theatrical tool, and plays that explore the differences in language. It just needs to be primarily accessible to an English speaking audience. (We welcome translations.)
It is full length, meaning over around 75 minutes in length. (For a guide, that usually means 60 pages or more. We DO NOT review 10 or 20 minute plays.)
It has not had a full production in the NY Metro region or a major regional theater (LORT C or above).
It has never been published in any form.
NOTE: We are most interested in submissions that embrace and depend on Jewish identity at their dramatic core, while avoiding stereotypical forms that rely on cultural or ethnic shorthands in lieu of dramatic development. This holds true whether dealing with the historical gravity of the Holocaust or employing stereotypical tropes for comic effect.
The JPP brings all the tools of new play development to bear on the plays we select: dramaturgical consultation and research; the involvement of collaborating artists - including directors, designers and actors - at all stages as needed; private and public presentations; and industry advocacy. We partner with great writers who not only have a great idea for a play, but have a heartfelt intention to write a Jewish play. To us, this means that during the development process, the writer is committed to making decisions about the progress of the play (or musical) that enhance and deepen the Jewish content, spirit, ideas and values in the work.
17. NATIVE VOICES PRODUCTION SUBMISSIONS
DEADLINE: Rolling
WEBSITE: theautry.org/events/signature-programs/native-voices-annual-call-for-scripts
We accept scripts all year long. Do you have a full-length script that has been developed and produced that you would like us to consider for a future Native Voices production in Los Angeles? Please follow the Checklist for All Submissions below and in the Native Voices Script Submission form check the box for 2023 General Production Consideration.
Checklist for Call for Scripts
Please label script attachment as follows: PlayTitle_Author’s Last Name, First Initial (Example: MyNewPlay_Doe, J.doc).
All submissions must conform to a standard play-script format (one-inch margins, #12 Times or Courier font, all pages numbered).
Include a title page with full contact information (mailing address, phone numbers, e-mail address) and a draft or revision date.
Include a character breakdown at the beginning of your script.
Provide a biography of 75–100 words. Please label attachment as follows: Bio_Author’s Last Name, First Initial (Example: Bio_Doe, J.doc).
Provide a press ready photo of at least 300dpi. Please label attachment as follows: Photo_Author’s Last Name, First Initial (Example: Photo_Doe, J.doc).
Provide development history for the play. Label attachment as follows: DevHistory_PlayTitle_Author’s Last Name, First Initial (Example: DevHistory_MyNewPlay_Doe, J.doc).
To submit, fill out our online form and upload your submission materials here: Native Voices Script Submission Form
Please do not send treatments or outlines. Previously produced plays should be submitted under the 2023 General Submission for Production Consideration. Playwrights are encouraged to make multiple submissions (up to three per event), but selection will be limited to only one play per playwright, per event.
18. AUDIBLE EMERGING PLAYWRIGHTS FUND
DEADLINE: Rolling
WEBSITE: https://www.audible.com/ep/audible-theater
In 2017, Audible launched a theater initiative, intended to radically increase access to exceptional plays and performances. A core pillar of the initiative is the Emerging Playwrights Fund, a program that invests in and nurtures self-identifying emerging playwrights, some of our most inventive, delightful, and provocative storytellers. Through the Fund, Audible aims to connect extraordinary performers with remarkable original work, amplifying new voices and harnessing the power and potential of audio to reach millions of listeners.
The Fund specifically supports t he creation of original dramatic work, written with audio in mind, but theatrical in spirit. Audible is dedicated to commissioning, developing, and producing work that reflects the diversity of our members and our world. To accomplish this, Audible is committed to granting at least 50% of emerging playwright commissions to artists of color and women.
To be considered as an applicant for a commission, please submit all of the following to AudibleTheater@audible.com:
1. One full-length script for an original or adapted play (in English language only) that represents your voice ("Script"). The Script can be in any genre and may include one-acts and solo pieces;
2. A short biography; and
3. A brief statement about why audio plays appeal to you.
If you have an idea for an original audio play, you are welcome to include a pitch or summary along with your statement (this is encouraged, but not required).
Any applicant over the age of 18 may submit a Script. Submissions are accepted year-round. Due to the number of Scripts that Audible receives, Audible will only consider one Script at a time from each applicant and will not consider resubmissions, including those that have been significantly revised. The Audible team evaluates submissions on a rolling basis, and applicants will be notified regarding the status of their submissions via email. Thanks in advance for your patience while we process your Script; our typical response time is 6-8 months.
19. THE STOCHASTIC LABS
DEADLINE: Rolling
WEBSITE: https://stochasticlabs.org/residencies/
The Stochastic Labs offers fully-sponsored residencies to engineers, artists, scientists, and entrepreneurs from around the world. Residencies include a private apartment at the mansion, co-working and/or dedicated work space, shop access, a $1,000 monthly stipend and a budget for materials.
20. THE FOUNDATION FOR CONTEMPORARY ARTS
DEADLINE: Rolling
WEBSITE: https://www.foundationforcontemporaryarts.org/grants/emergency-grants/
Created in 1993 to further FCA's mission to encourage, sponsor, and promote work of a contemporary, experimental nature, Emergency Grants provide urgent funding for visual and performing artists who:
Have sudden, unanticipated opportunities to present their work to the public when there is insufficient time to seek other sources of funding
Incur unexpected or unbudgeted expenses for projects close to completion with committed exhibition or performance dates
Emergency Grants is the only active, multi-disciplinary program that offers immediate assistance of this kind to artists living and working anywhere in the United States, for projects occurring in the U.S. and abroad.VEach month FCA receives an average of 95 Emergency Grant applications and makes approximately 12-15 grants. Grants range in amount from $500 to $3,000, and the average grant is now $1,700. We recommend that artists review all of our eligibility guidelines and FAQs before applying. You may also complete our Eligibility Questionnaire, but please note that the questionnaire is not a substitute for a thorough review of program guidelines.
21. THEATRE ARIEL OPEN SUBMISSIONS
DEADLINE: Open
WEBSITE: http://www.theatreariel.org/opportunities
Theatre Ariel is always seeking the next great Jewish play to present to our audiences. Theatre Ariel is looking for plays that engage with the rich world of Jewish life, thought and practice; plays where Judaism, Jewish identity or Jewish perspectives are significant or driving factors in the story (In other words, not plays where the characters ‘happen’ to be Jewish or that have a few yiddishisms or “Jewish jokes” in them, but plays where Jewish life/thought/history is integral or particularly relevant to the story.). Theatre Ariel seeks plays with casts of five actors or less.
You do not have to be Jewish to have your work considered by Theatre Ariel.
All our performances are presented as salon-style theatre readings in people’s homes, following a long tradition of Jewish theatre. For the foreseeable future, we will be presenting in a hybrid model of both in-person and virtual performances. To have your script considered, please email the following to submissions@theatreariel.org:
Brief cover letter introducing yourself and your play, as well as a short plot summary and character breakdown (indicating doubling, if any)
Ten minute excerpt from the script (if these are not the first ten pages, then please supply a brief explanation of where we are in the story when your sample picks up)
Theatre Ariel is committed to reading and responding to every submission we receive. Please allow three to six months for a response. Please forward any questions you may have to the same email address listed above.
22. THE DOROTHY ROSS FRIEDMAN RESIDENCE
DEADLINE: Rolling
and
If you think you are eligible, now is a fabulous time to apply to The Dorothy Ross Friedman Residence. The Friedman is a shared housing (roommates) residence that offers affordable housing for working professionals in performing arts and entertainment, persons with HIV/AIDS, and senior citizens (60 years of age or older). Most of the apartments are 2-bedrooms, where you would have one roommate and there are a few 3-bedrooms, where you would have two roommates. All tenants have a rent stabilized lease. All apartments are complete with dishwasher, washer/dryer, central heating, and AC. Many apartments have terraces with spectacular Manhattan views, and everyone has access to the Colleen Dewhurst Community Room and the newly renovated Bette Midler Rooftop and Garden. On-site social services include a range of community programs and the Waldman Living Room for seniors. The Friedman Residence also features 24-hour security.
Criteria: Income Eligibility: 1-person household: $28,500 - $47,760
23. WILD CULTURE , WILD PROJECT
DEADLINE: Rolling
WEBSITE: http://www.thewildproject.org/programs/wild-culture/
Wild Culture is a program where wild project partners with a cross-section of independent, downtown performance artists to help both professional and emerging theater performers nurture, broaden and advance projects that are in various stages of development. Wild Culture gives artists free or subsidized space at wild project’s 89-seat eco-friendly theater, a stipend, box-office split, tech staff, marketing and community outreach to sustain the innovative creativity of downtown performance and unburden independent artists from prohibitive production costs. The program generally grants each project limited engagements of one to three performances. Projects that wish to submit to Wild Culture should align with wild project’s mission to enrich and educate the community, explore issues relating to female, BIPOC, and LGBTQIA+ artist communities, and demonstrate a clear performance aesthetic.
Wild Culture adapts each partnership to the specific needs and artistic vision of the project. Wild Culture is an ongoing program throughout the year.
If you have a project that might be suitable for a Wild Culture partnership, please email Producing Artistic Director Ana Mari de Quesada at adequesada@thewildproject.org to get the conversation going to partner with u
24.LONG WHARF THEATRE LITERARY PROGRAM & NEW WORK DEVELOPMENT
DEADLINE: Year round
WEBSITE: https://longwharf.org/casting-and-literary
Long Wharf Theatre has a proud and rich history of forming meaningful relationships with artists, supporting the development of their work, and moving their projects towards production. We are particularly interested in incubating new pieces that center BIPOC voices, push form, and feature innovative dramaturgy. We are also eager to support projects that originate with artists other than playwrights, such as designers, directors, dramaturgs, and activists. Many of these works have become part of the modern American canon with more than thirty Long Wharf Theatre productions transferred to Broadway or Off-Broadway runs. We are revitalizing our commitment to playwrights at all stages in their careers, and are now welcoming scripts from unrepresented playwrights as well as agents.
Email scripts to: literary@longwharf.org
Type of Materials: Full-length, One act, 10-minute scripts, musicals, adaptations, translations, virtual/Zoom plays.
25. PURPLE ROSE SUBMISSIONS DEADLINE: NA
WEBSITE: https://www.purplerosetheatre.org/opportunities/script-submissions/
It is our mission to develop and produce new plays that give voice to a wide and diverse range of playwrights. We are unique in our journey toward quality storytelling, as we accept scripts from playwrights who have agency representation, as well as those who do not. Because of this, we receive a large number of submissions, and while we want to read everything that comes in, we also want to make sure that all who plan to submit understands that the Purple Rose is a professional theatre and only wishes to see the best work in which a playwright is capable. In addition to selecting a play that exemplifies a playwright’s storytelling ability, he/she/they must please adhere to the following guidelines to be accepted or considered.
Please submit only the first 40 pages; the title page does not count, however the character description/setting page will. Please include a brief synopsis on this page as well.
The 40 pages must be part of a full-length play. At this time we do not accept One-Acts or monologues.
Please save the file as monthyear: TITLE OF PLAY_Last Name; ex. 0722: MY PLAY_Playwright
The file must be in PDF; .doc, .docx, Google Drive files, .fdx or any extension other than .pdf will not be accepted or opened.
Dramatists Guild Modern Stage Play format is preferred but not required.
Include a brief synopsis of the play in the body of the email; emails containing scene-by-scene breakdowns will not be read.
Provide any development histories and production rights including, but not limited to: workshops, readings, former/current/slotted productions, labs, conferences, liens, etc.
Please notify us of any agency representation and include their contact information.
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